Blackfish : The Negative Effects On Orca Whales

The controversial documentary Blackfish, directed by Gabriela Cowperthwaite rose to popularity four years ago in 2013, when it was released. Blackfish tells the stories of killer whales, or orcas, that were caught and kept in captivity, and the effects that arose due to their capture. The documentary focuses on Tilikum, an orca caught in 1983, who was kept in captivity in SeaWorld Orlando since his capture for 34 years. Blackfish does an excellent job in using all three rhetorical appeals, providing many real life examples and statistics, to defend their argument that orcas should never be captured or held in captivity.

A documentary is an expository text that informs its audience about an issue person or event using visual and auditory conventions to convey a message. Documentaries are often used to reveal an unusual, interesting or unknown angle. Topics are limited only by one's imagination. The documentary Blackfish is the story of Tilikum, a captive killer whale that has taken the lives of several people, it underscores problems within the sea-park industry, man's relationship to nature, and how little has been learned about these highly intelligent mammals. This documentary was directed by Gabriela Cowperthwaite. The ideas that orcas are wild and unpredictable, Seaworld’s treatment of orcas are inhumane and Seaworld’s was negligent in their training of their trainers. These ideas are shown throughout the documentary as visual techniques of Celebrity figure, expert opinion, audio codes, the documentary technique of interviews, archival footage and written codes. I think these ideas in the documentary are quite true and are well proven throughout the documentary.

In 2013 Gabriela Cowperthwaite produced and directed the documentary “Blackfish”. This documentary mainly focused on the issues behind killer whales being held in captivity such as at the famous amusement park Sea World, instead of the open ocean. Some negative outcomes of these animals being confined to such small spaces is, many accounts have been documented of the whales being agitated and having an aggressive tone with other whales and the trainers as well that work with them. A handful of these are human deaths caused by the orca whales. Throughout the documentary the director uses the Rhetorical strategies ethos, pathos, and logos to persuade the audience and try to convince them that her argument has a valid point and can be

Gabriela Cowperthwaite’s activist documentary, Blackfish, spurred a significant public dialogue following its 2013 premier. The film centers on the role of Tilikum, an orca whale at SeaWorld, in the deaths of three SeaWorld trainers, including, most recently, Dawn Brancheau. Cowperthwaite follows a suit brought against Sea World by the Occupational Safety and Health Administration (OSHA), weaving together testimony of scientists, former trainers, and family members of the deceased, among others, to make a compelling case against SeaWorld’s practice of holding and performing alongside orcas. Nevertheless, after its release, the film drew criticism from some of its participants as well as Sea World itself. Cowperthwaite claims not to have tried to vilify SeaWorld. However, this claim seems dubious given the film’s fairly evident anti-SeaWorld bias.

In beginning of the film, the appeal to pathos affects the audience as we listen to what these former trainers have to say about how they became interested in the job and what made them realize that a trainer was what they wanted to be. As a little kid each of these trainers were inspired by commercials, TV channels, and visiting SeaWorld for the first time. It seems that this job is perfect for them until they realize that they do not know where and how these killer whales were captured. According to the SeaWorld of Hurt website, “Dr. Newby tells the story of the horrific captures

The beginning of the documentary shows a whale attacking the trainer which makes the audience feel whales are dangerous and invites us to be terrified of them. The body of the documentary then goes into depth about the whales which explains SeaWorld’s mistreatment of them, whale psychology and their behaviour. The end of the documentary, a footage of a whale swimming with the community, which represent hope for the whales. By constructing a sequence like this, it makes us feel aware, anger and compassion which is basically playing with our emotions and also that is what the producer do to make a quality, memorable and poignant

Finally, I will give reason to why people need to realize the damage SeaWorld is doing to the

“All whales in captivity have a bad life. They’re all emotionally destroyed. They’re all psychologically traumatized. So they’re ticking time bombs.” This is a statement by Lori Marino from the documentary, Blackfish. Many statements like this one are common and believed to be true due to the proof that the documentary provides. There are many incidents that prove Orcas, also known as Killer Whales, are harmed in captivity and that their trainers are often harmed because of this, too. Orcas should not be kept in captivity since it is harmful to both Orcas and humans.

