Symbolism And Metaphors In A Streetcar Named Desire By Tennessee Williams

Unlike character, characterization can be defined as methods an author uses to create the characters. Two examples an author can use are direct characterization where a character is directly described by the author, and indirect characterization where the character is revealed by their actions, reactions of other characters, thought, and speech. There are a few scenes in the play where the author directly describes a character. One example of major direct characterization comes from scene one in which Stanley is first introduced and described. Tennessee Williams writes, “Branching out from this complete and satisfying center are all the auxiliary channels of his life, such as his heartiness with men, his appreciation of rough humor, his love of good drink and food and games, his car, his radio, everything that is his emblem of the gaudy seed-bearer.” (Williams 84). His description of Stanley gives the reader a picture of how he acts and how he will act throughout the rest of the story. Much of the indirect characterization of the play can also be centered around the heated topic of sensuality. Blanche is an important character whose characterization heavily relies on her actions related to sensuality, and other’s reactions to her actions. “Blanche waltzes to the music with romantic gestures. Mitch is delighted and moves in awkward imitation like a dancing bear.” (Williams 97). This quote shows the relationship between Blanche and Mitch, a potential love interest, after she

In Tennessee William’s A Streetcar Named Desire, Blanche DuBois unveils the theme of the story through her representation of the struggle to maintain innocence in a tragically guilty world. The main theme of the story is that the façade of performed perfection will always be unsuccessful; fantasy cannot overcome reality. As hard as Blanche tries to hide in her fantasy, eventually truth persists and, in the end, overtakes the delusions she holds. Blanche uses her appearance to suggest innocence and youth, yet with a closer look, readers see that, though she attempts very hard to be, she is neither. She also has a symbolic relationship with Mitch; the further they draw apart, the further into madness she descends. While it is clear that Blanche is not entirely innocent, the author creates her as a symbol of such. This way, as she slowly loses her mind—and Mitch—she symbolizes the loss of said innocence. Blanche can also be considered an embodiment of Williams’s older sister Rose, who is known to have been institutionalized for her erratic behavior. Rose Williams’s inability to overcome her mental instability is directly represented through Blanche, a character who also cannot maintain fantasy and ultimately succumbs to reality. Had Blanche been able to sustain her pretense of innocence, it is possible she could have avoided the harsh realities of life.

Blanche’s death speech plays a vital role in the development of the play “A Streetcar named Desire”. In the monologue the tension between Blanche and Stella comes to a zenith as Blanch explodes with rage as she expresses her jealousy-driven feelings to Stella. In doing so Blanche reveals much more, including her unstable mental state, her emotional reaction to the lost of Belle Reve, and most importantly her preoccupation with the theme of death.

Williams' Use of Imagery and Symbolism in A Streetcar Named Desire Williams uses figurative language in his lengthy stage directions to convey to the reader a deeper, more intense picture than a description alone could express. In the opening stage direction Williams illustrates the area around Elysian Fields. He uses personification to describe "the warm breath of the brown river" (P1). I think this creates an atmosphere that is decaying yet at the same time welcoming and affectionate.

Tennessee Williams’ ‘A Streetcar Named Desire’ is set in the ‘Roaring Twenties’ when America was going through a great deal of change in the order of society. The three main characters; Blanche DuBois, Stella Kowalski and Stanley Kowalski jostle claustrophobically in a small apartment, set in Elysian Fields in New Orleans, Elysian Fields is an ironic name as it evokes the sense that the apartment is heaven, when in reality it is very much the opposite. Stella and Blanche are sisters, but during the course of the play, we notice very clearly that Blanche is stuck in the in the Old World of plantations and inequality, with very large social divides. In contrast, Stella has almost seamlessly evolved to live in the New

“Stella has embraced him with both arms, fiercely, and full in the view of Blanche. He laughs and clasps her head to him. Over her head he grins through the curtains at Blanche.” (Williams 73) A Streetcar Named Desire written by Tennessee Williams exemplifies the theme of a struggle to attain happiness. The play not only portrays this theme in its characters and setting, but through the literary devices of Foil, Imagery, and Intertextuality. Williams took great care in applying each of these literary device techniques to the theme as he presents an intriguing contrast between Blanche and Stanley, vivid images both animalistic and broken, and imploring the use of the Odyssey to further

Established as one of the most prolific playwrights of the 20th century, Tennessee Williams used his writing as a form of therapy. The author came from a troubled background consisting of alcoholism, mental breakdowns, and general unhappiness; Williams exploited these unfortunate events and allowed them to motivate his literature. In A Streetcar Named Desire, Blanche DuBois’ struggles represent the reality of people’s lives, “an enduring concern of [Williams’] throughout his writing career (Henthorne 1). Blanche captures our focus with her seemingly sincere and fragile nature, but it is later revealed that this is just an illusion within her own mind. She resides in a world of fantasy to shield herself against the harsh threats of reality and her own fears. Blanche’s main objective in the play is to keep herself from falling apart in a world of cruelty through alcoholism and illusion. Through the characterization of Blanche DuBois in A Streetcar Named Desire, Tennessee Williams depicts the coping mechanism of fantasy and its detrimental repercussions by exploring the specific experiences that eventually impede her happiness.

