Symbolism In Edgar Allan Poe's The Masque Of The Red Death

Through using the deathly symbolism in this story skillfully, Poe allude to people to the part of life that people have to go through without the controled by people . First he described seven chambers ( seven rooms in the palace ), “In blue…….. falling in heavy folds upon a carpet of the same material and hue” ( Poe 43) . Seven room were represent to 7 part of life : the blue room, which is farthest to the east, represents birth.. The next room is purple, a combination of blue (birth) and red suggests the beginnings of growth. Green, the next color, suggests the young of life the age of spring , orange is the summer and autumn of life is the age of adult . White, the next color, suggests age with white hair, and bones the age of old . Violet is a shadowy color, the color represents people were near the death . And black is death. Otherwise, 7 rooms were set up East to West like the position of the Sun. That means that no matter who you are you

Symbolism plays an important part in this story. The ebony clock is particularly significant “there stood against the Western wall, a gigantic clock of ebony.” Poe placed the clock against the western wall for a symbolic purpose. The sun rises in the East and sets in the West. The clock is nearer to the setting sun. The placement of the clock indicates an association with an ending. A sunset indicates the ending of a day, while the ebony color of the clock suggests its relationship with darkness and death. The characters react to the sounding of the clock’s chimes in a nervous fashion. “…While the chimes of the clock yet rang, it was observed that the giddiest grew pale.” Poe uses this clock to remind the characters that they have lived through another hour to build up the time of revelation. At each strike of the clock the characters stop everything as if they are waiting for the "Red Death" to come for them at any minute. At twelve, the stranger dressed as the "Red Death" appears. This time everyone begins to fear death. The darkness of the rooms causes shadows to form by the fires' light to increase suspense.

In “Mask of the Red Death”, Edgar Allan Poe uses setting and symbolism to deliver the theme that no one escapes death. The story follows the naïve and pompous Prince Prospero, and his feeble attempt to escape dying from the Black Plague. As the plague spread through his kingdom, the prince called one thousand of his closest friends to reside within the safety of the castle in order to seclude themselves from the horror and death going on outside. During the last months of their seclusion, the prince decided to hold a masquerade ball in order to amuse his many guests living within the confines of the rather odd castle. The dance takes place in a variety of unusual apartments within the castle, spaced apart so the guests would only see one room at a time. The apartments flowed east to west, each decorated in a different color and theme while following a pattern of blue, purple, green, orange, white, violet and finally ending in black. During the ball, guests enjoyed a dreamlike atmosphere as they danced through the many colored apartments, each of them avoiding the final black room. This final dark patterned room contained a large ebony clock which chimed eerily every hour, causing the party goers to pause their merriment for a few moments of uneasy silence. As midnight drew near, a new guest arrived, sporting a costume more ghastly and morose than any other. The mask he wore resembled that of a plague victim, and his clothes resembled a funeral shroud. Prospero became angry

In Poe’s short story, The Masque of the Red Death, he makes it pretty apparent that there is no possible way to escape death, no matter what rank you are. To get across this message he uses the ticking of a clock and the ring every hour to remind you death happens no matter what you do. He also adds in seven different rooms of varying colors blue, purple, green, orange, white, violet, and black/scarlet. These seven rooms may represent a whole unit of time, like the days of the week. Poe also says that the rooms go east to west like the sun’s course. Every color of the room can also represent life itself, blue represents birth, purple is youth, green is adolescence, orange is adulthood, old age is white, imminent death is violet, then finally death itself is black/scarlet.

For instance, the panes were scarlet, a deep blood colour. The "bloody" red room thus becomes a place of ending not only due to the westward location, but also because of its color. Poe describes the last, black room as the dreadful endpoint, the room the guests fear just as they fear death. The room is feared by the guests because it reminds them of death, which is why no one enters the room. The room is involved in all of the main scenes throughout the course ofthe story. For example, this is the room Prince Prospero and his guests die from the Red Death and also where the clock is located. The reader sees how important the rooms are throughout the story and its main contribution to the theme.

When first introduced, the clock already induces a sense of fear and discomfort. Every hour, the “dancers and musicians alternate between maintaining their pose of light laughter and gaiety and, when the doleful, deep-voiced clock chimes, becoming pale, uneasy, and thoughtful” (Wheat). The clock strikes fear into the hearts of the party-goers and serves as a brief but haunting “reminder of death, the enemy, and time, his companion” (Wheat). This omen of death comes with a reminder of the limited time before the plague kills everyone. As the clock strikes midnight, the guests “become aware of the presence of the stranger who has haunted the abbey from the beginning … [and] the unfeeling gaiety must give way to feelings ‘of terror, of horror, and of disgust’ ” (Wheat). By chiming at the exact moment the Red Death enters, the clock hints at approaching destruction, thus symbolizing the imminent death of every person at the masquerade. After chasing the Red Death through the suite, Prospero then dies in the seventh room, almost exactly next to the ebony clock. Therefore,

