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The 1950s And The Vietnam War

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The 1960’s and the Vietnam War are not often regarded as one of America’s finer moments in history. The increasing popularity of the television set in the 1960’s allowed for a window into the war, and the brutality that the American people saw did not increase national pride, but rather implanted doubts into the minds of Americans as to whether or not our soldiers were really the good guys in this case. Where WWII had involved the Nazi’s, the epitome of the bad guys, the Vietnam War had no such case. The dark sadism of the Nazi’s had once been a stark contrast to America’s virtuous soldiers, but the Vietnam War was a confounding fusion of the good and the bad. As Ph. D. Leslie Gelb explains, “the morality of that [Vietnam] War was very confused” (Brokaw 137). This idea was reflected in the following decade, the 1970’s, when movies began to portray their protagonist as a complex character with flaws rather than the traditional faultless hero. In essence, the Vietnam War of the 1960’s led to the rise of the antihero in 1970’s American Cinema.
The Vietnam War, ranging from 1955 to 1975, began the start of a new age; an age where death and war were no longer glamorized and the people were surfeited with the constant fighting. Originally, Vietnam was seen as a “great testing ground in the struggle between democracies and Communism” (Brokaw 131), with the domino theory being a very credible threat. But as the war continued, both the Home front and the soldiers of the war began to

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