The Chrysanthemums Symbolism

Elisa, also a housewife, usually had activities involved in routine housework and maintaining her flower garden, that was filled with chrysanthemums. She took care of the chrysanthemums as if they were her children, and being a farmers’ wife, she had more free time than her husband, Henry. When the tinker, also known as the tin man, came up to Elisa for work he tried to manipulate her into giving him some work to do. When the tinker saw there was no way Elisa would give him work, he tried to work her. “What’s them plants, ma’am?” (Steinbeck, 208). Tinker asked Elisa about the plants probably so he could influence her about chrysanthemums- that way they bond on the subject of the flowers and from there Elisa started to explain the importance of these flowers. Elisa doesn’t realize she’s being played with until near the end when tinker finally leaves she waves goodbye to him but her voice drops as she says the word “Goodbye to goodbye”, finding that the tinker threw Elisa’s chrysanthemums away (Steinbeck, 210). This quote showed the attachment for the chrysanthemums Elisa had, and the minute the tinker threw away those flowers, it broke Elisa’s heart. This makes Elisa thinks about how a man can get what he wants while Elisa

In John Steinbeck's short story, "The Chrysanthemums," he uses the flower to symbolize his main character's thoughts and ideas. There are many examples of such symbolism in this work.

Seemingly, the flowers represent Elisa. She believes she is strong and tough and able to accomplish anything thrown her way; however, taken for granted as she is only a woman allowed to look and act accordingly. Surrounding the flowers is a wire fence set up to keep out predators and to separate the flowers from the rest of the farm. The wire fence is symbolic in the fact that it is identical to the world Elisa lives in. Elisa is contained within the farm, unable to explore or leave without the help of someone else. Elisa is stuck on the farm, isolated from the rest of the world so that she can be kept safe. Naive and unaware of how the world works, her husband keeps her on the farm to protect her from harm. When Elisa gives the chrysanthemum to the travelling merchant, she gives him a small piece of herself. Later, as her and her husband are driving to town, she sees the flower tossed aside as though it was nothing; as a result, she realizes she could never go off on and live the way the merchant had. The flowers embody her character still, and how out of her home without protection, the world can be harsh and cruel. In short, Elisa’s isolation leaves her ignorant, unable to understand how callous the world is, and comes to the bleak realization that she can’t live a life anywhere outside of her fence. Because of how women were treated, constantly pushed down and unable to pursue their interests, Elisa is left unable to learn what life has to offer. Learning

John Steinbeck’s “The Chrysanthemums”, is a story about a woman struggling with strong inner feelings of loneliness and isolation. Elisa Allen is initially portrayed as a woman who overcompensates and whose tasks are far exceeded by her abilities. She appears content with her life and adores tending to her garden. However, a tinker briefly enters her life and through his power of persuasion and manipulation provides Elisa with hopes of change and excitement. He gives her the much needed attention she is so desperately looking for. As the story continues we learn that these hopes are crushed as we unravel the betrayal the tinker has bestowed upon Elisa. He exploits her and takes advantage of her hunger for company, aspirations, and

In "The Chrysanthemums" John Steinbeck develops a theme of limitations. The story is essentially a man in the mirror story where the rigid Elisa sees herself for the first time as trapped. Although Elisa has recognized her life as limited and confining, she sadly accepts her life as is and does nothing to rectify her situation. In John Steinbeck's "The Chrysanthemums" symbolism of the fence, the garden, and the chrysanthemums help illustrate the story by striking an emotional chord with the audience.

John Steinbeck's "The Chrysanthemums" shows the true feelings of the main character, Elisa Allen, through the use of setting and her interactions with other characters in the story. By way of vivid descriptions, Elisa's feelings of dissatisfaction over the lack of excitement in her life are portrayed. Her role as a mere housewife and then the subsequent change to feelings of a self-assured woman are clearly seen. These inner feelings are most apparent with the portrayal of Elisa working in the garden with the chrysanthemums, the conversation she has with the man passing through, and finally, when she and her husband are going out to dinner.

If he gave her any personal praise, as a woman of distinct qualities (one who was vital to the farm's survival), he might be empowering her. Thus, he keeps his praise for her superficial skills, growing flowers. In this way, Henry frustrates Elisa by not seeing into her true character. The flowers represent Elisa trying to find some way of escaping from her frustrated and repressed husband, not from her own sexual frustration.

There are many symbolic references to Elisa Allen as a sexually repressed and frustrated woman. One representation of the chrysanthemum is Elisa's passion and eagerness to live and experience life a content woman. While tending her chrysanthemums "she pulled out the crisp little roots and trimmed of the leaves of each one with her scissors (Steinbeck 1464)." This is a symbolism of Elisa Allen closing off all opportunities to grow as a sexual woman; She has resigned herself to the monotonous life as a complacent farmer's wife (Lee 1). The "figured print dress (Steinbeck 1463)" under the apron shows the readers that Elisa is aware of her sexuality but instead of acting on it has chosen to subdue it. She keeps her sexuality and passions under control like she cares for her chrysanthemums "laid [in a] small [and] orderly pile (Steinbeck 1464)" (Lee 1). Elisa begins to allow this sexuality to emerge when the traveling tinker romantically describes her

