The social sciences became so pervasive in the twentieth century they not only produced new additions to medical discourse, but completely shifted the means of enforcing power. The emergence of individualism and the importance that was placed on one's essential and core identity made it so power that was once externally imposed by physical punishment only, began to enforce itself by way of the individual. The internalization of surveillance, domination, and discipline created a society of self policing individuals. This self policing behavior is most evident among women, and unlike the bodily protest against domestic expectations and other inequalities; it is the internalization of these oppressions, however ultimately manifesting as illness …show more content…
For example: Female suffering became an identifying factor in what it meant to be a woman in the nineteenth century, specifically a desired women, this suffrage became incorporated into the structure of the women herself. Understandably so; when one's worth is defined solely by desirability this desirability is crucial to identity. Even if that identity is of suffrage and victimhood, it allowed for mastery of self, during a time when women were not often afforded the ability to master much of anything.
“Susan Sontag has described the heyday of a “nihilistic and sentimental” nineteenth- century logic that found appeal in female suffering: “Sadness made one ‘interesting.’ It was a mark of refinement, of sensibility, to be sad. That is, to be powerless.” This appeal mapped largely onto illness: “Sadness and tuberculosis became synonymous,” she writes, and both were coveted. Sadness was interesting and sickness was its handmaiden, providing not only cause but also symptoms. “The melancholy character was a superior one: sensitive, creative, a being apart,” she writes. Sickness was “a becoming frailty … symbolized an appealing vulnerability, a superior sensitivity, [and] became more and more the ideal look for women.”” (Jamison,
Eric G. Wilson was born in 1967, and attended Appalachian State University, Wake Forest University, and the City University of New York where he gained a Ph.D. Wilson is currently a professor at Wake Forest University who teaches courses on British and American Romanticism. He has written many books, and “The Miracle of Melancholia” was published in the Los Angeles Times. I have never really thought too much about the effects that sadness can have on people, especially the positive effects. After reading the first paragraph of this piece, I was a little skeptical but as I continued to read, the author’s argument further developed and I now agree that sadness can have positive effects.
The social code of the Victorian era places women in a role of obedience. They are expected to fulfill duties such as a mother, keeper of a house, and to be a quiet and “behaved” spouse. The narrator in this story is an obedient spouse, who has become a new mother that experiences postpartum depression. The change in her role sparks a change in her demeanor, causing a “nervous condition”, in which her husband dictates her treatment. John’s treatment of his wife represents the powerless-ness and repression of women during the late nineteenth-century.” (Wilson). John’s authority over her treatment, mimics that of patient to doctor relationship, and further reminds her of her secondary status during the era.
Because of the imposed judgments placed on Miss Sasagawara, she became aloof and withdrawn from society, until misery seeps in. Her admission to the hospital on the assumption she had appendicitis when it was not the case as was verified by the doctor since “her [blood] count’s all right” (25), subtly suggests that what Miss Sasagawara may really be suffering from was the lack of concern for her emotional wellbeing instead of a physical illness.
Overtime the understanding of human society has been seen and described in many different perspectives. With new concepts and point of views backed by research and study, sociology continues to be changed and adjusted as we learn more about humanity every day. But the interesting thing is, that the way sociology changes, is similar to the way many things in life change over time as well. For example, in this paper we will look at the medicalization of society through its three main perspectives, and see that they work hand in hand. The medicalization of society is constantly changing due to ever-growing technology and discoveries. We continue to learn more and more each day about both sociology and medicalization which is why it is easy for us to put them both into the same perspective together. The medicalization of society can be explained through the three main sociological perspectives allowing us to better understand and analysis each concept for its own different meaning.
In "A Sorrowful Woman" the wife is depressed with her life, so much so, "The sight of them made her so sad and sick she did not want to see them ever again"(p.1). This wife and mother has come to detest her life, the sight of her family,
In the sociology of medicine Parson (1951) regarded medicine as functional in social terms. By tackling the person’s problems in medical terms the tendency towards deviance that was represented by ill health could be safely directed, until they could return to their normal self. (Lawrence 1994: p 64-65: BMJ 2004: Parson cited in Gabe, Bury & Elston 2006, p 127).
Hysteria was one of the class diseases of the 19th century…for centuries hysteria has been seen as characteristically female- the hysterical woman the embodiment of a perverse or hyper femininity…and in [the 1870s, 1880s, and 1890s…physicians reported a high incidence of nervous disease and hysteria among women who felt overwhelmed by the burdens of frequent pregnancies, the demands of children, the daily exertions of housekeeping and family management (Smith-Rosenberg, 1972, 652, 653, 657).
