Superstitions In The Minister's Black Veil

Father Hooper, a character in The Ministers Black Veil, has put a wall up between himself and his parishioners with the simple adornment of a veil. The veil is symbolic of secret and sin the Father is trying to hide from the world. A secret so massive, it is not even to be removed by his Fiancee’, Elizabeth. While he, himself will not let his secrets be known until his earthly departure, it can be presumed that they carry the weight of infidelity. On his deathbed, Father Hooper described seeing a black veil on everyone he has met, perceiving that everyone has their own walls and

    There is no end to the ambiguity in Nathaniel Hawthorne’s “The Minister’s Black Veil”; this essay hopes to explore this problem within the tale.

Nathaniel Hawthorne's "The Minister's Black Veil" embodies the hidden sins that we all hide and that in turn distance us from the ones we love most. Reverend Hooper dons a black veil throughout this story, and never takes it off. He has discerned in everyone a dark, hidden self of secret sin. In wearing the veil Hooper dramatizes the isolation that each person experiences when they are chained down by their own sinful deeds. He has realizes that symbolically everyone can be found in the shadow of their own dark veil. Hooper in wearing this shroud across his face is only amplifying the dark side of people and the truth of human existence and nature.

In every aspect of their lives, the goal of the Puritans was to make a society that would be in every way, connected to God. In “Sinner in the Hands of an Angry God” by Jonathan Edwards and “The Minister’s Black Veil” by Nathaniel Hawthorne, the two authors convey Puritan beliefs in two very different ways. Edwards projects these ideas by putting fear into his people, while Hawthorne takes a less critical approach to express his Puritan beliefs. While Hawthorne’s style is gloomy and strange, Jonathan Edwards challenges the reader’s understanding of Puritan ideals of religion by using symbolism, imagery, and details to steer his congregation away from sin and toward God.

Symbolism plays a major role in the “Minister’s Black Veil” by Nathaniel Hawthorne. It influences the setting of the story and it complements the moral message. The minister, Mr. Hooper, has a lot of faith and is very committed to helping the society to be more faithful and closer to God. He lives a very harsh live being rejected by society and goes through unpleasant moments to achieve his original goal. When he decides to wear the black veil, he was not trying to be mysterious and create a gloomy environment like he did; he had much more than that in mind. The Black Veil represents the thought of the puritans that sin was an inexcusable mistake, the secret sin and dark side in each individual, and he uses

Nathaniel Hawthorne utilizes the color of the veil, Mr Hooper’s speech to the townspeople, and the contrast of the bad veil in good events to once again showcase his views on the everlasting effect of guilt and sin. While it may be a harsh concept to comprehend, when one comes to terms with this, it leaves a feeling of ease. Once one knows that there is no time of the day where they can be freed of the feeling of guilt is when they can truly love themselves. Remember that sin is like a convenience store, it is open 24/7, and everyone has to take a trip there once in awhile, so there is no reason to be

In the short story The Minister's Black Veil Nathaniel Hawthorne is explaining how mankind is afflicted by the seven sins. The officer of the church is ring the town bell calling all the people of the village to church, when the church sexton sees Mr. Hooper leave his house he stops ring the bell. The people of the town don't like the Hoopers change in appearance they think that he has lost his sanity and no one walks on the side of the street he lives on. Later in the story the their is a funeral for a young woman and the town people think that's why Hooper is wearing the Black veil “for his own secret sins”. The young minister asks Hooper to remove the veil as Hooper is dying. Hooper is brought to his grave, “Many years pass, and grass

Author Nathaniel Hawthorne fabricates a new image of the life lived by Christian Protestant during 1836 Puritanism. The story “The Minister’s Black Veil” takes place in a small Puritan community where sin is greatly looked down upon and the only way into eternal life in heaven is to do onto others good deeds. At the beginning of the story everyone turns their heads to look as Reverend Hooper walks up to his pulpit wearing all but one item to be thought as normal. Everyone living in America today can relate to how it feels to be different than the greater society. Looking back at Puritan communities it was even worse and very consequential to be out of the ordinary. Corresponding with discrimination of divergence and belief in society today, the marvellous black veil cloaked upon Reverend Hooper’s disturbed face stands as a mirror, as it resembles a looking glass reflecting on those who have sinned themselves but are incapable of seeing it. “Such was the effect of this simple piece of crape, that more than one woman of

