Summary: The Gothic Iconoclasm

But it was clear that it was not absolute because God gave instructions on how to make a three-dimensional Cherubim for the Ark of the Covenant, which was quoted in the Old Testament, a couple of chapters after the passage that prohibits images. Emperor Constantine V gave a slightly different theological approach for iconoclasm. He claimed, " He claimed that each visual representation of Christ necessarily ends in a heresy since Christ, according to generally accepted Christian dogmas, is simultaneously God and man, united without separation, and any visual depiction of Christ either separates these natures, representing Christ’s humanity alone, or confuses

African slaves were brought to America from many tribes and they brought with them a variety of beliefs and practices. In some ways, the religion that many West Africans practiced bears a striking resemble to the practices of Christianity and Judaism. There are however several differences that make it clear that it is its own separate faith. On the plantations in America slaves were taught a “modify” version of Christianity so that they would obey their masters, and often times slaves would hold their own services. Other slaves believed in and practice what was called “conjuration” along with Christianity.

In Basil Davidson’s video “Different but Equal,” he outlines the European perception of Africa upon their discovery of the continent. Claims that the Europeans were making about African culture, however, were far fetched and did not depict Africa in a positive manner. History according to pre-European Africa was rich and diverse, but once Europeans saw for themselves how different their continent was from Africa, they began to make up their own version of African history.

African firmly believes that there is a living communion or bond of life which makes for solidarity among members of the same family. Before Christianity, Africans did have their own system of salvation. In traditional religions, salvation can and does take the form of courage to face the reality of morality. The church was looked art as a place for political activity, a source of economic cooperation, an agency of social control, and a refuge in a hostile white world. Slaves worshiped with great enthusiasm. Religion, after all, provided a ready refuge from their daily miseries and kindled the hope that one day their sorrows might end. Planter's actually encouraged religious observances among their slaves hoping that exposure to Christian precepts might make their laborers more docile, less prone to run away, and more cooperative and efficient workers. But slaves turned biblical scriptures to their own purposes forging a theology that often emphasized the theme of liberation. It was easy for them to see, for example, in the figure of Moses a useful model for their own dreams; like the Israelites, they too were ready to cross a River Jordan into a promised land of freedom. The religious services held in the quarters provided slaves with so many positive experiences that, even as they were being exploited, they managed bravely, but perhaps not too surprisingly, to feel that they were free within themselves. In this way slaves began to achieve a degree of liberation well

For centuries, Africans and their belief systems have been derided. Instead of being studied as “valid and meaningful responses to the universal terms of human existence,” African religions have often been considered “exotic objects… peculiar and incomprehensible or repellent.” For many Europeans, Christianity was by far the superior religion, and they strove to convert Africans. One kingdom where they seemed to enjoy success was Kongo. By 1704, the people living there had been Catholic “for six generations – nearly two centuries.” The Kongolese took great pride in this, believing that it made them “superior” to their neighbours. Moreover, both the Kongolese and the Church took pride in the fact that Christianity “had come to Kongo not through conquest and forced conversion, but through the voluntary conversion of João I.” Despite this achievement, though, the Church more – the Kongolese had to practice Catholicism exactly as the Europeans did. With the coming of Dona Beatriz Kimpa Vita, who claimed to be possessed by Saint Anthony, this conflict would become more apparent than ever before. Though the Capuchins succeeded in having Dona Beatriz burnt at the stake, they failed in their ultimate goal of fully converting the Kongolese to their form of Catholicism.

“It should not be possible to treat a slave with Christian fairness and instruct him in the Christian faith as a just substitute for his pagan practices, without mollifying the relationship between master and slave. It has to be. Otherwise Christianity would not be able to spread. Otherwise the African would be deemed our equal simply because he shared out faith in one God and the Afterlife. We both know of the above to be false because of the evidence of how Africans live in their Primitive Land.” (p.111)

The three treatises by Damascus, are aimed “against those who rejected the use of icons.” Damascus argues that “the theological fact of the incarnation of Christ provides a solid formation for the use of icons in devotion.” Damascus explains many different physical items, such as icons, in worship and adoration. An example of one of the physical items he used as icons is, “Was not the triply blessed wood of the cross matter.”

