Essay on Sympathy for Magwitch in Great Expectations

Dickens emphasizes this with Magwitch's brutal behavior, his threats of death if Pip does not do his bidding, but, as is a recurring theme in the novel, we need only the proof of his appearance to pass judgment upon him. Pip in contrast is defenseless, for in the inverted position Magwitch holds him, Pip can be likened to a new-born; Pip is innocent, naked, and ignorant of the world. It is from this point Pip begins the long journey toward the "identity of things" (24; ch.1).

Mysterious and misunderstood, always captured and imprisoned but never free. At first glance he was starved and chained, deprived of his freedom. When he gains freedom he runs off to chase Compeyson. His actions caused him to be captured once more. His backstory is quite unfair compared to the 21 century. In fact he was punished more heavily than Compeyson, enraged he seeks revenge. To carry out his plan he turns Pip into a snob with high rank. Lastly when he tries to obtain freedom he is imprisoned once more. Thus Magwitch was destined to be imprisoned even during his last

The proverb, “once a thief,always a thief” comes into my head when reading this quote. Even though Magwitch adds on linen clothing and he refines his name, he is still a criminal. You can’t turn a criminal into a gentleman. I also feel that even Pip won’t ever become a gentleman, because he doesn’t know the criteria to become one.

1. Why does Pip feel the need to lie about Miss Havisham when he is questioned about her by Mrs. Joe and Mr. Pumblechook? Why is he confident Mr.Pumblechook will not correct his story? Pip feels the need to lie about Miss Havisham because he feels that they won’t believe him and doesn’t want to publicly humiliate her. He is certain Mr. Pumblechook will not correct his story because he does not know her.

Home in today’s society can be described in many ways, but is ultimately expressed as more of a feeling of safety and love. Sonsyrea Tate claims "You can leave home all you want, but home will never leave you." In essence, the feeling of home is a part of the character and who he/she will become. In Charles Dickens' Great Expectations, Pip examines the true meaning of home and how the subjective opinion of home can reflect who a person becomes. He illustrates this idea using recurring appearances of home-like symbols, the way Pip’s definition of home changes throughout the novel, and how he shows Pip’s acquired feelings after moving into higher society.

“ The eye is the lamp of the body. You draw light into your body through your eyes, and light shines out to the world through your eyes.” Mathew 6:22 closely ties to temptations and goals Pip has as he progresses in the novel. In the novel Great Expectations by Charles Dickens, Pip learns the rigorousness of life and utilizes them to make him a true gentleman. At the start of the story Pip rebukes Magwitch for his appearance; his dirty rags, and how poverish he is. As the story progresses, he realizes Magwitch’s prodigious effect on his life and begins to transmute his views on him. Towards the conclusion of the novel, Magwitch has died and Pip has become an incipient person with a new flair of deference. As the story progresses, Pip finds his

Pip shows to be a compassionate boy by sharing his food with the poor hungry convict even though he was bad.

it is so significant. It is at the heart of the book mainly for the

The entire story is told through the eyes of an adult Pip, even though Pip is a small child during parts of it. In his early years, Pip was strongly influenced by his guardians, Joe Gargery and his wife, Mrs. Joe. Joe instills a sense of honesty, industry, and friendliness in Pip, while Mrs. Joe does a great deal to contribute to his desires and ambitions through her constant emphasis on pomp and property. Pip is generally good-natured and thoughtful, and very imaginative. His false values, which are bolstered by his love of Estella, decrease the amount of respect that he has for Joe. His alienation from Joe and Joe's values builds through the second part of the novel, as Pip becomes selfish, greedy, and foolish. During the period when his expectations are intact, his only morally positive act was to secretly help Herbert Pocket into a good position. Upon discovering that Magwitch is his benefactor, a new phase begins in Pip's moral evolution. At first, Pip no longer feels the same human compassion for Magwitch that he did the first time he saw him out on the marshes. Gradually, Pip changes his perception of Magwitch, unlearning what he has learned. Pip becomes concerned with the man, and not the expectations that he could provide. When Jaggers presents the thought that there may be a way for Pip to get his hands on Magwitch's property, the idea sounds hollow and utterly empty to Pip. Pip learns about Estella's parentage through

