Kate Regan-Loomis
Professor Baumann
The Quest for Justice
September 12, 2017
Self, Family, City Though the choices that Antigone and Creon face in Sophocles’ Antigone differ, their decisions often end up pitted against each other’s, inviting comparison. Since I am juxtaposing the characters’ degrees of rightness, I believe that the rightness of the reasoning, not just their ultimate stances, should be examined. The entirety of his or her argument, not just the conclusion, must be taken into account. I’ll also note that my perspective of rightness could and does conflict with that of the gods in Antigone and Sophocles. Furthermore, “rightness” has an element of nuance to it because of the word’s multiple definitions and their connotations.
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This combined with her fixation on the curse makes it seem blatantly obvious to me that she is using her brother’s death and disrespectful treatment as an “in” with the gods.
Antigone wants to be redeemed in the afterlife through her act of burying Polyneices. This is especially clear when she decides that she will bury him and die before she has even appealed to Creon. The only route she can see is one that results in her death. Not until she is directly confronted by her uncle does she attempt to dissuade him from dishonoring Polyneices. Even then, she seems to be simply defending her own actions rather than accusing him of being wrong, as she so adamantly has done with Ismene. He needs to implore her to “Speak!” (166, 442), and when she does, she is flippant and prideful. Antigone only engages in real dialogue with him when he forces her to. This could be interpreted as her simply understanding his position and accepting it, but I find that unlikely. She clearly fundamentally disagrees with him and his interpretation of the gods, but instead of trying to persuade him to recant his decree and bury her brother, she capitalizes on the position she’s in and thrusts herself into martyrdom. Even by the gods’ standards, this does not seem to be justice or “rightness”. Her surface level loyalty to her family may initially appeal, but I find it insincere and not right when I explore it more closely. Creon absolutely is foolish when he
Antigone has the strong belief that loyalty to the dead and to the gods has precedence over all other opinions, specifically those of Creon. Antigone does not at all care that the one with all governing power has the most disagreement with her decision to remain devoted to her family below. “Since I must please those below a longer time than the people here, for I shall lie there forever” (Sophocles 16). She knows and understands that time in the mortal world has a limit, however time in the underworld is eternal. Pleasing Creon and his belief to only stay true to civil laws are of no concern to Antigone, for all she wants is to please her family below and the gods above. An example of this is the burial of Polynices, because while it is right in Antigone’s eyes, Creon believes it is foolish and a sin
Being that Antigone is the protagonist, her character is important in the play. She made the decision to bury her brother knowing that it was against Creon’s law. Ismene refused to help Antigone, which left her angry, yet still determined to bury her brother. She knew that burying her brother could lead to her own death, but she continued to show courage, strength, and determination throughout her role. In the beginning, Antigone says, “Dear god, shout it from the rooftops. I’ll hate you all the more for silence/ tell the world!”(17,100-101). This was said to Ismene, when they were discussing burial plans and Ismene was telling Antigone that she was against the plan. Antigone’s dialogue shows that she is not worried about being punished or worried about who knows what she has done. It is clear that Antigone is sincere about honoring the gods, her actions show that she feels that she is pleasing the gods and that is all that matters to her. “These laws/ I was not about to break them, not out of fear of some man’s wounded pride, and face the retribution of the gods.”(30, 509-511). This demonstrates how she feels about man’s law vs. divine law. In the plot, there was not one time where Antigone denied
Antigone’s motivation is love for her family- she puts it above all else. In fact, she is willing to sacrifice her life to defend that love. Antigone goes to great lengths to bury her deceased brother, who according to an edict issued by King Creon, died in dishonor, consequently making it illegal for anyone to bury his body. Through her actions to comply with her motivations, it is revealed that Antigone’s actions are also fueled by her strong beliefs that, first, the gods’ laws
Moreover, Antigone’s ability to follow her own beliefs results into the heroicness and tragic death of Antigone. Antigone is from a royal family and has the power to do what she believes in. She believes in following traditions and exercises that power when she says, “I will bury him, and if I must die, I say that the crime is holy: I shall lie down With him in death, and I shall be as dear To him as he to me” (694). Antigone follows her beliefs in following tradition and by doing what she feels is best. Antigone does this because she knows she is doing the right thing and knows that she will be repaid in some way. Furthermore, Antigone justifies her actions by telling the reasons that motivated her to do it to King Creon. She refuses to give in to the beliefs of King Creon and continues to think her own separate way. Antigone takes a stand to Creon when she says, “ Think Death less than a friend? This death of mine Is of no importance, but if I had left my brother Lying in death unburied, I should have suffered. Now I do not. You smile at me. Ah Creon , Think me a fool, if you like, but it may well be That a fool convicts me of folly” (709). Antigone believes what she is doing is correct and proves that to Creon , but he is still not convinced. It is important for Antigone to do what she believes is so that she will be pleased and satisfied with the outcome. Antigone’s ability to pursue her goals and to what she wants
Finally on page 774, Antigone is still determined to give her loving brother, Polyneices, a proper burial when she says, “…as for me, I will bury the brother I love.” In this incident, Antigone is headstrong about giving her brother what he deserves, despite the fact that Ismene told her to obey the law. Antigone is acting as if she were a rebellious teenager because she is contradicting political laws to perform acts that would seem moral to her for the sake of Polyneices. Like the discussion Antigone had with her sister, she will remain being headstrong to whoever confronts her.