What was exclaimed by Minister Hooper on his deathbed claimed that the Puritans in his society are hypocrites, as well as making another essential point of not worrying of the sins of others, but instead working for the redemption of one’s sins. “Have men avoided me, and women shown no pity, and children screamed and fled, only for my black veil? What, but the mystery which it obscurely typifies, has made this piece of crape so awful? When the friend shows his inmost heart to his friend; the lover to his best beloved; when man does not vainly shrink from the eye of his Creator, loathsomely treasuring up the secret of his sin; then deem me a monster, for the symbol beneath which I have lived, and die! I look around me, and, lo! on every visage a Black Veil!” (Hawthorne 17). Words are spewed from Minister Hooper, as he finally lets out the mystery of the black veil; as he allows the audience not to see his face but the inner workings of his dark

Throughout the short story, “The Minister’s Black Veil,” Reverend Hooper has a secret sin that is depicted as a mystery to the characters within the story and the readers, but teaches a parable. He wears the black veil for the rest of his life, even on his deathbed: an example in the literal sense for a spiritual sentiment. The crux of the parable is that every person dons a black veil, perhaps not physically, but spiritually. Hooper continually expresses that everyone hide sins and should fear one another instead of being terrified of his visually expressed sin as he had the audacity to wear a black crape, partially covering his face, for the rest of his mortal life. In “The

In Nathaniel Hawthorne's "The Minister's Black Veil," Mr. Hooper, a Reverend in the town of Milford, surprises his parishioners by donning a conspicuous black veil one Sunday. The town is visibly spooked, yet still curious, about his eerie appearance and profoundly affected by his sermon on secret sin. "A subtle power was breathed into his words. Each member of the congregation, the most innocent girl, and the man of hardened breast, felt as if the preacher had crept upon them, behind his awful veil, and discovered their hoarded iniquity of deed or thought" (2432). The parishioner's expect that Hooper will only don the veil for one day and then remove it, having used the visage to make his point on secret sin, but they are taken aback to

“The Minister’s Black Veil” seems like a moral allegory. Not just the veil but the act of wearing it is important. The veil also alienates the parson from people.

The short story “The Minister’s Black Veil” by Nathaniel Hawthorne follows the minister Mr. Hooper whose simple change in appearance alters the very nature of his existence in society till his death. While his decision to begin to wear a black veil over his face ostracizes him from society, it also turns him into a more influential clergyman. With the symbolism of the black veil and in a somber tone, Hawthorne makes a statement on the involvement of society in personal matters and the “black veil” that is present over the heart of every man, making the point that everyone is guilty of being sinful.

If we take “The Minister’s Black Veil” as a horror story, it leads us to certain conclusions about the nature of the veil and Hooper’s refusal to take it off. If horror is something that centers upon the horrifying or macabre, especially concerning the supernatural, one can see that this story could belong. Hooper never divulges the exact nature of the veil, and we are left to speculate about what it could possibly mean. Several possibilities present themselves if we think of this story as a horror story; it could be that the veil is covering Hooper’s face to be a constant reminder to his congregation and all who see him of secret sin. It seems that the idea that he could possibly know someone’s secret sin is terrifying to the townspeople. Indeed, this veil does give Hooper “awful power over souls that were in agony for sin” (943). Sinners fear him, because they feel that the black veil is a reference to their own personal secret sins. And the veil gives him an association with the dead and ghostly qualities; after the girl’s funeral at the beginning of the story, one woman remarks that she thought she saw Hooper walking hand in hand with the ghost of the dead girl. Such things would not have been imagined if he had never donned the veil.

The black veil brings up confusion and interest to the Puritan society because everyone has a different view as to why Mr. Hooper is walking around with his face covered with a veil. To the townspeople, Hooper’s veil is a clear sign that he is trying to atone for a grave sin. “There was but one thing remarkable about his appearance. Swathed about his forehead, and hanging down over his face so low as to be shaken by his breath, Mr. Hooper had on a black veil. On a nearer view it seemed to consist of two folds of crape, which entirely concealed his features, except the mouth and chin, but probably did not intercept his sight, further than to give a darkened aspect to all living and inanimate things” (Hawthorne 369). Although Hooper identifies the veil in a different manner, the townspeople use the veil to focus exclusively on Hooper’s sinfulness because, deep