The Body Found By Sid Bennett

When describing working with killer whales, one of the former SeaWorld trainers uses personification to illustrate the bond human and whale shared and how it started to seem as if the whale had become like one of his children. By giving the animal the likeness of a human, the trainer was hoping that the viewer could relate the bond he shared with his animal to the bond a viewer might have between a parent and their child. The former SeaWorld trainer also successfully uses pathos in this scene. He appeals to the viewers emotions, especially to parents, by bringing in the special bond of a parent and child. The bond between a parent and their child is one of the strongest bonds one will experience in a lifetime and it is also one of the bonds that we have all experienced. Not everyone may have felt the bonds of friendship and love, but everyone is either a parent or a child. As a result, the viewer is able understand the feeling of the trainers, who have been around and worked with the killer whales for so long, that if feels as if the whales have become their children.

Any little child is able to connect the name Shamu to the massive black and white creatures that dwell in the ocean waters, termed orcas or killer whales. However, the recent release of the film “Blackfish” has aimed to revise the common opinion of killer whales who are known by the title Shamu. As the film strikes marine life parks such as SeaWorld with apparent reasons as to why these orcas should not be in captivity, the question of “Blackfish”’s validity arises. How truthful can a film be that was created to persuade its viewers to ceases visiting attractions such as the killer whale shows? Since the release of “Blackfish,” animal rights activist, writers, and amusement park aficionados have been expressing their speculations on the “Blackfish”

Body of evidence discusses the crime of how Bob was murdered. To begin with, the pathologists looked for evidence to when Bob died. They found dead more than 12 hours and less than 36 hour. The body was cold to touch the body. The article stated that the pathologists went in the autopsy room to examine Bob's body. They found superficial marks on his hands and around the neck. They also open Bobs that head trauma that cause the death. Another important factor is that the pathologists were able to prove what Jane killed Bob. Jane had access to Bob's clothes and she lied about the last time she saw him alive. Forensic scientists and crime lab techniques had enough evidence to arrest Jane of Bob's deaths. In conclusion, this is how Body of evidence

She employs an effective range of visual techniques to create compassion for the miserable creatures. Contrasting real footage of captive whale with bent fin; with wild whale’s perpendicular fin. It allows the audience to question the differences and makes us realise that SeaWorld is doing something severely wrong that causes physical damage. This makes the audiences feel outraged by its treatment as it is unfair, inhuman and cruel; furthermore, audiences are invited to feel compassion for the unfortunate creature because they could not defend themselves.

First and foremost, the character development in “Mermaids,” is the polar opposite of what any tragic story would be. The main character Torchy has no evident or visible hamartia, he is indeed a weak character when he is first presented, however he does not have that key tragic flaw that every protagonist in a tragic story has. He also lacks the element of peripeteia, it is true that he does many foolish things, such as gambling, drugs, and self inflicting harm. However, none of these acts initially lead to his demise, in fact, his poor experiences help him grow as a character. “I feel my blood drain… I lean hard against a parking meter” (Van Camp 1). When first presented to us, Torchy is shown as a person that is strong on the outside, he always has his guard up and is constantly aware of his surroundings. However, on the inside he is a vulnerable man, conscious of his mortality where he harms himself to relieve the pain that he is feeling. “I can feel it build. I don’t want to scare her… I hug her

Richard Van Camp shares the story of Torchy and his series of events that takes the reader along to see and feel the tragedies of Torchy with his past and current experiences. In the short story “Mermaid” by Richard Van Camp, the author explores the realm of a true tragedy in this story through the use of the Aristotle style of the elements of tragedy displayed by the means of Torchy’s series of unfortunate events through willing blindness, dramatized actions and pity developed for the character throughout the novel. With a closer look one can identify Peripeteia among many elements of tragedy found within this novel.

According to Animal Planet TV Channel that aired an incredibly controversial program about mermaids and the evidence in 2012 and 2013, the whole world should know the truth about mermaid. They invited a marine scientist Dr. Paul Robertson claims that mermaids are real, they do exist, living in the deep ocean and there’s a lot of evidence has been found all around the world.