Hysteria was the “go-to, catchall diagnosis” for all women, consisting of any “problem” including, but not limited to, nervousness, faintness, loss of appetite, (lack of) sexual desire, headaches, insomnia, muscle spasms, and trouble-making. For centuries, literature portrayed as submissive and obedient to men and oppressed by society, culture, and even men. In The Yellow Wallpaper, Gilman presents readers with a story of a woman suffering from depression, possibly post-partum, but whose remedy is “rest cure,” a treatment invented by Silas Weir Mitchell for neurasthenia involving isolation and rest as a cure for hysteria in all its forms. The Yellow Wallpaper is a narrative concerning the gradual demise of the mental stability of an unnamed, newly married upper-middle class woman in late nineteenth century rural America. Gilman uses psychological terror to not only portray the narrator’s fall to insanity, but also to shed light on the rather unfortunate role of women in the institution of marriage. The narrator’s husband, John, is a physician who firmly expresses disbelief in his wife’s claims of depression. From the beginning of the story, the reader can tell immediately that the narrator has absolutely no voice. John assures her and others that nothing is wrong but “temporary nervous
In "A Woman's Beauty: Put-down or Power Source," Susan Sontag portrays how a woman's beauty has been degraded while being called beautiful and how that conceives their true identity as it seems to portray innocence and honesty while hiding the ugliness of the truth. Over the years, women have being classified as the gentler sex and regarded as the fairer gender. Sontag uses narrative structure to express the conventional attitude, which defines beauty as a concept applied today only to women and their outward appearance. She accomplishes this by using the technique of contrast to distinguish the beauty between men and women and establishing a variation in her essay, by using effective language.
In the world that we live in today, many people would find it difficult to imagine living in a world where medicine and treatment are not readily available. The replacement of religious explanations to medical and scientific explanations has become a means of social control. If a person is in pain, they can easily set up an appointment with a doctor and receive some sort of medical diagnosis. However, there are certain instances where a problem has not been medicalized, or recognized as a medical problem, and their issue will be dismissed completely. The movie One Flew Over the Cuckoo’s Nest delves into the idea of medicalization and how it can be used for the good, or for the bad, in terms of the “sick role.” Medicalization in the
John demonstrates the power of male to stop his wife’s complaints. John holds resolutely to the conventional lines of the marriage plot and produces authority out of a distanced and ironic critique of women diseases. Janice Peritz stated in her journal that, ‘’Author, Williams Howell, had nothing to say about the provocative feminism of Gilman’s text after he added her short story to his collection which caused Gilman’s story to be completely ignored’’. Gilman makes a strong statement about males in society during her time period. The men are portrayed to really see women as children more than as individuals. The dominance of men is undeniable, ‘’ He does not believe I’m sick’’. The narrator has lost control to decide is she’s sick or not, which is one of the most basic things a person can determine. The narrator stated, “If a physician of high standing, and one’s own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression, what is one to do?” Gilman portrays that women ‘‘invented” their emotional illnesses in order to attract attention and sympathy of other relatives. It is possible to say that male physicians prefer to find any excuse not to treat psychological disorders seeing them unimportant and even “imaginary”. The typical male makes his wife a conformist by enforcing his
I chose gender criticism this theory to analyze the gender roles and the gender expectations displayed in “Lady Susan”. I chose this theory because “Lady Susan” mainly discussed the relationship between males and females, and the interesting gender roles the characters played. Thus, gender criticism theory can help me to understand and comprehend the underlying meanings of different characters’ conducts and personalities as females.
The conceptualisation of medicine as an institution of societal control was first theorised by Parsons (1951), and from this stemmed the notion of the deviant termed illness in which the “sick role” was a legitimised condition. The societal reaction and perspective was deemed a pillar of the emerging social construction of disease and conception of the formalised medical model of disease. Concerns surrounding medicalisation fundamentally stem from the fusion of social and medical concerns wherein the lines between the two are gradually blurred and the the social consequences of the proliferation of disease diagnosis that results from such ambiguities of the social medical model.
The nature of their illnesses also reflect the gender roles of the era. While Roderick’s illness amplifies his senses, Madeline’s disease, described as “a settle apathy, a gradual wasting away of the person”, dampens hers, reducing her into an ‘barely-there’, almost ghostly, individual. Roderick is able to isolate himself from the outside world to spare him from the torture
In Approaching Artaud, Under the Sign of Saturn, written by Susan Sontag, she discusses the level of impact and influence Antonin Artaud had and continues to have in performance art. This essay will be a reflective response to the various ideas of who Antonin Artaud was, what he did as a performer and what his various ideas were in relation to performance art and art in general. This essay will also include a critical analysis on Susan Sontag ideas regarding Antonin Artaud, supported by quotations from the provided article specifically assigned, that will assist in the response expression of her given response in the article.