The Blues Music Analysis

As Bryan Crable notes, Burke and Ellison had the closest intellectual and social relationship when Burke was writing A Rhetoric of Motives—and, I would add, when Ellison was writing Invisible Man. Crable points out that the Rhetoric is “the only one of Burke’s books to cite Ellison,” in large part because Ellison’s 1945 essay “Richard Wright’s Blues” (which called Wright’s just-released memoir Black Boy “a nonwhite intellectual’s statement of his relationship to western culture” that illuminates a “conflicting pattern of identification and rejection” à la Joyce, Nehru, and Dostoyevsky) had a major influence on Burke “only one month into serious work on his now-canonical text” (“Blues” 263–64, Crable 47–48). The claim that the friendship was important for both Burke and Ellison is certainly true, intervening in a longstanding scholarly conversation on the Burkean influences apparent in Invisible Man (and other works of Ellison’s) that paid little attention to the ways in which Ellisonian ideas in fact inspired Burke’s work as well. Even with this helpful addition of Crable’s, though, the scholarly consensus seems to suggest that Ellison employed Burke’s philosophies of literary form in his composition of Invisible Man, while Burke developed his “thoughts on the rhetorical dimensions of race” based on Ellison’s insights about the conflicts between “individual identity” and “racial identity” (Crable 47–48). All of this is correct, but its understanding of the Burke-Ellison

In my opinion I thought the song was great. It had a nice bluesy feel and was relaxing to listen to him. King is such a great lyricist and I thoroughly enjoyed listening to him during this tune. Many people recognize B.B. by this tune and I can see why. His take on the song is very original and unique only to him. I truly enjoyed learning about the King of the Blues throughout this project and through his

In the story of “Sonny’s Blues,” by Baldwin, the beginning of the story finds Sonny’s brother on his way to work reading about Sonny’s predicament. Sonny got arrested for “peddling and using heroin.” He didn’t want to believe that his brother was in trouble. While teaching his algebra class he was thinking about the past. He remembered when he first suspected his Sonny of using Heroin. He was always under the impression that Sonny was, “wild, but he wasn’t crazy. And he’d always been a good boy.” So he refused to believe that his brother was in trouble and needed him.

In James Baldwin’s short story “Sonny’s Blues,” one of the most pertinent themes throughout the story is the contrast and duality of light and darkness. More specifically, the author explores this theme by using light and darkness to explain the characters coming to terms with their realities and the realities of many people who live in their community. The theme also is key in explaining the relationship between Sonny and the narrator. In this paper, I intend to explain the significance of the tension of identifying one’s reality in “Sonny’s Blues,” by exploring the many instances that Baldwin uses light and darkness to explore one’s reality.

In any medium the last words of an author, lyricist or screenwriter are the most powerful of the entire piece. An ending can completely ruin a perfectly good piece if it isn't what it should be. It can also redeem a mostly mediocre piece by being exactly what it should be. Often the best endings are ones that do not end the way the reader wants them to, but end the way the reader knows they should. Baldwin is definitely an author who knows how to end a story.

In Zadie Smith’s article, “The North West London Blues,” she repeatedly stresses on the vitality of public libraries, building an argument, through which, she attempts to induce her readers that public libraries are important and should remain accessible. In pursuance of her goal, Smith resorts to the use of ethos, the appeal to ethics, pathos, the appeal to emotion, and logos, the appeal to logic, in addition to her unique use of diction, rhetorical devices, and subtle word choice.

In the story “Sonny’s Blues”, written by James Baldwin, the narrator and his younger brother, Sonny, interact with musical elements that serve as a redemption for Sonny. Baldwin believes in the power of music to rescue or minimize the suffering that people go through. Both characters isolate themselves with several instances of music and issue their reactions toward it. Sonny is an uprising musician that wants to portray his life by playing the piano. This story is about Sonny’s Blues. His sadness about his escape from his childhood, his frustration with being a musician, as well as the lack of support from his brother, when he knew that Sonny was hurting the most, are expressed through the wooden black and white keys. At first, Sonny uses

Many times in life we find ourselves in situations that end in suffering. This can become a very dark place, unless we can find something to pull us out. In the story “Sonny’s Blues” by James Baldwin music was the remedy. The main factors that make up this story is suffering, the overall theme of darkness, and the meaning of the music.

Discuss place and how James Baldwin uses elements of setting to convey Sonny’s Blues’ larger message or theme.

The story “Sonny’s Blues” By James Baldwin is about a jazz musician and his brother in 1950’s Harlem. The story centers on Sonny who uses jazz music as an escape from his depression. James Baldwin captures the art of jazz during this time period. The themes in this short story are perhaps varied, but all of them revolve around some form of suffering. One theme shows how music can promote change and understanding within relationships. A second theme reveals suffering caused by guilt. Yet another theme references the results of suffering brought about by searching for ones’ identity and how that leads to misunderstanding. There are also subthemes concerning racism and poverty.

The blues have deep roots embedded within American history—particularly that of African American history. The history of the blues originated on Southern plantations in the 19th century and was created by slaves, ex-slaves, and descendants of slaves. They were created by individuals who endured great hardship while performing endless hours of arduous labor and blues served as a form of escapism. To these individuals, songs provided them with the strength to persevere through their struggles. Blues songs depicted individuals who persevered in the face of adversity. They were symbols of hope to those squandering in the depths of oppression. In relations to the blues, every song has a story behind it and within every story, there is something to be said. Blues artists, through their struggles, detail how they overcame hardship and laughed at the face of oppression. They defied the rules and in doing so, showed African Americans that they too are beacons of hope for the hopeless. The best blues is instinctive, cathartic, and intensely emotional. From irrepressible bliss to deep sadness, no form of music communicates more genuine emotion than that of the blues. Like many bluesmen of his day, Robert Johnson applied his craft as a lonely traveling musician on street corners and in juke joints. He was a lonely man whose songs romanticized that existence. With Johnson’s unique vocal style, haunting lyrics, and creative guitar techniques, Johnson’s innovation embodied the essence of

“Assemble the monkey warriors!” A substantial portion of the Ramayana tends to deal with hostility between Rama and Ravana. Rama is an avatar of Vishnu who is commended for being a follower of dharma, and is shown as the protagonist of the poem. The antagonist of the story, Ravana, completed reparation to Siva, allowing himself to take control over most of the planet. Nina Paley, the prolific cartoonist and animator of the film “Sita Sings the Blues,” portrays a twist to the retelling of Ramayana by setting the epic poem to jazz music, and integrating moments of her life with her significant other to create an important

The Chicago blues was a style of blues that developed, as the name suggests, in Chicago. It was a more modern type of blues and came about after the Great Migration of the 1900s. More than half a million African Americans migrated from the Mississippi Delta and headed north, towards cities like Chicago and Detroit (Public Broadcasting Service, 2015).

As this was a cover version, King probably intended for there to be a specific focus on guitar improvisation, as there are 3 different solo sections in the song.

"Sonny's Blues," by James Baldwin, explores the strained relationship that two brothers the unnamed narrator and Sonny have and how the narrator slowly begins to recognize Sonny's relationship with music. While the narrator is initially baffled by Sonny's dream to become a musician, towards the end of the short story, he recognizes that Sonny depends on music and that it is a driving force in his life, possibly one of the only things that keep him alive.