Symbolism In The Birthmark

Hawthorne achieves this same task in the character of Georgiana in "The Birthmark." Georgiana, too, is presented as an ideal specimen of womanhood. She is beautiful, intelligent, and devoted to her husband, the alchemist, Aylmer. She would be absolute perfection, except for one flaw: a birthmark in the shape of a fairy-sized handprint on her left cheek. While those who love Georgiana attest that the mark is a symbol of the "magic endowments that were to give her such sway over all hearts," Aylmer and her detractors regard it as a "bloody hand" that belies "his wifeâs liability to sin, sorrow, decay, and death" (Hawthorne, "The Birthmark" 119-20). Hawthorne continues to impart Aylmerâs inner feelings of shock and horror over Georgianaâs single physical flaw, gradually leading his audience to share his disgust for the dreadful

Georgiana had always lived with the birthmark, and was quite fond of its charm. Many people in the town believe it was a fairy’s handprint left to sway all hearts; to them the mark only magnified her appeal. The mark’s charm had rarely been questioned by anyone other than the jealous women of the town, and its peculiar nature had once intrigued Aylmer and amplified his attraction to Georgiana. He begged for her hand in marriage, but soon after they were wed, he queried whether Georgiana had ever considered having the birthmark removed. She was hurt by the implication that the mark depreciated her and grew upset with her husband. As time passed, Aylmer continued to stare at the mark, unable to keep his eyes from wandering to it. This continued until Georgiana was no longer able to ignore the way his eyes were always fixated on this sole imperfection, the crimson hand that kept him up at night and plagued his dreams. She asked Aylmer to remove the mark, or take her life because she no longer wanted to live if she had to live with the mark. She preferred death to the harsh scrutiny from her husband.

The story “The Birth-mark” by Nathaniel Hawthorne is heavily affected by symbolism. Aylmer’s wife Georgianna has a small hand shaped birth mark on her cheek that is viewed differently by many people. Women view Georgianna’s birthmark as damaging to her beauty, nicknaming her birth mark the “bloody hand”. Some men see Georgianna’s birthmark as an enhancement to her beauty, unfortunately her husband was not one of those men. Georgianna’s birth mark

Aylmer’s craving to make his wife Georgiana perfect is destined to fail because perfection cannot be found on earth and only found in heaven. Aylmer obsesses about the birthmark that is on his wife for an extensive time that it actually starts to inconvenience him. For Aylmer, it symbolizes mortality and sin and comes to mast over Georgiana’s beauty in his cluttered mind. Consequently, her tiny imperfection, which is only a birth-mark, is all he can see and is so prominent to him. The desire for perfection not only kills Georgiana inside and out, but it also ruins her husband. Aylmer starts to break down because his desire to create the ideal woman becomes such a fixation that it prevents him from seeing all the good his wife has to over him and the world. Nevertheless, Georgiana says that she will risk her life for him and have the birthmark erased. Aylmer is very confident about it but ends up killing her in the process, emotionally and

For instance, when Aylmer felt miserable, she felt miserable too. Nevertheless, it can be seen that then she demonstrated a total opposite attitude, a strong woman who challenges his husband to go ahead with his experiments. A girl with no fear at all. Far from being the typical woman in her house, she is educated and intelligent, and she is able to read and understand the intricate experiments that her husband documents in his diaries. With them she understands how his husband's love for her is, and she accepts it, and that Aylmer's lofty ideals condemn him to permanent dissatisfaction. She also knows that her husband's attempts to erase the birthmark will not succeed. In spite of this, she voluntarily takes the concoction he offers. The drink finishes with the birthmark, yes, but also with her, who says goodbye to her husband making him know that his search for divine perfection has made him despise the best the earth could offer. Therefore, with all those decisions it can be seen that she has the will to do it and she can make her own decisions. She is completely different from Aylmer. She understood and was aware about what happened to the birthmark, and why she died.