The Gothic Imagery in Red Room by Nicci French Gothic Imagery 1: The red-room is dark like blood. It emits strange noises and has a large mirror that distorts Jane's appearance. The late Mr. Reed died there, and Jane imagines his ghost now haunts the room, troubled by wrongdoing regarding his last wishes. Outside it is raining, the wind blows against the moors, faint voices are heard.

One of the first things that attracted the African American slaves to Christianity was a way of obtaining the salvation of theirs souls based on the Christian’s idea of a future reward in heaven or punishment in hell, which did not exist in their primary religion. The religious principles inherited from Africa sought purely physical salvation and excluded the salvation of the soul. However, they did believe in one supreme God, which made it easier for them to assimilate Christianity.

life” (Visual Arts Cork). The Roman Catholics were criticized for having false images of the bible in their artworks and worshipping idols as if they were holy. This decreased the amount of paintings of idol figures from the Protestants Luther stated that anything that one imagines of God apart from Christ is only useless thinking and vain idolatry. “You are not to have no other Gods” (Exodus 20:3).

Long before their contact with whites, Africans were a strongly religious, and deeply spiritual people. During the early history of slavery, the African American spirituality was often seen by whites as a pagan faith. These rituals and dogmas were seen by whites as Voodoo, Hoodoo, Witchcraft, and superstitions. They often commented on these "pagan practices," and fetishes, and were threatened by them. As a result, great effort was put on eradicating these practices, and many were lost within a generation.# Although tremendous efforts was placed on eradicating the “superstitious” religious beliefs of the African slaves, they were not immediately introduced to the religion of white slave masters, Christianity. Many planters resisted the idea of converting slaves to Christianity out of a fear that baptism would change a slave's legal status. The black population was generally untouched by Christianity until the religious revivals of the 1730s and 1740s. The Bible was manipulated to support the institution of slavery and its inhumane practices. Christianity was used to suppress and conform slaves. Slaveholders, priests, and those tied to the Church undermined the beliefs of the millions of African-Americans converts.# White Christianity was used to justify the enslavement of blacks. By the early nineteenth century, slaveholders had adopted the view that Christianity would make slaves more submissive and orderly.

In a freezing class, two brilliant minds unlocked the fiery passion that is their talent one an artist the other a writer. Bringing to light a history long forgotten creating abstract thoughts arbitrary to our own. Komi Olaf the artist and Okey Ndibe the writer not only enlightening the class but also the world with each brush stroke and each word. Every creation stemming from the hands of these masters tell of issues at the heart of Africa from colonialism to existential dilemmas. Thru spoken word, hip-hop, art, music, poems and literature issues close at heart to the artists and to Africa are portrayed. This paper will focus on the art exhibit by Komi Olaf and Foreign Gods inc by Okey Ndibe as spoken by them during their discussion in the class on October 13th. Where the talks focused on the key course objectives being stereotypes, post-colonialism, youth culture, and resistance.

Peter. God Damballah – the master of the skies and rivers, whose symbol in African religion is a snake became a St. Patrick, mainly due to the fact that St. Patrick was keen on snakes. Even the Virgin Mary picked up an analogy – the goddess of love and fertility Erzulie. The only one who did not find a decent replacement in Vodou was Jesus Christ. Europeans were very surprised with the fact that black people of Haiti always avoided Jesus Christ in their prayers.

This chapter in Africans and Their History by Joseph Harris presents some of the roots of the stereotypes and myths about Africa in the past and for the most part are still held today. Harris discusses how the “greats” of history, geography, and literature starting a path of devaluation of Africans that writers after their time followed. Harris also denounced the language that these “greats” used to describe and talk about Africans. He asserts that this language inherently painted Africans as inferior and subhuman.

The fact that religion is exploited for personal and social gain can be seen throughout history, and will be later discussed.