John Steinbeck’s, The Chrysanthemums, was published in 1938 in a book of short stories, entitled The Long Valley. The Chrysanthemums has been a rather powerful draw for scholars because of its wide gap for interpretations and analysis of its main protagonist character, Elisa Allen and also the unique descriptions used to portray the deeper meaning behind the setting of the story. Themes of sexuality, oppression of women, as well as other numerous types of conflict portrayed in this rather somber short story have made it a popular study among scholars and students alike. Steinbeck also uses literary elements including a dramatic tone, rich symbolism, and personification which increase the stories feeling and value exponentially. Steinbeck

The short story "The Chrysanthemums" gives insight into the life of its author. John Steinbeck was born on February 27, 1902, in Salinas, California. The locale of the story is of key resemblance to the Salinas in which Steinbeck was born and bread. "Salinas was a typical American small town, [differing] only in location and a few distinctive features" (McCarthy 3). The protagonist of this story, Elisa Allen, also resembles Steinbeck's first wife. "Steinbeck probably based the character of Elisa Allen on his own first wife, Carol Henning Steinbeck. Like Elisa, Carol was a woman of considerable talent and energy who wore 'masculine clothes' and was 'strong, large-boned' and 'handsome rather than

Steinbeck uses chrysanthemum’s to symbolize Elisa’s strength and power in order to show how societal standards cause women to miss out on opportunities and become frustrated with the confinement of their expression. “[Elisa] was cutting down the old year's chrysanthemum stalks with a pair of short and powerful scissors. She looked down toward the men by the tractor shed now and then. Her face was eager and mature and handsome; even her work with the scissors was over-eager, over-powerful.” Chrysanthemum stalks require a great deal of force to be cut down, which is highlighted through Elisa’s use of “powerful scissors.” Ordinarily, flowers are portrayed as beautiful and delicate; however, chrysanthemums are sturdy and tough. Steinbeck chose specifically to use chrysanthemums because they symbolize the strength Elisa has; she is confident, empowered, and masculine, but all of her strength is confined within the standards of society just as the chrysanthemums are confined within the walls of her garden. Elisa, as a woman, is unable to express herself as strong, masculine, and proud because that was not the standard that women were held to during that time; her expression is confined to her work in the garden with her chrysanthemums, and it is frustrating for her to miss out on the opportunities that would showcase her strength and let it be appreciated by her husband and the mender because of the standard of delicacy and beauty that women are held to.

Elisa’s actions and feelings towards the flowers who how they are a replacement for her children. Even when the chrysanthemums symbolize her children, later in the story we see how they show Elisa’s femininity and sexuality. At the end of the story, when she pulls

I decided to reply to the eighth discussion board posting by Destiny Williamson on John Steinbeck’s short story, “The Chrysanthemums.” I agree with Destiny’s point that the themes present in this story are passion, determination, and infidelity. Destiny also stated each character had a passion. For example, Elisa’s passion was gardening and caring for her flowers (chrysanthemums). Elisa took great pride in her work of her beautiful chrysanthemums.

The chrysanthemums being fenced in from the rest of the ranch symbolizes her feelings of isolation. Elisa craves to live an exciting life like the tinker does but is told that such lifestyle women cannot live. A reader could analyze that Elisa’s chrysanthemums are a replacement for the children she lacks. In Skredsvig analysis she states, “Elisa's planting skills is the possibility that her gardening is a sublimation of her frustration over having no children and a projection of her "natural" role as mother” (Skredsvig). Elisa tends them with love and nurture as the flowers are her pride and joy. Additionally, they represent Elisa’s femininity and sexuality as a woman. For example, Elisa feels resentful of Henry because he does not appreciate her femininity image; however, after having an encounter with the tinker, her hopes are renewed and revived for a brighter future. As she gets ready for a night out with Henry, she admires herself in the mirror appreciating the beautifulness of her sexuality with confidence. After witnessing her flowers wrinkled on the road, Elisa is devastated to see her flowers diminish symbolizing

Elisa protects her garden with “wire fence that protected her flower garden from cattle and dogs and chickens.” (Steinbeck 210) The fence also protects Elisa from the man’s world. It isolates her and gives her a clear view but does not let her get tangled in it. The fence is her boundary of her world and as long as she stays within the boundaries she will be safe. Elisa does step outside the fence when the tinker comes to visit. He shows her a little bit of attention by taking interest in her chrysanthemums so that she will find him something to fix. He describes the chrysanthemums as “Kind of a long-stemmed flower? Looks like a quick puff of colored smoke?” (Steinbeck 212) she finds herself flattered by his comments. The chrysanthemums symbolize her femininity and sexuality when “she tore off the battered hat and shook out her dark pretty hair. The tinker restores her feeling about her femininity and sexuality. He made her realize that she did not need to step outside of her boundaries. All she needs to do is to make herself look more feminine. “She scrubbed herself with a little block of pumice, legs and thighs, loins and chest and arms, until her skin was scratched and red.” (Steinbeck 214) Elisa wears her best dress “which is the symbol of her prettiness” (Steinbeck 214) to impress Henry. He