One of the most significant symbols used throughout the story is the number twelve. “So you see he would have been a very profound old man, indeed, to suspect that every night, just at twelve, I looked in upon him while he slept!” (Poe 1). The number twelve is a multiple of three, which by logic symbolizes change and the coming of the future. At midnight, the narrator found the eye open which did not happen on the previous seven nights. Soon after the narrator found the “Evil Eye” open, he was able to kill the old man. Another key symbol used is the color blue. The old man’s eye was blue covered by a white lense. “I saw it with perfect distinctness--all a dull blue, with a hideous veil over it that chilled the very marrow in my bones” (Poe 2). Blue symbolizes clarity; the old man had a lense covering his blue eye, so he was unable to see the narrator for his true self. The number eight is also a symbol in the story. The number eight represents antagonism and an everlasting change. “Upon the eighth night, I was more than usually cautious in opening the door” (Poe 1). It was on the eighth night that the narrator slaughtered the old man. Symbols are used to exemplify different numbers and colors throughout the tale.

The fires in each of the suite rooms serve as a representation of death. Poe depicts

The seven rooms in the house also conveyed stages in life ending with death. These rooms were set up from east to west. This meaning that the sun comes up in the east and goes down in the west, and death comes in the darkness. "In this chamber only, the color of the windows failed to correspond with the decorations. The panes here were scarlet--a deep blood color." The guest's avoided this room because it was a sign of death.

“The boundaries which divide Life from Death are best shadowly and vague. Who shall say where the one ends, and where the other begins?” (Poe). There is no such thing as having the ability to predict or tame the wrath of death, for all we can do is learn to accept it. In the story, “The Masque of the Red Death”, the main character, Prospero, shows through his arrogant actions that death will forever overpower the human instinct to stay alive. Poe uses symbolism to convey the battle between man and nature through the idea of the masquerade that serves as a fortress against the wrath of the disease, an excuse to disguise the true colors of man, and the honest truth that man will never become immortal.

One of the most apparent symbols in the text are the bizarre colored rooms. The rooms represent the cycle of life, blue is birth, purple childhood, green adolescence, orange adulthood, white is the elderly years, violet is dying, and finally black is death. The rooms are arranged like the sun rise and set with the blue room all the way in the east and the black at the west end. Furthermore, the rooms have similar styles, all one color with the decor and windows matching said color. However, the black room is different with black velvet curtains, and the windows a blood red color. The light from the hall isn’t able to enter the room so a candelabra was placed behind each window so that it “projected its rays through the tinted glass… And produced so wild a look upon the countenances of those who entered” (2) The

Edgar Allan Poe was a writer who believed every single word contained meaning and in his own words expressed this idea in brevity only he is capable, "…there should be no word written, of which tendency, direct or indirect, is not to the one pre-established design." (Poe 244). To this effect, Poe drenches his works in symbolism and allegory. Especially in shorter works, Poe assigns meaning to the smallest object, explicitly deriving exurbanite significance within concise descriptions. "The Masque of the Red Death" tells the story of a Prince Prospero who along with his one thousand friends sought a haven from the plague that was ravishing their country. They lived together in the prince's luxurious abbey with all the amenities and

Poe’s use of symbolism is very evident throughout the story of “The Masque of the Red Death”. Much has been made about the meaning of the rooms that fill Prince Prospero’s lavish getaway. One such critique, Brett Zimmerman writes, “It is difficult to believe that a symbolist such as Poe would refuse to assign significance to the hues in a tale otherwise loaded with symbolic and allegorical suggestiveness” (Zimmerman 60). Many agree that the seven rooms represent the seven stages of human existence. The first, blue, signifying the beginnings of life. Keeping in mind Poe’s Neo-Platonism and Transcendentalism stance, the significance of blue is taken a step further. Not only does blue symbolize the beginning of life, but the idea of immortality is apparent when considering these ideas. “Perhaps ‘The Masque of the Red Death’ then, is not quite the bleak existential vision we have long thought it to be”, expounds Zimmerman (Zimmerman 70). Poe’s use of each color is significant to the seven stages

There is a “…gigantic clock of ebony” in the black room, its sound is described as “…clear and loud and deep and exceedingly musical, but of so peculiar a note and emphasis” (421). This suggests that the clock has importance, as it is a physical reminder of death. If the story did not use imagery, the reader’s interpretation of it would be completely different.

Poe used the rooms of the fortress as a symbol of the progression of a human life. The fortresses design contains seven distinctly different rooms. H.H. Bell, Jr., an expert on Edgar Allan Poe, has suggested that Poe seems to represent these rooms as an “allegorical representation of Prince Prospero’s life span” (Bell 241). The greatest piece of evidence for this is the order in which Poe arranged the rooms. The first room is positioned in the far eastern side of the mansion and the last room’s placement resides in the far western side. Just as the sun rises in the east and sets in the west each day, the arrangement of the rooms suggests the beginning and the end of life. Poe exemplifies this idea with the coloration of the last room. Black, a color connected with night and death, covers the walls in the last room. Also, the color of red seeps through the stained glass windows representing the bloodiness often incorporated with death, particularly the Red Death so feared at this party. Prospero’s guests avoid the last room out of fear, just as the living avoid reminders of death. Meanwhile, music and dancing