T.S. Eliot's The Wasteland Essay

"Vast Wasteland" out of everything Newton Minow choose to call his speech that. Why would he do that? Could he actually be warning us of the danger a television can have on the world? But instead of going against it, Minow fights for it. His argument is wrong because with the power a television can hold comes great consequences.

For years, post-modern writers have foreshadowed what the end of the world would look like through dramatic representations in literary works. Cormac McCarthy’s The Road and Margaret Atwood’s novel, Oryx & Crake, are no exception to this. Delving into the complexities that underlie man’s existence on Earth, these authors use their novels as vehicles to depict a post-apocalyptic world, in which all that once was is reduced to an inconceivable wasteland, both figuratively and literally.

Love exists in the short story “The Bear Came Over the Mountain” by Alice Munro and in the short story “What We Talk About When We Talk About Love” by Raymond Carver. in Munro’s short story the plot is that of a mentally ill wife, Fiona, who falls in love with another patient while her husband still tries to hang on to their old love. Her husband eventually wants to have an affair with the wife of the man his wife is having an affair with. Their love changed because of their circumstances due to ill health. Carver’s story discusses the different definitions of love due to the type and quality of relationships; everyone has a different definition. Love also exists all over the world within different environments and cultures. The concept of love depends upon the environment in which it inhabits. Love is dependent on the life of the people in love and it also depends on their current environment. Nature and nurture are also huge factors into the development and process of love. What nature and nurture mean is whether it is due to how the person lives and acts along with their personality compared to whether it’s all in their genetics beforehand. Love is more on the nurture side instead of the nature side of human experience.

Love is said to be one of the most desired things in life. People long for it, search for it, and crave it. It can come in the form of partners, friends, or just simply family. To some, love is something of a necessity in life, where some would rather turn a cold shoulder to it. Love can be the mixture of passion, need, lust, loyalty, and blood. Love can be extraordinary and breathtaking. Love being held so high can also be dangerous. Love can drive people to numerous mad things with it dangerously so full of craze and passion.

Love is said to be the greatest human experience in which mankind are privilege to partake in. To love can be a wondrous experience filling life with bliss and other strong emotions. Some people believe to love is to be alive and be able to see the good in the world and others. The purpose of this paper is to examine and find a better understanding of what is love, to explore what people believe love to be, and what lies surround the perception of love and to explore and expose what the meaning true love is or at the very least the authors understanding of the perception of love. In addition to exploring the concept, deception and the truth of love,

Love is a feeling between two people that comes with lots of emotions, respect, commitment, trust, honesty, and many other values. In the story The Great

Message of Hope in Eliot's The Waste Land, Gerontion, and The Love Song of J. Alfred Prufrock

T.S. Eliot in the twentieth-century wrote what is today widely-regarded as one of the most important text of modernist poems, “The Waste Land.” This poem evaluates many aspects of ancient and contemporary culture and customs, and how the contemporary culture has degraded into a wasteland. In “The Waste Land,” Eliot conjures, through allusions to multiple religions and works of literature in five separate sections, a fragmented and seemingly disjointed poem. Eliot repeatedly alludes to western and eastern cultural foundation blocks to illustrate the cultural degradation prevalent in the modern era of England. One specific eastern example is brought up in the third section of the poem, which T.S. Eliot names “Fire Sermon,” an allusion to

In this discussion of Eliot’s poem I will examine the content through the optic of eco-poetics. Eco- poetics is a literary theory which favours the rhizomatic over the arborescent approach to critical analysis. The characteristics of the rhizome will provide the overarching structure for this essay. Firstly rhizomes can map in any direction from any starting point. This will guide the study of significant motifs in ‘The Waste Land.’ Secondly they grow and spread, via experimentation within a context. This will be reflected in the study of the voice and the language with which the poem opens. Thirdly rhizomes grow and spread regardless of breakage. This will allow for an

In T.S. Eliot’s most famous poem The Wasteland, a bleak picture of post-war London civilization is illuminated. The inhabitants of Eliot’s wasteland are living in a morally bankrupt and spiritually lost society. Through fragmented narration, Eliot recalls tales of lost love, misplaced lust, forgone spirituality, fruitless pilgrimages, and the “living dead”- those who shuffle through life without a care. These tales are the personal attempts of each person to fulfill the desires which plague them, though none ever stop to consider that what they want may not be what they need, nor do they consider why it is they feel they must do these things. Through studies in Sigmund Freud’s psychoanalytic perspective

In the twentieth century, T.S. Eliot transformed the traditional poetry form into a more modern style. Eliot was born in St. Louis, Missouri on September 26, 1888. At the age of 25, Eliot moved to England where he began his career as a poet. Eliot greatly attracted the modernist movement, which was poetry written in the reaction of Victorian poetry. His first poem, The Love Song of J. Alfred Prufrock, was known as one of the most famous pieces of the Modernist movement. In his poetry, Eliot combines themes such as aridity, sexuality, and living death. He uses techniques such as narration, historical, literary, and mythic allusions. Using themes and techniques from his earlier work, Eliot publishes The Wasteland.

The Waste Land, written by T.S. Eliot, is poem portraying the lack and/or the corruption of culture in England during the post WWI period. Eliot uses a form of symbolism, in which he uses small pieces from popular literary works, to deliver his message. He begins by saying that culture during the post WWI period is a “barren wasteland.” Eliot goes on to support this claim by saying that people in England are in a sort of shock from the violence of World War I. Eliot believes that the lack of culture open doors for immorality to grow among the populace.

‘It is obvious that we hear many voices in The Waste Land, less clear that what we hear is the voice of someone.’ Discuss.

The Waste Land, a 434-line modernist poem by T.S. Eliot revolves around a world of what seems to be chaotic and dead, and led by a single protagonist. Throughout The Waste Land, there are many uses of symbolism with tarot cards, astrology, and especially the game of chess: The game of chess is such a meaningful symbol throughout the story, that metaphors are used to describe the situation and emotions of the characters throughout the poem by describing them as chess pieces and in check-mate situations. After considering the game of chess, and comparing to T.S. Eliot’s The Waste Land, the reading changes and it makes the reader view the poem as a game of life and death; a poem of survival, where less meaningful people and things must

If René Descartes’ “Cogito Ergo Sum” embodies the essence of what it means to be a unified and rational Cartesian subject, then T.S. Eliot’s “heap of broken images” eagerly embraces its fragmented and alienated (post)modern counterpart. The message this phrase bears, resonates throughout the entire poem: from its title, “The Waste Land”, to its final mantra “Shantih shantih shantih”.