Techniques With Language, The Cut Up Method And Permutation

through the page, and a hundred layers of paper underneath.” By reading the book David

Surrealism is a movement that built off of the burgeoning look into art, psychology, and the workings of the mind. Popularly associated with the works of Salvador Dali, Surrealist art takes imagery and ideology and creates correlation where there is none, creating new forms of art. In this essay I will look to explore the inception of the surrealist movement, including the Surrealist Manifesto, to stress the importance of these artists and their work in the 20th century and beyond. I also will look to films from our European Cinema course to express how films incorporate the influence of surrealism both intentionally and unintentionally.

The slips of paper are used to expose the symbolism of words and the arbitrary relationship between an object and its label,

Although books full of words are more efficient in delivering and describing what the author feels, sometimes pictures can give a deep meaning depending on how they are organized. The Veil by Marjane Satrapi’s is a graphic novel that’s organized in a particular way, to deliver a certain message through the pictures. Marjane includes different sizes and frames that serve what she is thinking and feeling. Choosing certain sizes, frames and colours isn’t arbitrary. As each box increases in size, it means that she wants to emphasize the message behind that box, or show her relation to that particular text. Contrast is also one of the main elements that Marjane uses in her graphic novel. For example, on page five, there is a big picture of

In the beginning of chapter four, The Typographic Mind, Neil Postman delivers an impressive narrative argument about the impact of print information culture on 17th and 19th century minds. Postman makes a few claims with respect to the contrasts between the written and spoken word. In this essay, there are four qualities of the typographic mind: attention span, listening ability, knowledge of issues, and literary language.

Despite their unique styles of writing and subject matters, both Roger Bonair-Agard and Gloria Anzaldua heavily employ imagery to evoke awareness of the scope of the problem in their audience. Bonair-Agard opens his poem with imagery describing his problem with the standard method used to teach the alphabet, stating that “A was for apples in a country that grew mangoes and X was for xylophone when I was learning how to play the steelpan” (Bonair 8-9)”.

up, and down, and across; nothing in sight..” creating an image in the reader’s mind and

The anecdote entices the reader and her poetic description of the way each stroke of a letter can be subtly varied and the way the letters smudge. Connects her with the reader as a person and not an endorser.

“People only see what they are prepared to see” is a famous quote by Ralph Waldo. This quote emphasises the fact that the purpose of a text can often be unnoticed and misinterpreted by the viewer. Many people only have a limited world experience, and it’s the Distinctly Visual feature of a text which allows the viewer to gain a better understanding. Distinctly Visual texts use a combination of techniques to create and shape an audience’s point of view or interpretation, and visualising a text requires the responder to interpret all of the images presented.

In his essay, “Thought,” Louis H. Sullivan illustrates the importance of real thinking and creative thinking. He asserts that words are not really necessary to use to express our thoughts. He presents other wordless forms of communication to translate our thoughts into loud expressions. Music, painting, images and other wordless forms are the solution the author suggest, as better forms of communication. “Real thinking is better done without words” Sullivan argues. “Words” cut off the inspiration of creative thinking, and disturbs the imagination when someone tries to translate their thoughts into spoken language. According to the author, images are the best way to translate our creative thoughts without the interruption of finding the perfect word to describe an idea. Sullivan attempts to persuade his audience to avoid reading because it deprives them from real thinking: asserting that it must be only done in the present. He discusses that writing is a slow process: many thoughts dissipates as one struggles to put their thoughts into words. Another point that Sullivan argues is that one should only think in the present, and focus in the present alone because the present is the only thing that matters. Sullivan explains, “You cannot think in the past, you can only think of the past… you cannot think in the future, you can only think of the future” … “One is dead and the other is yet to be born.” The author argues that it is not good idea to expand our imagination onward and

André Breton ran the Surrealist Movement with impressive discipline and rigidity, making an interesting contrast between what the Surrealists preached and the management style of its leader. An interesting story, for example, tells how Salvador Dalí, one of the most prominent members of the Surrealist movement, attended a New York costume party dressed up as Charles Lindbergh’s son, who had been recently kidnapped and murdered. New York’s society did not take the statement well and eventually made Dalí apologize for his behavior. Breton, however, almost dismissed him from Movement because he claimed that “no one should excuse himself for a Surrealist act[6].” This anecdote demonstrates the seriousness of Breton and his Movement towards its final objective: revolution and the slashing of society’s conventions in the interest of a subconscious reality.

Chantry tells about how his design team can use art as a language, talking to the viewers without them even realizing this fact. Many artists like Chantry use their skills to make signs, such as election signs to try to convince someone to vote for their candidate. In this article it established that the written language started as an art,

Expounds on the connection between Gericault's depiction of severed heads and limbs and the call of romantic modernists for artistic and political renewal. Gericault's contempt

It is this author’s judgment that a specific photographic artwork of Man Ray is not a legitimate link between George Hodel and Elizabeth Short’s murder given that there are discrepancies when analyzing Short’s body and Man Ray’s artwork. On the other hand, there may be a link between surrealism as a link to Short’s murder. However, it is a weak link that seems to be based on pure speculation, forcing readers to make conclusions without first inquiring George Hodel’s legitimacy, or lack thereof, as a surrealist. The overarching argument here is that while George Hodel may have killed Short, neither Man Ray’s artwork nor the movement known as surrealism seem to be a legitimate connection to Short’s murder.

Freud’s theories have launched what is now known as the psychoanalytic approach to literature. Freud was interested in writers, especially those who depended largely on symbols. Such writers tend to tinge their ideas and figures with mystery or ambiguity that only make sense once interpreted, just as the analyst tries to figure out the dreams and bizarre actions that the unconscious mind of a neurotic releases out of repression. A work of literature is thus treated as a fantasy or a dream that Freudian analysis comes to explain the nature of the mind that produced it. The purpose of a work of art is what psychoanalysis has found to be the purpose of the dream: the secret gratification of an infantile and forbidden wish that has been repressed into the unconscious (Wright 765).