Symbolism In Everyday Use

In the story, a dispute comes about, which was who should receive the grandma’s quilts even though they were already promised to Maggie. Dee argued her sister wouldn’t appreciate the quilts; she would put them to everyday use rather than hang them. Mama explained that was the purpose of the quilts to be used; it held no sentimental value because it was a materialistic thing. At this part of the story, Mama conformed to Maggie’s needs by giving her the quilts instead of obeying Dee’s (Wangero’s) demands as usual.

     Dee believes she is more cultured than her family. She may have more knowledge about different cultures and religions that she learned in school, but she does not know as much about the family heritage as she thinks she does. For example, when Dee changes her name to “Wangero Leewanika Kemanjo” she destroys important links to her heritage that she will never understand. Her mother tries to explain to her that her name is significant because it belonged to particular beloved ones. However, Dee seems to reject the names of her ancestors, yet she is eager to seize their handmade goods. When Dee realizes she is not going obtain possession of the quilts, she storms out of the house without saying a word. It is apparent that the only reason for her visit is to get the family heirlooms, not to see the house, her mother, or Maggie.

Before Dee leaves, she says to Maggie, “It’s really a new day for us. But from the way you and Mama still live you’d never know it,” meaning that Mama and Maggie are still stuck in the past, and they do not realize that things are starting to change for African Americans (Walker 155). Although the world is changing, Mama refuses to accept it and continues to live like she has been, which is feeling unequal to white people because that is how she grew up. The house that the Johnsons previously lived in burned down and Maggie was burned in the house fire. David Cowart states that “It subsumes a whole African American history of violence” (174).

Dee is a controlling person who always wanted everything to herself only and don't want anybody to take something more than her. And that appeared when mama said that the quilts which were handmade by their grandma Dee, that she would give it to Maggie, Dee was very angry for that and she wanted to take the quilts herself not because she wanted, just because she don't like anybody to take something more than her and wants everything for herself only. Dee was well educated and didn't liked her mother's and sister's way of living so she traveled and when

In Alice Walker's short story "Everyday Use" Mama is the narrator. She speaks of her family of two daughters Maggie and Dee. Through the eyes of two daughters, Dee and Maggie, who have chosen to live their lives in very different manners, the reader can choose which character to identify most with by judging what is really important in one’s life. Throughout the story three themes consistently show. These themes show that the family is separated by shame, knowledge, and pride.

Because, the quilts had been made by the grandmother’s hands, the work that went into the quilts is the reason for importance of saving or preserving them as a family heirloom. “Maggie”, knows the true value of the quilts, “Dee” seems to view them as any other common blanket. Alice Walker stated in the story that Maggie felt like the world never learned to tell Dee no. That is a direct reference to the mother never standing up to Dee and asserting her rightful place.

Dee on the other hand, represents more of a modern, complex, materialistic way of life. She moves to the city to become educated. She is ashamed of where she comes from. In a letter mama receives, Dee writes “no matter where we ‘choose’ to live, she will manage to come see us” (Walker 281). Furthermore, when she comes home to visit she tells mama that she has changed her name to Wangero Leewanika Kemanjo because “I couldn’t bear it any longer, being named after the people who oppress me” (Walker 282).

The character of Mama in the short story “Everyday Use” by Alice Walker endures through intense times and takes advantage of what she has. She is a lady that tells things how they are, only plain truth. She can be entertaining now and again and intense at others. She is self-portrayed as “a large, huge boned, women with rough, man-working

When we are first introduced to Dee, we learn that she no longer wants to be called by her given name but instead she would want to be called ‘Wangero’. Dee comments, “I couldn't bear it any longer, being named after the people who oppressed me” (Walker 62). Although Dee may have only known that she was named after Grandma Dee, Mama could have “carried back beyond the Civil War” (Walker 62) the name of her daughter. This offended Mama because it was the beginning of how Dee began to reject her heritage. In addition, Mama also realizes how Maggie acts around Dee because of the way she treats her. When Maggie gives into Dee’s wanting of the blankets, Mama sees that Maggie is hurting and Dee couldnt care less. Mama comments that Maggie answered Dee “like somebody used to never winning anything or having anything reserved for her” (Walker 65). These conflicts lead mama to take a stand against her daughter as well as drawing her closer to Maggie. This showed Dee that she could not just barge into the house and take things she did not even truly know the meaning of. Therefore the reader understands that Dee’s actions led Mama to act differently with both of her children, all for the sake of honoring her heritage and