While Antigone followed her belief of burying Polyneices for religious reasons, she went against the law of Kreon. Antigone new that the punishment for burying Polyneices was a stoning by the city’s people (Sophocles 36), but she chose to bury her brother anyway, claiming, “He has no business keeping me from what is mine” (Sophocles 49). Antigone’s lack of negotiation is why her civil disobedience is a failure. Her choice to bury Polyneice’s body without any attempt of finding common ground with Kreon is foolish. Although Antigone met with Kreon after being discovered burying Polyneices body, she never actually attempts to negotiate with Kreon, instead choosing to accept her punishment as something already set in stone. When Kreon first meets Antigone, he asks if Antigone admits to the deed (Sophocles 442). Antigone’s only response was, “I don’t deny it; I admit the deed was mine” (Sophocles 443). This shows that Antigone made her choice of civil disobedience and accepted her fate before exhausting all options. Rather than pleading with Kreon and
From the very first scene opening with Antigone sharing her intentions with Ismene, Antigone is introduced with these good virtues: “Death so we meet, were honor; and for that capital crime or piety, loving and loved, I will lie by his side. Far longer is there need I satisfy those nether powers, than power on earth” (Sophocles 3). Antigone proclaims her willingness to die by her brother in order for him to be buried with honor and for him to have died loved, for it is what the gods desire and she has an obligation to them as she will need to satisfy them longer. During the same exchange, Antigone invited Ismene to join her in burying their brother: “Though you desire, shall you, with my good will, share what I do” (Sophocles 3). Antigone is allowing Ismene to join her in her admirable and noble mission to honor their brother and appease the gods so that Ismene has a chance to prove herself to the gods and to their family as
Like Creon, Antigone also never falters in standing up for what she believes in. Although Creon fights for stubborn pride, Antigone is trying to promote what is right and shows her higher reverence for God’s law rather than for Creon’s laws. In the eyes of the townspeople, Chorus, Choragos, and Haimon, Antigone is sacrificing herself to give her brother Polyneices the rightful honors due to the dead. Many side with this brave, honorable girl because she would rather suffer persecution and even death rather than give into Creon’s illogical demands. In the play, the chorus says about her, “You have made your choice, Your death is the doing of your conscious hand”. Antigone knew of the consequences before she acted and in doing so she chose her fate. At the time, she pleaded her sister Ismene to help her bury Polyneices but was rejected. Despite being alone in trying to rebel and perhaps she may have been afraid, Antigone goes out of her way and puts her life on the line to bring her brother respect.
Antigone shows an indestructible fortitude to sacrifice herself for a belief. Antigone’s leading flaw is hubris, or excessive pride. She couldn’t see any side except her own. To her, burying Polynices is an essential thing. She doesn't consider how it will impact Ismene, who attempts to persuade her to follow Creon's instructions. She also doesn't consider how it might impact Haemon. All the way through, we observe Antigone’s individuality and bravery when she opposes Creon.