Aylmer uses Georgiana’s love and trust for him against her, turning her into a scientific experiment, and taking away her life. Aylmer tells Georgiana about his displeasure with her birthmark. After an initial shocked reaction, Georgiana quickly changes her mindset to agree with her husband and lets him know: “I know not what may be the cost of both of us to rid me of this fatal birthmark. Perhaps its removal may cause cureless deformity, or may be the stain goes as deep as life itself” (222). Throughout her life, other men tell her birthmark is beautiful; however, after Georgina marries Aylmer , Georgiana now no longer wants it and wishes for it to be removed because of her husband’s wishes. This accommodates with what Aylmer wants and is the start of his scientific experiments on his wife. Later, Georgiana and Aylmer have a tense conversation debating about the

In “The Birthmark” we first learn about the main character named Aylmer. He is fascinated with science. “He has devoted himself, however, too unreservedly to scientific studies ever to be weaned from them by any second passion” (Hawthorne 952) He eventually finds love with his wife Georgianna, but there is something about her he just will not seem to take much longer. Georgianna has a red birthmark on her cheek which is the shape of a small hand. While she thinks it is beautiful, the most important person in her life doesn’t feel the same way. In fact, Aylmer is truly disgusted and in shock by her mark, claiming it is a “visible mark of earthly imperfection” (Hawthorne 953). Finally telling his wife how he feels, Georgianna is in disbelief. She is upset, hurt, and confused, even questioning their marriage as she tells him “You cannot love what shocks you!” (Hawthorne 953). The last thing she would have thought is that the person she planned to spend the rest of her life with doesn’t see her beauty mark the way she does.

She knows that her husband is only looking at her birthmark. In the text, it says “It needed but a glance with a peculiar expression that his face often wore to change the roses of her cheek into a deathlike paleness, amid which the crimson hand was brought strongly out, like a bass-relief of ruby on the whitest marble” (2). Georgiana knows that her husband is judging her and she’s getting so self-conscious that she stops caring for what she wants and just wants to please her husband. Georgiana loved her birthmark but due to the constant staring, she began to hate it because it made her uncomfortable. This can be seen on page 5 when Georgiana tells Aylmer, “Oh! spare me...Pray do not look at it again. I never can forget that convulsive shudder.” She went from loving her birthmark to hating it and wanting to get rid of it. All thanks to her husband. If he truly loved her, he would love her birthmark too because that’s what makes her unique. The removal of the birthmark causes Georgiana her life. “The fatal hand had grappled with the mystery of life and was the bond by which an angelic spirit kept itself in union with a mortal frame. As the last crimson tint of birthmark that sole taken of human imperfection faded from her cheek, the parting breath of the now perfect woman passed into the atmosphere…” (11) Georgiana died because she tried to run away from the

The archetype of Georgiana can be seen as the perfect women, however, her birthmark acts as a symbol of imperfection and mortality that keeps her from fully pleasing her husband. Georgiana is described as beautiful and perfect except for one flaw, the birthmark. “It was the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceably on all her productions, either to imply that they are temporary and finite, or that their perfection must be wrought by toil and pain” (Hawthorne 220). The hand-shaped birthmark can be seen as her being touched by nature and acts as a symbol of imperfection and mortality in humans. The symbol of the birth-mark standing for mortality can be seen again towards the end

simple birthmark where the obsession is because he perceives it in a more symbolic way. Georgiana has often been told that the mark on her cheek is a “charm” but Aylmer does not think so where he said, “No, dearest Georgiana, you came so nearly perfect from the hand of Nature, that this slightest possible defect, which

First, Hawthorne shows his worldview through his use of Aylmer’s obsession with the birthmark to show a sign of imperfection. When Aylmer is conversing with his wife Georgiana regarding the birthmark, he says “This slightest possible defect shocks me as being the visible mark of earthly imperfection.” (Hawthorne, 5). This is important because it shows that Aylmer is troubled by the birthmark and cannot leave it alone. In addition, it also shows that Aylmer ignores the main characteristics and features of Georgiana, such as her great personal qualities, in order to focus on the one imperfection, the birthmark. Adding on, the birthmark is stated as being: “It was the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceable on all her productions” (Nelson, 12). The birthmark is a part of nature and is inevitable because it cannot be altered or removed. Furthermore, the birthmark is a reminder that imperfection is part of