Mama had been so excited for Dee’s visit because she hadn’t seen Dee in years, “You’ve no doubt seen those TV shows where the child who has “made it” is confronted, as a surprise, by her own mother and father, tottering in weakly from backstage,” Mama had dreamed of this day to come because she knew she had done something good for her child, something to be proud of. But upon Dee’s arrival both Mama and Maggie had noticed her change as if she was better then them and understood more of African culture because she had an education, “ I couldn’t bear it any longer, being named after the people who oppress me.” Dee had converted not only her name but her clothes and jewelry to make a statement of what “real” heritage is. This quilts led to a controversy between the meanings of their heritage. Ironically for Dee, Mama had offered her the quilts a long time ago but was too interested in appearance rather than the legacy left behind, “ I had offered Dee a quilt when she went away for college. Then she had told they were old- fashioned, out of style.” Then when she comes back, she wants to hang them as décor and doesn’t want Maggie to have them because she’ll ruin them, ““Maggie can’t appreciate these quilts!” she said. “ She’d probably be backward enough to put them to everyday use.”

Different types of symbolism are used to add significance to point out uniqueness in connotations that a writer uses when writing literature. An author’s literary works may include multiple symbols to give perception to his or her readers. When a writer uses a symbol, it is intended to heighten the sense a reader’s communication of literary works. The three key symbols in the short story in “Everyday Use” is that of quilts stored away in a trunk, the house, and hands. The quilts represented the African American’s women talent of creativity from those that were made from by other individuals from other people. It is noted that the quilts depicted that a guiding principle during the time of slavery for which they were used to send a form of communication to other slaves (Kirszner and Mandell, 2012). As stated by Kirszner and Mandell (2012), “One design, the Log Cabin, was hung outside to mark a house of refuge for fugitive slaves. Other quilts mapped escape routes out of a plantation or county, often by marking the stars that would act as a guide to freedom for those escaping at night” (page. 345). When slavery came to an end, the quilts created during this period of time were remembered for their significance of ethnicity and legendary importance by the African Americans. Dee was the daughter of the momma who thought it would be better to change her name to Wangero Leewanika Kemanjo as she did not want to carry the heritage name as it seem to trouble her. Dee looks around for items that she can back home with rather than spend valuable time with her mama and Maggie. Suddenly takes notice a truck that is sitting at the end of her mama’s bed, and she pulls out two quilts that were made by her very own ancestors. Dee requests to take the quilts home with her; however, the mama informs her that she had plans to give them to Maggie upon her marriage. Dee was selfish as she wanted them for herself only to display them on a wall, and requested the ones that were completely sewn by hand. The mother suddenly reminisces how the different pieces had a story behind them about herself and her heritage. Why, the quilts were made to be put on a bed. Dee had an opportunity to take a quilt with her when she went off to college

Second, there were some cultural differences, Maggie and Mama lived in a house located in a pasture with animals, and you could tell through Mama's description of Dee that she was more modernized probably a city Girl. When Dee/Wangero came to visit she wore a bright dress with loud colors, bangles and gold earrings. Mama said Dee's dress had so many yellows and oranges it was enough to throw back the sun (109). Maggie wore a pink skirt and red blouse that enveloped her body (107). Dee was an educated woman having graduated from High School. Mama on the other hand never made it past the second grade because the school she attended was closed down in 1927. Mama said that, "Colored asked fewer questions than they do now" referring to why the school closed (109). Circumstances such as age, education, and living arrangements dictated their

“Everyday Use” written by Alice Walker, is a story about two sisters, Maggie and Dee, who are very different from each other although they grew up under the same circumstances. Symbolism is used in this story to display the relationships between the characters. The symbols in this story are, the quilt and the yard. The quilts are a very prominent aspect in this story as they represent Maggie and Dee’s mother’s, Mama’s, traditions and family history.

She invests time and money sending her daughter to college, and then receives two letters in the twelve years of her daughter’s absence. Mama is elated to hear that her daughter is returning for a visit, however, her daughter’s new name and abandonment of family heritage leads to a sense of loss and distrust of her daughter. When Dee tries to take quilts promised to Maggie, saying “Maggie can't appreciate these quilts!" she said. "She'd probably be backward enough to put them to everyday use”, Mama is pushed over the edge “ I did some.thing I never done before: hugged Maggie to me, then dragged her on into the room, snatched the quilts out of Miss Wangero's hands and dumped them into Maggie's lap. Maggie just sat there on my bed with her mouth open” (). To Mama, her daughter is dead to her just as Wangero claims that the name “Dee” is dead.

Dee is the afro-centric, ego- centric and eccentric pseudo-intellect. She values her culture in a more materialistic aspect. She respects the artifacts of her history rather than the usefulness. Dee’s earthly-mindedness sets the stage for conflict throughout the entire story, from her arrival until the central conflict when there is a battle amongst the other two main characters Mama and Maggie, about who is truly entitled to the hand-stitched quilts. The quilts were works of art that have been passed down throughout