A point for Blanche is that she is fear of aging and get lost of beauty. She is scared on  appear on bright light which will reveal her look to Mitch. In scene one, the author Williams make Blanche life of sexual going down like when her husband’s suicide result from her disapproval of his homosexuality which lead to a unwanted end. In scene nine, where the Mexican woman appears selling “flowers for the dead” which made Blanche reacts with panic feeling inside of her like she don’t know what to do. The author uses Blanche experience of sex and death are link up together.

In scene nine we hear the vendor's cry of the Mexican Woman, "Flores, flores para los muertos" (flowers, flowers for the dead). It follows the moment when Mitch denounces Blanche as a liar and thereupon refuses to marry her. The vendor's cry becomes symbolic of Blanche's failure to remain among the living. Blanche protests by shouting "No, no! Not now! Not now!" but the cry persists and in the following moment Blanche loses her hold on reality.

In Tennessee Williams’ play A Streetcar Named Desire, Blanche’s character believes that the opposite of death is desire. Throughout the play Blanche fills her desires in order to escape from the death of people and things that surround her. Williams uses Blanche to further develop the theme because she copes with death by filling her desires, which slowly results in the self-destruction of her character. Although the theme is mostly developed from Blanche’s character, Stella, Stanley, and Blanche’s husband all suffer from desire.

            Blanche is not really lost in illusions; rather she uses them as camouflage. She wears them as she wears her clothes and her glass necklaces, as protection from a reality that she finds horrifying. One must not think of Blanche as just a fragile, delicate blossom. There is a fierce desire in her for life at any cost. Her masquerade may

Tennessee Williams was an American writer known for short stories and poems in the mid 1950’s. His more famous writing was A Streetcar Named Desire. His writings influenced many other writers such as August Strindberg and Hart Crane. His writings A Streetcar Named Desire and The Glass Menagerie was adopted to films and A Streetcar Named Desire earned him his first Pulitzer prize. In A Streetcar Named Desire there is many elements that build the plot and story line. The story is about a girl who is drove crazy by his sister’s husband and eventually sent to the mental hospital. The main plot is towards the end of the story when Blanche Dubois is blackmailed by her sister’s husband and raped by him. Everything takes its toll on her until she begins drinking heavily and is thought to have gone crazy and placed in a mental hospital. In this story, many things play affect in the contrast of the writing such as Blanche arriving at her sister’s house, seeing her sister’s husbands attitude, the poker game, Blanche getting raped. These events make Blanche an easy victim. In Tennessee Williams, a street car named desire, the start of kindness turns to tragedy and pain.

Tennessee Williams has also made use of symbols - and his consistency in using them is very helpful to the audience to grasp the ideas he is putting across. The very names of the characters and places are symbolic. The famous streetcar that brings Blanche to her sister’s house is called ‘Desire’ - desire being one of the main themes in the play. Interestingly, it is the superintendent of the school in Laurel - Mr. Graves - who is one of the main causes for Blanche having to make this journey, from a streetcar named ‘Desire’ to one called ‘Cemeteries’ and finally to her sister’s house, situated in Elysian Fields - the Elysian Fields being the dwelling place of virtuous people after death (in Greek mythology). Blanche DuBois itself means ‘white woods’ as she tells Mitch - which implies something virginal and unsullied - both of which she is not. Stella means star: “Stella, oh Stella, Stella! Stella for Star!” as Blanche cries wildly, yet Stella burns not with the intensity of Blanche. Her passions are different, and she is extremely unlike her namesake. Even the home of the DuBois - Belle Reve - means ‘beautiful dream’, symbolic of the past that has gone forever, and Blanche’s inability to rouse herself from her dreamworld of illusions and magic. This use of irony is

Some novels and plays seem to advocate changes in social or political attitudes or in traditions. Choose such a novel or play and note briefly the particular attitudes or traditions that the author apparently wishes to modify. Then analyze the techniques the author uses to influence the reader or audience’s views. Avoid plot summary.

This is the place of the living dead. Blanche came to Elysian Fields to forget her horrible past, and to have a fresh start in life (Quirino, 63). In fact Blanche admits in the fourth scene that she wants to "make myself a new life" (Williams 135).