The Bloody Chamber : Critical Coursework

Bloodsworth described the torments he faced while confined in the Maryland prison. Other inmates would yell through the pipes, “were going to get you Bloodsworth and do to you what you did to that little girl” (2013). He described being confined to a very small cell, while being kept locked away in isolation. He eventually went on to become the prison librarian. In prison he would keep up a healthy habit of reading. One day he came across a book that a guard had passed along. It was titled The Blooding, by Joseph Wambaugh. It was in this book that he learned about DNA evidence being used to secure convictions. He also realized that DNA evidence could also be used as a tool to exonerate.

Another text that Carter uses to question and portray the issues with patriarchy and gender in is “The Snow Child.” In this story, the Count wishes for a female child. He imagines a girl who is “as white as snow,” “red as blood” and “black as that bird’s feather” (Carter 91) and as a result, a naked child with “white skin, red mouth [and] black hair” (92) appears. The girl highlights the idea of “females as raw materials and […] products” (Rubin 158) focused around appearance and the satisfaction of men. Her petite size and appearance as a vulnerable naked child in front of the Count parallels the dominance of men over women. The Count easily “[lifts] her up and [sits] her in front of him on his saddle” (Carter 92) and does as he pleases with her. The child is defenseless and does not fight back with the Count, but

Explore the presentation of femininity and identity in The Great Gatsby and The Color Purple, considering the contexts of their production, reception and the different ways in which these texts have been read.

In the novel, “All the Pretty Horses” the author, Cormac Mccarthy details a clear theme of gender dependent roles in society. While Mccarthy does not directly address these social constraints, they are present through the entirety of his novel. By using many of the conflicts and interactions within All the Pretty Horses he maintains a constant background echo of these expectations. The main protagonist, John Grady Cole often finds himself in situations that provide elaboration on these stereotypes. Throughout All the Pretty Horses John Grady Cole encounters men and women, all of which provide conflict. The men he encounters always initiate conflict with John, while the women in his life always seem to take on a warped role of themselves.

Within the usage of the intensified dialogue, the characters and the stage directions these attitudes are brought to life. While exploring both the male and female stereotypes we get a close look at society during this time and how people would be treated when challenging these stereotypes. By illustrating these beliefs and concerns that lie within each gender and society, Tennessee Williams effectively allows the readers to critically think if these expectations are accurate and still pursue in society today. It is clear that gender roles have played a major role in several societies and decades, but these strict expectations continue to put intense levels of burden on individuals, relationships and society

Sexuality has an inherent connection to human nature. Yet, even in regards to something so natural, societies throughout times have imposed expectations and gender roles upon it. Ultimately, these come to oppress women, and confine them within the limits that the world has set for them. However, society is constantly evolving, and within the past 200 years, the role of women has changed. These changes in society can be seen within the intricacies of literature in each era. Specifically, through analyzing The Scarlet Letter by Nathaniel Hawthorne and The Bell Jar by Sylvia Plath, one can observe the dynamics of society in regards to the role of women through the lens of the theme of sexuality. In both novels, the confinement and oppression of women can be visibly seen as a result of these gender roles. Yet, from the time The Scarlet Letter was published to the time The Bell Jar was written, the place of women in society ultimately changed as well. Hence when evaluating the gender roles that are derived from sexuality, the difference between the portrayals of women’s oppression in each novel becomes apparent, and shows how the subjugation of women has evolved. The guiding question of this investigation is to what extent does the theme of sexuality reflect the expectations for women in society at the time each novel was written. The essay will explore how the literary elements that form each novel demonstrate each author’s independent vision which questions the

As a result of the abuse female characters have faced, it has become an objective for authors to prevent this. There have been clear strides recently, putting women as the protagonists, and not in a manner that has them dealing with persecution. The amount of strong, female characters is a large stride in the right direction to end the conflict regarding women’s roles in literature. However, this sudden influx of women in literature may lead to the reversal of the issue; the absence or abuse of men. While certainly literary equality is the end goal, to flip the issue would be just as bad and lead to sexism on the opposite spectrum. To truly mend the rift between genders, there must be no discrimination, the idea that an author is trying to use sexist undertones by not writing the lead as a female should not have to be an idea that readers think about when analyzing modern books. While even still there are issues of gender inequality in literature, there must be moderation from both ends for a resolution to be possible. The only way for equality to be achieved is with the absence of sexist ideals from all