Written by Nathaniel Hawthorne during the American Renaissance, the short story “The Birth-Mark” details the events of a brilliant scientist and natural philosopher named Aylmer who obsesses about his wife Georgiana’s birthmark in the shape of a tiny hand on her left cheek. The symbol of the birthmark causes the plot to advance in the story, as Aylmer is compelled by this red mark to act upon his emotions. Aylmer views his wife’s birthmark as an imperfection in her virtually flawless beauty and as a result, attempts to it via a potion that he strongly believes cannot fail. His interpretation of the birthmark creates conflict in the story, which is shaped by the symbolic meaning that he attributes it to. Aylmer’s failure to accept his wife’s appearance for who she is leads to misunderstandings, pain, and ultimately, death.

In the short allegory “The Birthmark”, by Nathaniel Hawthorne, a newly-wed couple becomes consumed by the existence of a small birthmark on the wife’s face. When the wife, Georgiana, allows her husband Aylmer, a scientist, to remove the birthmark, both realize that Georgiana will inevitably sacrifice her life for the sake of its removal. As the story progresses, so does the confliction of the newlyweds as they realize exactly what the birthmark symbolized to and for each other. Hawthorne’s hallmark use of symbolism also provides a ‘perfect’ glimpse into the mindset of two themes of psychological conflictions: perfectionism and codependency. Hawthorne seems to share this story as a possible moral of the hidden pathos we place upon the ones we love, and the invisible marks or standards we place upon ourselves for the ones we love.

By looking at symbolism in The Birthmark, the reader can interpret that the birthmark is a symbol for imperfection and mortality which is not obvious to most people. This is important because it turns the birthmark into something all readers can relate to since no one is perfect. Georgiana’s birthmark was “the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceably on all her productions” (Hawthorne 12). As stated before, nothing is perfect, Nature has a flaw on everything and Georgiana’s was her birthmark. Her husband, Aylmer, notices the birthmark and also sees it as an imperfection even though other men would often tell her it was a charm. “No, dearest Georgiana, you came so nearly perfect from the hand of Nature that this slightest possible defect, which we hesitate whether to term a defect or a beauty, shocks me, as being the visible mark of earthly imperfection” (Hawthorne 11). Aylmer at first is the only one, other from jealous women, to point out her birthmark as an imperfection but his constant talk began to make her believe she was in fact flawed. This is important because it ultimately leads to the death of Georgiana.

Georgiana’s birthmark is the main symbol in the story that could have multiple meanings. It is clear what the birthmark symbolizes when Georgiana declares, “I am happy to put my life in your hands,” (Hawthorne 3). Aylmer is ready to start his experiment when Georgiana says she is willing to be a part of it. What Aylmer does not know is that the birthmark actually symbolizes her mortality and when she says she is happy to put her life in his hands, she actually means that her birthmark is her lifeline and she is happy to put it in his hands. Aylmer wanted his wife to be perfect, but he only made the outcome worse with trying to remove the mark. Another example of symbolism is when Hawthorne writes, “The mark was usually a deep red color,” (Hawthorne 1). The color red could symbolize one of many different things, but it mainly symbolizes the color of blood. Blood is a main part of one’s body and mortality, and when the birthmark is described by its deep red color, it means that the mark is her source to life. After the tragic death of Georgiana, Aylmer finally realizes that the birthmark really had been her mortality. Aylmer is so deeply caught up in forcefully trying to get Georgiana to let him remove her birthmark, he does not recognize the true perfection that was there all along. Symbolism helps the theme that is portrayed throughout the story that trying to be flawless results in a devastation.