The Birthmark as a Symbol

In the short allegory “The Birthmark”, by Nathaniel Hawthorne, a newly-wed couple becomes consumed by the existence of a small birthmark on the wife’s face. When the wife, Georgiana, allows her husband Aylmer, a scientist, to remove the birthmark, both realize that Georgiana will inevitably sacrifice her life for the sake of its removal. As the story progresses, so does the confliction of the newlyweds as they realize exactly what the birthmark symbolized to and for each other. Hawthorne’s hallmark use of symbolism also provides a ‘perfect’ glimpse into the mindset of two themes of psychological conflictions: perfectionism and codependency. Hawthorne seems to share this story as a possible moral of the hidden pathos we place upon the ones we love, and the invisible marks or standards we place upon ourselves for the ones we love.

In “The Birthmark” we first learn about the main character named Aylmer. He is fascinated with science. “He has devoted himself, however, too unreservedly to scientific studies ever to be weaned from them by any second passion” (Hawthorne 952) He eventually finds love with his wife Georgianna, but there is something about her he just will not seem to take much longer. Georgianna has a red birthmark on her cheek which is the shape of a small hand. While she thinks it is beautiful, the most important person in her life doesn’t feel the same way. In fact, Aylmer is truly disgusted and in shock by her mark, claiming it is a “visible mark of earthly imperfection” (Hawthorne 953). Finally telling his wife how he feels, Georgianna is in disbelief. She is upset, hurt, and confused, even questioning their marriage as she tells him “You cannot love what shocks you!” (Hawthorne 953). The last thing she would have thought is that the person she planned to spend the rest of her life with doesn’t see her beauty mark the way she does.

The archetypal conflict of Nature vs. Science is shown in Aylmer’s intention to remove the birthmark, nature’s constant reminder of human mortality, from Georgiana’s cheek. Aylmer believed that the birthmark might heighten Georgiana’s beauty if it wasn’t her only visible imperfection, but on Georgiana’s otherwise flawless complexion the birthmark was nothing more than “the fatal flaw of humanity…the ineludible gripe in which mortality clutches the highest and purest of earthly mould,

By looking at symbolism in The Birthmark, the reader can interpret that the birthmark is a symbol for imperfection and mortality which is not obvious to most people. This is important because it turns the birthmark into something all readers can relate to since no one is perfect. Georgiana’s birthmark was “the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceably on all her productions” (Hawthorne 12). As stated before, nothing is perfect, Nature has a flaw on everything and Georgiana’s was her birthmark. Her husband, Aylmer, notices the birthmark and also sees it as an imperfection even though other men would often tell her it was a charm. “No, dearest Georgiana, you came so nearly perfect from the hand of Nature that this slightest possible defect, which we hesitate whether to term a defect or a beauty, shocks me, as being the visible mark of earthly imperfection” (Hawthorne 11). Aylmer at first is the only one, other from jealous women, to point out her birthmark as an imperfection but his constant talk began to make her believe she was in fact flawed. This is important because it ultimately leads to the death of Georgiana.

The Birthmark by Nathaniel Hawthorne is trying to communicate some important ideas about a variety of themes, he articulates a few weighty themes around this brief argument: the struggle between science and nature. In a story full of successful and almost magical scientific experiments, it is intact nature itself that is more powerful than any creation made by man. As is to be expected, this path to perfection also includes the creation of life and the victory over death. In the birthmark Aylmer does not see, like others who pretended Georgiana's hand before him, a singularity that accentuates her immaculate beauty. He sees in that crimson little hand an indication of decay and death. And also of immorality and sin, in tune with the belief

In “The Birth-Mark,” Aylmer, a natural philosopher, became obsessed with a hand shaped birthmark on his wife’s face. Being completely consumed by the notion of imperfection that graced the face of his wife, Georgiana, he attempted to remove the mark which resulted in her death. Aylmer views Georgiana’s birthmark as something more than a

Can you imagine a world without imperfections? A world where everyone is perfect is unattainable, but if scientifically there were a way to eliminate imperfections and life threatening diseases, presumably, many people would be curious. In Nathaniel Hawthorne’s short story “The Birthmark,” the author explores the idea of perfection with the help of science. Modern examples of this are mentioned in articles posted on NPR.org and time.com, genetically modifying DNA in human embryos has become largely controversial. By using a method called CRISPR, first, it identifies the defective gene, and then it cuts and repairs the gene, not only for that embryo, but for generations to come. With all the scientific knowledge that we are gaining, we

This may represent the fact that we are born the way god wants us to be, and we really should accept people as they are. This acceptance was something that Aylmer could not handle because of his personality. In The Birthmark Georgiana is afraid of her husband, whereas the all of the people ended up being afraid of the minister.

