Susan Glaspell’s One-Act Play, Trifles: Men Vs Women

In Trifles, Susan Glaspell debates the roles between men and women during a period where a debate was not widely conducted. Glaspell wrote Trifles in the early 1900s—a time when feminism was just getting started. In this play, Glaspell shows us her perspective on the roles of men and women and how she believes the situation would play out. Trifles seems like another murder mystery on the surface, but the play has a much more profound meaning behind it. Glaspell presents the idea that men and women analyze situations differently, and how these situations are resolved based on how we interpret them. Research shows that women’s brains “may be optimized for combining analytical and intuitive thinking.” On the other hand, male brains are predominately “optimized for motor skills and actions” (Lewis). In the play, this research shows true when the women, Mrs. Hale and Mrs. Peters, analyze details rather than looking at the apparent, physical evidence, and they find out the motive of the murder. The men, on the other hand, look at broader evidence that does not lead to any substantial conclusion. When Glaspell was writing this play, she wanted the women to be the real instigators, the ones that would end up solving the mystery. While the men in the story laugh at the ‘trifles’ that women worry about, these details mean a great deal in Glaspell’s eyes. Glaspell presents the idea what men and women are different in the way they live their lives through detail.

Susan Glaspell’s one-act play “Trifles” was written in 1916. It was written based on real events. When Glaspell was a reporter, she covered a murder case in a small town in Iowa. Later, she wrote this short play which was inspired by her investigation and what she observed. Glaspell used irony, symbolism, and setting in her creation of the authentic American drama, “Trifles”, to express life for women in a male-dominated society in the early nineteen hundreds.

“Trifles” by Susan Glaspell is situated in 1916 and is a one act play which incorporates essential components of what the women’s rights movement was about. After moving on from Iowa’s Drake University in 1899, Glaspell commenced her writing vocation of composing short stories and books. The play from Glaspell recounts the story of a homicide mystery involving the married couple of Mrs. Wright (Minnie) and her spouse, the murder victim, John Wright; this story also incorporates the outlook of society towards women being viewed as beneath men. “Trifles” demonstrates the unfair mentality regularly acknowledged among men towards women in 1916. In addition, it showcases the big role comradery plays for women in becoming equal represented

“Trifles” is a perplexing drama that begins with a murder in a midwestern farmhouse. John Wright is found dead with a knot tied perfectly around his neck. In this one act play, Susan Glaspell, reveals the truth of women's suffrage during the early twentieth century. Women are restricted when it comes to individual rights. Without being able to vote, be a part of a jury, and working mostly out of their home, women have the unfair disadvantage in life. “Trifles” shows the treatment women undergo. The main theme of “Trifles” is the contrast of genders, stereotypes, and how view each other’s role.

While each proses a serve of justice and determination to do the right thing; the men approach the crime scene emotionless, indifferent and determined to go in and get to the bottom of the mystery as quick as possible, and push aside the little details. Little do they know that the things they are putting off could be very essential to their case? For example, in a conversation between the attorney and Mr. Hale who remarks, “..I said to Harry that I didn’t know as what his wife wanted made such a difference to John..” who was interrupted by the attorney in mid conversation and interjects, “Let’s talk about that later, Mr. Hale. I do want to talk about that, but tell now just what happened when you got to the house.” (1127) Meanwhile, while the men are out on their hunt for clues, the women stay in the kitchen to look through Mrs. Wright’s things and discuss a motive for why she killed her husband. Glaspell proposes a plan that by looking deeper into circumstances, you may in turn fully understand its true meaning; leaving no stone left unturned.

Marriage a sacred bond uniting two people who are so deeply in love that they can't live without one another, for even a second. Many couples in this situation take these marriage vows to have and to hold, from this day forward, for better, for worse, for richer, for poorer, in sickness and in health, until death do us part. Those vows remain cherished throughout the years of marriage. Partner’s share intimate details and form a strong trustworthy bond with one another. Often couples settle into a routine, move out of the city and have children. Occasionally over time that love will fade; couples change and lose interest in one another and begin to look for a way out of marriage. In Susan Glaspell’s play Trifles, there is evidence to

In the 19th Century, women had different roles and treated differently compared to today’s women in American society. In the past, men expected women to carry out the duties of a homemaker, which consisted of cleaning and cooking. In earlier years, men did not allow women to have opinions or carry on a job outside of the household. As today’s societies, women leave the house to carry on jobs that allow them to speak their minds and carry on roles that men carried out in earlier years. In the 19th Century, men stereotyped women to be insignificant, not think with their minds about issues outside of the kitchen or home. In the play Trifles, written by Susan Glaspell, the writer portrays how women in earlier years have no rights and men

Between December 1st and 2nd 1900, John Hossack (a farmer from Warren County, Iowa) was murdered with an ax by his wife while in bed (Iowa Cold Cases, Inc). This play was inspired by the true story of Margaret Hossack, an Iowa farm wife who was charged with the murder of her husband John. One of the reporters, Susan Glaspell, decided to write a literary version of this investigation and “Trifles” came to be. Susan Glaspell is a feminist writer from Davenport, Iowa who started off writing for a newspaper called Des Moines Daily News. Later on in her literary career she left the journalism industry and founded a theatrical organization called ‘Provincetown Players’ on Cape Cod, Massachusetts (Waterman). In Trifles, Susan Glaspell exposes women’s suffrage through a feminist voice by covering issues regarding female oppression and patriarchal domination and symbolically illustrating the 19th century married woman as a caged bird.