gave me an odd idea that he was a square, stout, dark man, with curly

Great Expectations’ main character, Phillip Pirrip- generally known as Pip- had a rough upbringing as a child. His sister, Mrs. Joe had “brought him up by hand”, after their parents and five brothers had all been laid to rest many years ago. Another character, Herbert Pocket experienced a bizarre childhood, though in a different manner. Charles Dickens’ Great Expectations develops through the novel following Pip, a young “common boy” who grew up in the countryside. As he matured so did his love for a girl of higher class, Estella. However, being a common boy, Pip was not good enough for his Estella, thus once he was given an opportunity to become a gentleman in London he seized it without much hesitation. Charles Dickens’ had his own

4). Even though he aids the convict, the reader's sympathy for Pip soon increases, as his robbery of his own home weighs greatly on his conscience. For example, when Mrs. Joe leaves the Sunday dinner to retrieve the "savoury pork pie," which Magwitch had enjoyed heartily, Pip is tortured by the thought of his actions, while his mind screams, "Must they! Let them not hope to taste it!" (p. 27). He seems to sincerely regret his actions and the fact that he "had been too cowardly to avoid doing what I knew to be wrong" (p. 40). Approximately one year after his encounter with the convict, Pip is still shown to be an innocent, caring boy. One night, when Pip and Joe are alone at the forge, Joe explains his various reasons for enduring Mrs. Joe's constant abuse. After their conversation, Pip realizes that he cares deeply for Joe and appreciates everything that the blacksmith does for him. Also, he develops "a new admiration of Joe from that night" and "a new sensation of feeling conscious that I was looking up to Joe in my heart" (p. 48). Unfortunately, as Pip develops unrealistic hopes and expectations for his life, these positive characteristics are replaced by undesirable ones.

In Charles Dickens’ novel, Great Expectations, the main character named Pip suffers through a conflict of confusing good and bad people. He repeatedly disregards the people that love and care for him and instead chooses to care for people who do not care for him. When making these choices, Pip senses that he is making the wrong decisions and therefore confuses good and bad and also confuses himself.

As Magwitch eats, Pip describes him as the following: “the man took strong sharp sudden bites, just like the dog. He swallowed… too fast; and he looked sideways… while he ate, as if he thought there was danger in every direction of somebody’s coming to take the pie away,” (Page 19). With the use of alliteration on the “S”s and the use of harsh assonance when it says that “[he] took strong sharp sudden bites”, Dickens proves that Magwitch has a very aggressive nature as well as being very strong and threatening. Describing him as looking around every time he ate does not only show that it is the behavior expected of a convict while on the run, but also to emphasize the distance Magwitch keeps from society because of his distrust in everyone and everything. However, as a result of the concerns Pip had for Magwitch, Magwitch becomes humanized. In court, where Magwitch is denoted as a desperate criminal, he looks at Pip “with a trustful look, as if he were confident that [Pip] had seen some small redeeming touch in him, even so long ago as when [Pip] was a little child. As to the rest, [Magwitch] was humble and contrite, and [Pip] never knew him to complain” (Page 486). Using diction found in “redeeming touch”, Dickens verifies that Magwitch is redeemed from all of his criminal acts by his inner dignity and love for Pip.

The literary criticism “Patterns of Communication in Great Expectations” is an effective literary criticism, it proves there is evidently more communication between characters in the novel than most critics let onto. Ruth M. Vande Kieft, who is the author of this piece, suggests that the majority of the characters in Dickens novels have a substantial amount of communication among themselves. But, the dialogue in the novel depicted is not what we typically observe in the majority Victorian novels. Vande Kieft uses evidence in her writing from Dorothy Van Ghent, who suggests there is little interaction and the majority of the main characters attempts fail when they do try and communicate amongst each other. This article is effective in showing examples of certain patterns between the many characters in the novel. The article was also effective because it showed a different way of looking at communication in the way writers aim for when writing stories. This literary criticism was an interesting because it made me think about other novels that I have read and how Vande Kieft would have depicted them. In Great Expectations, we saw a different pattern in how characters communicate. Most family communication patterns are usually easy to follow. Although this novel was easy to read, I understand where critics state the contrary. I valued this work because of the examples stated throughout, and I will analyze some of the examples stated in my paper.