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The Big Lebowski

Decent Essays

To the casual viewer The Big Lebowski, a 1998 film written by filmmaker brothers Ethan and Joel Coen and directed by Joel, this film would seem pointless and misunderstood. But really that’s what the Coen brothers wanted. This film is paying homage and citing stereotypes and popular culture from three different and distinct decades in American and Hollywood history. The idea of borrowing fragments of work from various movies or worldly events and using that as a foundation to place original workaround is a definite teller of the postmodernist genre. The apparent use of bricolage is used during this film. The Big Lebowski is about two men named Jeffrey Lebowski. One is a lazy, pot-smoking, White Russian drinking hippie who goes by "The Dude"(Jeff …show more content…

“Formally, the storytelling process draws attention to itself through a high degree of quotation, homage, borrowing, copying, and otherwise recycling previous work. Postmodernism lacks the anti-commercial, elite quality of much modernism; it readily mixes popular and high art references, traditions, and conventions to stress the artifice of any imagined world.” (Nichols, 200) This hallucinogenic scene based on The Dudes drug induced fantasy is filled with Postmodernist influence. This scene is paying homage and citing stereotypes and popular culture from three different and distinct decades in American and Hollywood history. The idea of borrowing fragments of work from various movies or worldly events and using that as a foundation to place original work around is a definite teller of the postmodernist genre. The apparent use of bricolage is used during this scene. The Dude is inside Jackie’s house, which is void-like, open and cold. The architecture of this home The Dude is in pays homage to the film Scarface which was released in the 80’s. When the Dude first enters his fantasy, the audience is welcomed into a reference back to the counter-culture of the 1960’s, characterized by the naked woman and freedom of the body, the hippie culture of the stoned partiers and the care free lifestyle the people partying is abiding by. As the scene continues, a musical show complete with dancers erupts in front of him. The entire scene is referencing the typical 1930’s musicals with the showgirls boasting headpieces, the huge and bright set in front of a black wall, and the entire mise-en-scene sends their salutations to musicals like Hit the Deck and Follow the Fleet. The postmodernist style used in this scene, like the jumping between decades, disorients the audience into the same drug induced confusion that The Dude is experiencing. Therefore, the disorientation of the audience creates a participatory experience by relating the Dude’s same discombobulated daze into

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