The movie Blackfish is a documentary of the story of Tilikum, a captive killer whale that has taken several lives, exploits the issues amongst the sea-park industry, and illustrates how little is known about these intelligent mammals. The experiences and treatment of the Orcas in Blackfish share commonalities with that of Blacks in America. The film touches on commonalities that can be generalized in comparison with slavery: family, captivity, sound and language, natural and captured behavior, separation. Through genes, captivity and the psychological and physical abuse of the whales in the movie Blackfish, one can determine and acknowledge that there is a correlation between the situation of African Americans today and the enslavement

The claim further argues that said stress can be directly blamed for the violent outbursts of the orcas against the training staff. When whales are taken away from their families in the wild waters, they grieve the pain and suffering that is associated with that parting, thus making the whales an emotional time bomb. The documentary provides grounds to argue that orcas suffer the emotional repercussions of separation, much like humans do by with the fact that scientists have proven them to be conscious of human-like relationships and feelings via MRI’s. Moreover, included in this documentary was a commercial of a killer whale giving birth to baby Kalina. Much like our society, killer whales value their relationships with their offspring. Once Kalina was taken from her mother, Katina, is shown being immobile in the corner of the tank, audibly screeching and crying. Being able to see and hear the tragic response of the mother makes the audience empathize with the orca and want to cry for her. Incorporating this event shows how holding orcas in captivity can negatively affect them psychologically. This vivid scene gives the audience the ability to sympathize on a personal level with a mammal other than

David Kirby’s book describes the complex issues of whales in captivity. The death of a SeaWorld trainer brought up many objective reasons of the training practices of this business were not effective at keeping trainers safe in the water. Currently this debate is still being tested in a court of law. OSHA claims that even with the precautions that SeaWorld tries to use, it still cannot guarantee the safety of trainers in the water. This cultural topic has been gaining ground, and recently prompted a movie based off this book titled, Blackfish. The audience of this book includes animal activists, followers of David Kirby, and people that are interested in the topic of killer whales in captivity. Rob Grom was contracted to create a book

Since 1961, 157 orcas, or killer whales, have been ripped from their homes and shoved into captivity. 127 of these orcas are now dead. With the number of captured orcas plus the number of those born into captivity, The W.D.C. (Whale and Dolphin Conservation) reports that, “At least 162 orcas have died in captivity, not including 30 miscarried or stillborn calves” ( “The Fate”1). Out of the 127 taken into captivity, 44 have died in SeaWorld. There are currently 58 orcas residing in 14 marine parks in eight different countries. 24 of those orcas are held in SeaWorld’s three parks in the United States. Since 2002, 14 have been taken out of the wild and put into these marine parks. (“The Fate”1) It is not fair for these innocent creatures to be physically and mentally manipulated and damaged. Such brutality would not be condoned if it were targeted towards a human, and it should not be condoned when targeted toward an animal. Orca whales should not be held in captivity because they are forced to live in subpar conditions, they are mistreated while in captivity, and they are led to aggressive behavior.

Cowperthwaite wastes no time in establishing an emotional connection between viewers and the subject matter. Cowperthwaite uses pathos in the form of an actual 911 emergency phone call related to SeaWorld incidents, interviews given by former SeaWorld trainers, and video clips of killer whales behaving in nature and in captivity. Within the first few seconds of the documentary, viewers are exposed to not one but two horrifying 911 emergency phone calls. In one of these phone calls, a man calls and communicates to the

Blackfish, a documentary by Gabriela Cowperthwaite, analyzes the horrific treatment, containment, and use of Orca whales within entertainment facilities. The discussion of treatment began in 2010, when Dawn Brancheau was killed and drowned by the whale, Tilikum. Since this incident, there have been multiple investigations into SeaWorld and similar facilities. It is argued that the whales should be released from these facilities due to the posed dangers they have to humans, and themselves.

The death of Dawn Brancheau made national news back in 2010. Dawn was working as an orca trainer at the SeaWorld of Orlando when the tragic accident occurred. While doing a relationship session with Tilikum, the largest orca in captivity, Dawn was pulled into the water and drowned. It was a story that not only shocked the nation but left people wondering how something so horrible could happen. Gabriela Cowperthwaite‘s use of the accounts of retired SeaWorld trainers exposed the harsh reality of captured animals in her documentary Blackfish. In creating a piece focused on the life of one orca, Cowperthwaite has allowed viewers to look into the lives of captured animals and has shown the greater social issue of animal rights, the treatment