The Allegory of the Cave in Plato's Republic
This paper discussed The Allegory of The Cave in Plato's Republic, and tries to unfold the messages Plato wishes to convey with regard to his conception of reality, knowledge and education.
THE ALLEGORY OF THE CAVE
Plato's "Allegory of the Cave" is a story that conveys his theory of how we come to know, or how we attain true knowledge. It is also an introduction into his metaphysical and ethical system. In short, it is a symbolic explanation of his "Theory of the Forms" (or eidos).
In a cavern some people experience a strange confinement, for they are chained so they can look forward only at the wall of the cave. At their backs, a fire burns which they never are able to see.
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For they would be taking the terms in their language to refer to the shadows that pass before their eyes, rather than to the real things that cast the shadows.
A summary interpretation of the allegory's meaning cannot be better or more concisely stated than in Socrates' addition: "the prison-house is the world of sight, the light of the fire is the sun, and you will not misapprehend me if you interpret the journey upward to be the ascent of the soul into the intellectual worlds" So, to be very clear on one point of possible confusion, the blinding sun of the allegory is not the real sun, but a symbol for the good.
The cave allegory also proves that the role of education is not to teach in the sense of feeding people information they do not have, but rather to shed light on things they already know. Education "isn't the craft of putting sight into the soul. Education takes for granted that sight is there but that it isn't turned the right way or looking where it ought to look, and it tries to redirect it properly." (2)
The concept of duty and service are addressed in response to the objection raised by Glaucon. While contemporary philosophers are, for the most part, self-taught, they have no obligation to serve their state; however, the guardians are nurtured and educated, that is, liberated, by the State, they are unshackled. Therefore, and if their probity is not enough to dictate for them, compulsory service to that which has made them
The drawings that appear repeatedly as you research into the many interpretations of Plato’s words create a signified representation based on the signifiers Plato escribed in his writings – the words he used. The existence of such a variety of images, from different times, drawn in different ways, for different reasons, all depicting the same scenario but with different views on the cave Plato describes in his dialogue with Socrates, is testament the existence of the metaphysical world. All the images are different, yet all have a certain caveness, atmosphere of a cave, which makes them undoubtedly the visual depictions of Plato’s theory of
The Republic is considered to be one of Plato’s most storied legacies. Plato recorded many different philosophical ideals in his writings. Addressing a wide variety of topics from justice in book one, to knowledge, enlightenment, and the senses as he does in book seven. In his seventh book, when discussing the concept of knowledge, he is virtually addressing the cliché “seeing is believing”, while attempting to validate the roots of our knowledge. By his use of philosophical themes, Plato is able to further his points on enlightenment, knowledge, and education. In this allegory, the depictions of humans as they are chained, their only knowledge of the world is what is seen inside the cave. Plato considers what would happen to people
In his essay, “The Allegory of the Cave,” Plato, argues his idea of how to distinguish the reality and truth from that which is a falsehood. Most essentially, he finds it as important to enlighten others that may remain in that
The cave is underground and dark; it consists of human beings who have been living down there since childhood. These people are almost like prisoners since
In the ‘The Allegory of the Cave’, Plato uses a philosophical situation to help us as the reader to examine our perception of life by what is around us. Plato uses such an abstract situation to show that we can mistake the information that we gain due to our position in a situation for truth.
Plato, being a Socratic apprentice, followed and transcribed the experiences Socrates had in his teachings and search of understanding. In Plato’s first work, The Allegory of the Cave, Socrates forms the understanding between appearance vs. reality and the deceptions we are subject to by the use of forms. In the cave, the prisoners’ experiences are limited to what their senses can tell them, the shadows on the walls, and their shackles; these appearances are all that they have to form their ideas. When one of the prisoners begins to question his reality he makes his way out of the cave and into the day light. This prisoners understanding of his reality has now expanded, thus the theory of forms; when he returns to the cave to spread the news, the others do not believe him. They have been deceived by their reality and what
Plato's main goal in the Allegory of the Cave is to communicate the relevance and importance of the concept of intellectual perspective. His real agenda is to illustrate that most people are likely perceiving the world around them in a much more limited manner than they realize and that most of us are, to some degree, living our lives in the same circumstances as the prisoners he
The allegory of the cave is a very symbolic passage with so much meaning behind it. It talks about how knowledge, education, and imagination affects us as a whole society. FINISH Socrates explains two different worlds during Book 7. He starts by explaining the world that the prisoners in the cave are living, then goes to explain the world that everyone else is living outside of that.
“The Allegory of the Cave” seemed to show the procedures of a person being educated, and the influence it has on the person. In Plato’s allegory, prisoners are chained in a cave, facing the opposite side of the mouth. Near the mouth, a fire is burning. The fire casts shadows of objects, which are the only things visible to the prisoners in the dark cave. The prisoners watch the shadows and think that those are real because they haven’t been educated about the reality yet.
Eaarth itself is his vehicle for this. But its aim is enlightenment of the masses instead of one individual. As in the allegory of the cave, the process of freeing the prisoner, or informing a person, is difficult because in a sense they must be dragged from the cave, from what is known and what is safe to reveal that what they have always thought to be true is actually wrong. This is a point on which McKibben echoes Plato—in the sense that the multitude of facts and dense information that McKibben throws at his reader is symbolic of pulling them from what is familiar and opening their eyes to the
Plato, a famous Greek philosopher who wrote the 'Allegory of the Cave', attempted to answer some of these philosophical questions, most notably about the nature of reality. He tells the 'Allegory of the Cave' as a conversation between his mentor, Socrates, who inspired many of Plato's philosophical theories, and one of Socrates' students, Glaucon. They discuss the meaning of reality and how we as humans can be blinded by the dark shadows of reality. The shadows of the objects in the story represented society’s way of telling us what is real, and what is normal.
From Plato: The Allegory of the Cave, we are presented with support to this claim. On page 751 it reads, “It is the duty of us, the founders, then, said I, to compel the best natures to attain the knowledge which we pronounced the greatest.” This quote simply re-states the claim; those who have achieved knowledge and truth are now called upon the duty of spreading enlightenment to the rest of the world. It is also important for those who have enlightened others, to not let them stay idle, but to encourage them also to spread enlightenment. This is among one of the greatest importance to ensure others can have the opportunity to recognize knowledge and
The “Allegory of the Cave” is a famous piece of writing from Greek philosopher Plato. Plato is considered to be an essential figure in the initial development of philosophy. The “Allegory of the Cave” is best known for it’s in depth explanation of education and enlightenment in our society. Plato's “Allegory of the Cave” is one of the best-known and historically referenced allegories when discussing the impact of education and reality. The 'cave' represents the state of most human beings; the journey through the cave leads us to our final stage of enlightenment. Plato presents this work as a dialogue between Glaucon and mentor Socrates. Throughout the writing, Plato expresses that we all start “being trapped in the cave” as we perceive a false reality of the world. As we progress in seeking answers, we are released from
Plato’s “Allegory of the Cave” is just one small part of his work The Republic. In this piece, in particular his use of allegory and dialogue become the two main rhetorical devices he uses to
In the book the Republic, which is the most famous dialogue of Plato, Plato is further explaining his epistemology and his thoughts about rationalism, dualism, and recollection. The persons in the dialogue are: Socrates, who is the narrator; Glaucon; Adeimantus; Polemarchus; Cephalus; Thrasymachus; Cleitophon; and others who are mute auditors. The most important part of Plato’s discussion is how he explains the relationship between the world of becoming, also called the world of appearences, and the world of being, and also how knowledge and its objects are related. He explains those subjects in this book by illustrating these relations with two analogies, the divided line and the parable of the cave.