Antigone's strong beliefs eventually led her to her death by the hand of Creon. Never, though, did she stop defending what she thought was right. As Creon ordered her to her death, Antigone exclaimed, "I go, his prisoner, because I honored those things in which honor truly belongs" (Sophocles page #). She is directly humiliating Creon by calling his opinions and decisions weak and unjust. She also emphasizes "his prisoner," which tells us that Creon's decision to capture Antigone was his own, and was not backed up by the majority of the people. She feels that Creon is abusing his power as king and dealing with her task to a personal level.
Antigone chose to give her brother Polyneices a proper burial even though it was against the king’s law. She tried talking her sister Ismene to join her on her quest because Polyneices was both of their brothers, but Ismene did not want to disobey Kreon’s order (Blondell 19-24). This left Antigone to handle this on her own, which takes a lot of courage and dedication to what she believes in. Antigone went on with her plan to bury Polyneices and his body was eventually found by a guard (Blondell 30). When the guard brought the news to Kreon he was furious and the Chorus had suggested it was a Gods doing, which led me to believe that they did not think anyone one else was willing to risk it all by not listening to their kings orders (Blondell 32). A good lesson to learn from Antigone is that even if you break the law you have to admit your doing especially when you know what you did was morally right and what you stand for as an individual. When Antigone was accused of breaking the law and burying Polyneices she did not even hesitate saying, “I don’t deny it; I admit the deed was mine.” (Blondell 38). She even goes on to tell King Kreon that his choice to not allow the burial of Polyneices is morally wrong and how he is disobeying the God Zeus who is offended by improper treatment of a corpse (Blondell 38). Though Antigone knows the consequence for disobeying the king, she continues to fight for her brother’s honor and makes sure to point out the king’s foolish decision. Even in her last words she questions what kind of men can make suffer and then gives her respects to the town, gods, and rulers.
The tragedies of Antigone and Othello were written with great depth and are structured in such a way that both characters are victims, in spite of their crimes. Antigone and Othello are tragedy plays created by using many techniques to create the feelings of fear and pity. There are differences and similarities in characters, action, and themes between Antigone and Othello.
Antigone has a possible flaw in that she is too stubborn and persistent to obey Creon’s order; “I know my duty, where true duty lies” (Antigone, 128). Her punishment then encourages feelings of pity from the audience because her deed was honorable and respectful towards her brother Polynices. The chorus supports this view by bidding her a respectful farewell when she is taken away, “But glory and praise go with you lady” (Antigone, 148). Antigone is also very proud, and this may have contributed to her death. Even when she is caught she remains strong and defends herself by claiming that the chorus thinks that her act was honorable, “All these would say that what I did was honorable” (Antigone, 139). This causes Creon to remain angry with Antigone, “you are wrong, none of my subjects think as you do” (Antigone, 140). If she had been more patient and less defensive, Creon may not have been as harsh in the punishment he set for her.
“I love no woman, for love is a serious business, not a jest.” (Marie de France). The poet Marie de France speaks of how love is a serious business, and in a sense she is right. In most ancient times, the husbands of women do not usually love their wives so much that they would treat them equally. The play, Antigone, by the playwright Sophocles is about a young lady named Antigone who attempts to bury her brother, because the king, Creon, doesn’t want to allow a traitor to be buried. When she manages to bury her brother, she is locked away in her family’s tomb, so she decides to kills herself. In the poem “Nightingale”, by Marie de France is about a married lady who falls in love with a younger knight. The land and the younger knight talk
When questioned about committing treason, Antigone’s lack of denial illustrates her rashness in decision-making, as she has nothing to gain from death. Instead of disclaiming the lowly guard’s words, she proudly states: “I say I did it and I don’t deny it” (Antigone 443). By admitting her role in the burial, Antigone seals her fate. Furthermore, the notion of her death does not faze her as she tells Creon: “I knew I must die - how could I not?” (460). Her acceptance of her death, while honorable, is unnecessary, because her objective of giving her fallen brother a respectful and honorable burial is already achieved. If she had not mentioned her role, there was a chance that she could have survived. In addition, Antigone does not even factor in the feelings of her sister Ismene and her fiancé Haemon, showing how inconsiderate she is of her impact on others. This irrational approach can only be described as foolishness; if she had been wiser, she would have buried her brother and survived to tell the tale. Her lack of judgement results in her downfall and the misery for those around her.