The most prominent woman figure in this play is Linda, but the male characters in this play also give us insight into women’s roles and help feed the feminist analyses

Role of Women in Hemmingway's Hills like White Elephants, Lawrence's The Horse Dealers Daughter and Faulkner's A Rose for Emily

In the story of The Bloody Chamber, Angela Carter attacks the conventional gender roles of women. The conventional Gothic plot revolves around pursuit. A young heroine’s virtuous virginity, purity and innocence is sexually threatened. Thus, what Carter does in “The Bloody Chamber” is redefine female desire and sexuality which are rendered passive and repressed through traditional Gothic texts. Where the mother exemplifies the heroic woman, the “girl” is the traditional damsel in distress. Maria Makinen’s assessment of Carters feminine characters is both truthful and incorrect. Carter uses traditional female stereotypes as well as her unique women to make a contrast between these perceptions of women.

On the other hand, The Bloody Chamber presents a different method in which the author uses short stories as a way of exploring “how things might be different.” Emily Warren argues that in the short stories that comprise The Bloody Chamber, “Angela Carter reverses gothic traditions so that the males become the victims instead of the females”. It is when Carter deconstructs conventional and repressive gender identities that the typical gothic gender specific roles are subverted as for feminist writers, the short stories have been viewed as a way of exploring ideas of how things might have been different. The writer revels that through The Bloody Chamber her intention was to “extract the latent content from the traditional stories”. Patricia Brooke

Throughout the movie, The Other Boleyn Girl and the novel, The Bell Jar, director Justin Chadwick and author Sylvia Plath respectively present the struggles faced by women in order to establish identities within their patriarchal societies. The authors of both texts explore these causes by situating their texts within a society where women are potentially disempowered at the hands of men. Where Chadwick explores the systematic disempowerment of women who are a threat to their men, Plath contrastingly reconnoitres the dissociation women experience when they don’t fit societal expectation. In order to heighten reader’s response and personalise the respective texts, each author has explored the experiences of a central female protagonist. However,

The reason for this paper is to plan, create, and portray of an a bracelet monitoring observing gadget for blood spillage location amid the hemodialysis treatment. The configuration incorporates a photograph interrupter, a Bluetooth 4 remote module, control, and ready parts. The acceptance results demonstrate that it just needs a little measure of blood (0.01 ml), and takes 1.6 s to recognize a blood spillage. Besides, the lifetime of the battery on this gadget is longer than the right now accessible business items. It can persistently give out an alarm for 18-h long and constantly screen up to 41 h. Moreover, the transmission scope of Bluetooth remote sign can be stretched out to 23 m. For whatever length of time that the patients wear this

This thesis tackles the archetypal figure of the femme fatale in British literature and shows its resurgence and metamorphosis from a Victorian to a neo-Victorian perspective. In Rider Haggard’s Victorian novel She, the fatal woman, as it is personified in Ayesha or She-Who-Must-be-obeyed, appears as a victimizer whose terrible power and subversive sexuality place her as a deviant woman. To put it differently, Ayesha subverts the dominant stereotypes of the ideal womanhood that present women during the Victorian age as “angels in the house.” In fact, Haggard, in the light of Edward Said’s Orientalism, perpetuates the stereotypical representation of the Other. Moreover, Ayesha wields her power through her charm, beauty, and subversive sexuality.

Mary Ellen Lamb 's exploration of Sidney 's Defense of Poesy notes early modern cultural anxieties around poetry 's potential power to effeminise and infantilize. Sidney challenges contemporary accusations against poetry, existing on concerns for the morality and virtuosity of its audiences. However Lamb supplies an additional stance regarding the masculine intellectual ideology of the Tudor education system. This suggests that poetry halts the indoctrination of young adult males into an emerging capitalistic England. Lamb approaches these claims through Sidney 's gendered language, with particular focus on his ‘nurse of abuse ' passage. Moreover, examinations of grammar school culture, and readings of textual allusions in Defense contribute to wider discussions on the role of appropriated masculine poetry.