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The Bamana People In Mali

Decent Essays

Just west of the Fulani peoples in Niger, lay many Mande-speaking people in Mali. Much like the cliff-dwelling Dogon, the Bamana people can also be found in Mali. The Bamana are a patrilineal society that operates through strict caste systems ranging from nobilities, artisans, blacksmiths, to servants. As with any people of the Mande culture, the Bamana hold blacksmiths in their caste system to very important standards. People who manipulate wood and metal and “transform them into useful or even dangerous objects” are believed to possess potent amounts of an energy called nyama. Most notably, these powerful blacksmiths are responsible for constructing the sacred dance crests of the Bamana people. Discovered in 1953 in the Bamako region of …show more content…

About every seven years, these societies are divided up by age and gender. While girls do engage in their own initiations, in this patrilineal society, emphasis is placed heavily on young boys’ initiation. Boys are separated from their families to camp out with their peers and learn the sacred codes of morality as they move up through different levels of their respective jow. Boys would often wear significant masks throughout their training. In fact, in the mid-twentieth century, French researchers reported that boys re-enacted the “creation of the world” during some of their initiations. However, perhaps the most important mask that boys will adorn is the Ci Wara. Upon completing the initiation, boys will undergo a ritual circumcision and perform a sacred dance during an annual ceremony in which they wear the Ci Wara …show more content…

Northern Bamana people have adopted a “horizontal style,” in which the horns of the antelope sweep backward, whereas eastern Bamana carve in the more popular “vertical style,” with the horns soaring straight and high above the creature’s head. Lastly, southwestern Bamana have adopted a hybrid “abstract style,” in which the Ci Wara has upward, curved horns and a canine-like body. In all Bamana regions across Mali, however, the Ci Wara headdress is worn during boys’ commencement dances as a symbol of their entrance into adulthood. The dance crests allude to the important farming skills that men will need in order to provide for their wives and children in the future. During the ritual dance, two men dance as the Ci Wara and his female counterpart. While wearing these headdresses, the men will hunch over and “transform [from] two-legged dancers into four-legged animals,” channeling the impeccable agricultural abilities of the Ci Wara. Additionally, this particular Ci Wara is interesting in that it features a child on the female Ci Wara’s back. As this dance emphasizes the delicate balance of humanity and life, and one’s journey from childhood to adulthood, it is especially important to note the balance of femininity and masculinity between the two sculptures. The broad, detailed back and phallic nature of the male figure represents the powerful masculine sun,

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