Hawthorne achieves this same task in the character of Georgiana in "The Birthmark." Georgiana, too, is presented as an ideal specimen of womanhood. She is beautiful, intelligent, and devoted to her husband, the alchemist, Aylmer. She would be absolute perfection, except for one flaw: a birthmark in the shape of a fairy-sized handprint on her left cheek. While those who love Georgiana attest that the mark is a symbol of the "magic endowments that were to give her such sway over all hearts," Aylmer and her detractors regard it as a "bloody hand" that belies "his wifeâs liability to sin, sorrow, decay, and death" (Hawthorne, "The Birthmark" 119-20). Hawthorne continues to impart Aylmerâs inner feelings of shock and horror over Georgianaâs single physical flaw, gradually leading his audience to share his disgust for the dreadful

Georgiana’s birthmark is the main symbol in the story that could have multiple meanings. It is clear what the birthmark symbolizes when Georgiana declares, “I am happy to put my life in your hands,” (Hawthorne 3). Aylmer is ready to start his experiment when Georgiana says she is willing to be a part of it. What Aylmer does not know is that the birthmark actually symbolizes her mortality and when she says she is happy to put her life in his hands, she actually means that her birthmark is her lifeline and she is happy to put it in his hands. Aylmer wanted his wife to be perfect, but he only made the outcome worse with trying to remove the mark. Another example of symbolism is when Hawthorne writes, “The mark was usually a deep red color,” (Hawthorne 1). The color red could symbolize one of many different things, but it mainly symbolizes the color of blood. Blood is a main part of one’s body and mortality, and when the birthmark is described by its deep red color, it means that the mark is her source to life. After the tragic death of Georgiana, Aylmer finally realizes that the birthmark really had been her mortality. Aylmer is so deeply caught up in forcefully trying to get Georgiana to let him remove her birthmark, he does not recognize the true perfection that was there all along. Symbolism helps the theme that is portrayed throughout the story that trying to be flawless results in a devastation.

In Hawthorne’s short story “The Birthmark”, Aylmer feels that his wife Georgiana is a miracle and that she is perfect. Her only flaw was the birthmark in the shape of a hand placed on her cheek. Instead of focusing on all her Georgiana’s perfections, Aylmer only focused on one of her flaws, the birthmark. Aylmer constructs a statement about her birthmark saying that, “It was the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceably on her productions, either to imply that they are temporary and finite, or that their perfection must be wrought by toil and pain.”(Meyer 345)

In “The Birth-Mark” by Nathaniel Hawthorne and in Margaret Atwood’s “Lusus Naturae”, the theme of mortality and the theme of man vs. society are very apparent. Characters in both stories are ostracized by their family members because of their natural appearance. In “The Birth-Mark, Aylmer, views his wife Georgiana’s birthmark as a immense flaw in her beauty. He sees it as human imperfection and he tries to remove it and lower her self-esteem. In “Lusus Naturae”, the protagonist in the story (who is coincidently never named) is part of a family who does not accept her because of how her physical appearance looks like. The family's interpretation of the horrible ugly characters is what creates the struggle for the characters. Both stories suggest that degrading someone because of their physical appearance is unethical because most of the time they

Written by Nathaniel Hawthorne during the American Renaissance, the short story “The Birth-Mark” details the events of a brilliant scientist and natural philosopher named Aylmer who obsesses about his wife Georgiana’s birthmark in the shape of a tiny hand on her left cheek. The symbol of the birthmark causes the plot to advance in the story, as Aylmer is compelled by this red mark to act upon his emotions. Aylmer views his wife’s birthmark as an imperfection in her virtually flawless beauty and as a result, attempts to it via a potion that he strongly believes cannot fail. His interpretation of the birthmark creates conflict in the story, which is shaped by the symbolic meaning that he attributes it to. Aylmer’s failure to accept his wife’s appearance for who she is leads to misunderstandings, pain, and ultimately, death.

Aside from Hawthorne?s use of symbolism, his extensive use of imagery also contributes to the notion that man cannot perfect nature. Aylmer?s true goal in this story is to force Georgiana to believe that her birthmark is ?a symbol of [her] liability to sin, sorrow, decay, and death? (204) and she must rid herself of it. He creates this image in order to brainwash her into believing that it is a ?dreadful hand? (207), and she, too, should wish it away. Finally, after gazing at, and studying the birthmark, this horrible image in which Aylmer had implanted in the mind of his lovely wife has become all too unbearable. Georgiana, feeling unworthy of her husband, freely surrenders herself to Aylmer and his science. ?Either remove this dreadful hand, or take my wretched life,? (207) she tells him, while rationalizing the validity of science on such a thing. Another image Hawthorne makes use of, in order to potentially change the mind of Georgiana, is that of the geranium, once diseased with yellow spots of death, is now full of life. The diseased flower symbolizes, in the eyes of Aylmer, a diseased Georgiana.

First, Hawthorne shows his worldview through his use of Aylmer’s obsession with the birthmark to show a sign of imperfection. When Aylmer is conversing with his wife Georgiana regarding the birthmark, he says “This slightest possible defect shocks me as being the visible mark of earthly imperfection.” (Hawthorne, 5). This is important because it shows that Aylmer is troubled by the birthmark and cannot leave it alone. In addition, it also shows that Aylmer ignores the main characteristics and features of Georgiana, such as her great personal qualities, in order to focus on the one imperfection, the birthmark. Adding on, the birthmark is stated as being: “It was the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceable on all her productions” (Nelson, 12). The birthmark is a part of nature and is inevitable because it cannot be altered or removed. Furthermore, the birthmark is a reminder that imperfection is part of