The claim further argues that said stress can be directly blamed for the violent outbursts of the orcas against the training staff. When whales are taken away from their families in the wild waters, they grieve the pain and suffering that is associated with that parting, thus making the whales an emotional time bomb. The documentary provides grounds to argue that orcas suffer the emotional repercussions of separation, much like humans do by with the fact that scientists have proven them to be conscious of human-like relationships and feelings via MRI’s. Moreover, included in this documentary was a commercial of a killer whale giving birth to baby Kalina. Much like our society, killer whales value their relationships with their offspring. Once Kalina was taken from her mother, Katina, is shown being immobile in the corner of the tank, audibly screeching and crying. Being able to see and hear the tragic response of the mother makes the audience empathize with the orca and want to cry for her. Incorporating this event shows how holding orcas in captivity can negatively affect them psychologically. This vivid scene gives the audience the ability to sympathize on a personal level with a mammal other than

Blackfish (2013), a mesmerizing, psychological documentary with 7 film awards and 38 nominations, presents an extensive look into the negative effects captivity has on Orca whales. The director and writer Gabriela Cowperthwaite calls her audience to action, similar to documentaries such as Food, Inc., The Cove, and Super Size Me. In all of these documentaries, the director and writers reach out to an audience that is not fully knowledgeable on a certain topic, in order to persuade them into taking a stance on a certain topic. In Gabriela’s film, she illustrates the story of Tilikum, a performing Orca who killed many people while at SeaWorld, Orlando. Though at times graphic, the film investigates the harmful effects captivity has had on these wonderful creatures and their trainers. Blackfish uses credible interviewees, powerful voice-overs, and influential outside evidence to persuade those who are un-informed of the negative effects of captivity on killer whales. The ultimate goal in doing this is to urge these individuals to take a stance against aquatic captivity.

When the little mermaid went to the sea witch to be changed into a human, she told her, “How stupid of you! Still, you shall have your way, and it’ll bring you into misfortune, my lovely Princess” (Anderson 226). The sea witch had already warned the little mermaid even before she made the potion that it would not go as she planned. The little mermaid, being young and foolish about love, did what she believed was right. The tone here spoken by the sea witch gives caution towards the mermaid. Anderson uses the witch as a way to portray to the reader how it is easy to make mistakes in the matter of love. This example is given when the witch informs her that, “… and if you don’t win the Prince’s love, so that he forgets father and mother for you and always has you in his thoughts and lets the priest join your hands together to be man and wife, they you won’t get an immortal soul” (Anderson 226). The author uses a reproving tone to demonstrate to the reader how the little mermaid is foolish, carried away in her childish dreams. Anderson characterizes the sea witch in such a way that her dialogues warn women to be careful when it comes to sacrificing themselves for anyone.

From the moment the world introduced us to television, we have been bombarded with images of fantasy and “happily ever after’s.” Perhaps the most well known corrupter of reality lies within the Disney franchise. Disney’s, The Little Mermaid, follows a typical fairy tale format in which all goals and dreams are achieved. Its counterpart, however, moves to the beat of a different drum. Hans Christian Andersen’s, The Little Mermaid, portrays a more serious plot much different from Disney’s loveable adaptation. One may conclude that the most these two stories have in common is their titles, but a deeper theme runs throughout both of these fictional plots. Despite these two stories’ conflicting agendas and the

“The Little Mermaid” by Hans Christian Andersen is one of the worlds most cherished fairy tales. Through the years, this story has inspired its fair share of different adaptations and spinoffs, as well as intertwined itself in popular culture. Although it is widely considered a children’s story today, upon close examination, we can find various elements of literary devices and themes, all of which provide the seasoned reader with a deep connection to the story. To honor the tradition of story-telling, it is essential that a short summary of the story be given.

The Little Mermaid is a fairy tale by the Danish poet and author Hans Christian Andersen. The tale is about a young mermaid willing to give up her life in the sea and her identity as a merperson to gain a human soul and the love of a human prince. The tale was first published in 1837 and has been adapted to various media including musical theater and animated film.The standard of this classical story has been set to be the Disney Movie titled the same

Mermaids are legends that have been among us for years; moreover, to understand the legends, one must look at their history, their mystical powers and their distinct descriptions. Mermaids, Mermen, and Merbabys are making more of an appearance in our waters than they ever have. These mystical creatures are swimming back into our world.

The original draft more generally based and less clear of what the exact thesis and argument was because I focused on other dynamics, such as patriarchy, in which I needed to narrow. Overall in the final prospectus, I argued that there are sexist themes portrayed in The Little Mermaid and the importance of analyzing and identifying these are because it is so prevalent and affective in real life society. Every argument has a purpose and a goal, and the goal with writing this paper is to bring awareness of this type of rhetoric in films in order to avoid falling or accepting its skewed