“A Jury of Her Peers” is a short story written by Susan Glaspell in 1917 illustrates early feminist literature. The two female characters, Mrs. Peters and Mrs. Hale, is able to solve the mystery of who the murderer of John Wright while their male counterparts could not. This short story had been adapted from Glaspell’s one-act play Trifles written the previous year. The play consists of the same characters and plotline as the story. In both works, Glaspell depicts how the men, Sheriff Peters and Mr. Hale, disregard the most important area in the house, the kitchen, when it comes to their investigation. In the end, the women are the ones who find clues that lead to the conclusion of Minnie Wright, John Wright’s wife, is the one who murdered him. Both of Glaspell’s female characters illustrate the ability to step into a male dominated profession by taking on the role of detective. According to Critical Theory Today: A User-Friendly Guide, written by Lois Tyson, a reader-response critique “focuses on readers’ response to literary texts” and it’s a diverse area (169). Through a reader-response criticism from a feminist lens, we are able to analyze how “A Jury of Her Peers” and Trifles depict how a patriarchal society oppresses women in the early twentieth century, gender stereotypes confined both men and women and the emergence of the New Woman is illustrated.

The play ?Trifles?, by Susan Glaspell , is an examination of the different levels of early 1900?s mid-western farming society?s attitudes towards women and equality. The obvious theme in this story is men discounting women?s intelligence and their ability to play a man?s role, as detectives, in the story. A less apparent theme is the empathy the women in the plot find for each other. Looking at the play from this perspective we see a distinct set of characters, a plot, and a final act of sacrifice.

In Susan Glaspell’s play Trifles, written in 1916, two female characters are left in the kitchen of a house where a murder has been committed, while the menfolk search around for clues. The men largely ignore the women and are mocking of them and their petty concerns on the occasions that they do speak to them. While the men are about looking for the “cold hard facts” of the murder, the women are in the kitchen bothering with “trifles” that display all of the details about the wife’s life and, most probably, her motivation for the murder. In this play, Susan Glaspell has written male characters that clearly display the “Ethics of Justice”, a sort of right is right and wrong is wrong view; while the women clearly embody the “Ethics of Care”, a view that takes relationships and feelings into account when judging the morality of actions.

"Trifles," a one-act play written by Susan Glaspell, is a cleverly written story about a murder and more importantly, it effectively describes the treatment of women during the early 1900s. In the opening scene, we learn a great deal of information about the people of the play and of their opinions. We know that there are five main characters, three men and two women. The weather outside is frighteningly cold, and yet the men enter the warm farmhouse first. The women stand together away from the men, which immediately puts the men against the women. Mrs. Hale?s and Mrs. Peters?s treatment from the men in the play is reflective of the beliefs of that time. These women, aware of

In Trifles by Susan Glaspell, the central character remains unseen for the entirety of the piece. “The central character - the person whose actions are to be understood - is absent, thus rendering her all the more a figurative blank space” (Keetley 342). The audience never sees or hears Minnie Wright throughout the piece, and therefor cannot develop an accurate opinion of the outcome of the play, as they are missing vital information about Minnie’s personality. The audience and characters instead make several assumptions about the truth that cannot be verified without closer inspection of Minnie’s personality and experiences. Glaspell’s use of an unseen central character in Trifles causes the story to develop based on assumptions made by

Minnie Wright, the main character in Trifles, is a woman whose intelligence is measured by men based upon Minnie’s ability to keep house, preserve foods and perform other traditional female roles. Her husband, Mr. Wright, is unable to see how truly smart she is because he convinces himself she is capable of being nothing more than a naïve housewife. In Susan Glaspell’s Trifles, predetermined status based upon gender roles stifles a person’s true abilities, resulting in dismissal of intellect despite kinesthetic achievements. The first thing the reader notices in regard to gender roles is the title. Trifles, by definition, means something of insignificance, which is how the men see the women in the story.

A trifle is something that has little value or importance, and there are many seeming "trifles" in Susan Glaspell's one-act play "Trifles." The irony is that these "trifles" carry more weight and significance than first seems to be the case. Just as Glaspell's play ultimately reveals a sympathetic nature in Mrs. Peters and Mrs. Hale, the evidence that the men investigators fail to observe, because they are blind to the things that have importance to a woman, reveals the identity of the murderer and are, therefore, not really "trifles," after all. Thus, the title of the play has a double-meaning: it refers, satirically, to the way "trifling" way some men perceive women, and it also acts as an ironic gesture to the fact that women are not as "trifling" as these men make them out to be. This paper will analyze setting, characters, plot, stage directions, symbolism, themes and genre to show how Glaspell's "Trifles" is an ironic indictment not of a murderess but rather of the men who push women to such acts.