Proximity to Power
By the nature of humans there exists two components in every relationship: a specific power dynamic and some degree of loyalty. A writer’s skill is exhibited in his or her ability to capture the nuances of these components in the interactions of his or her characters. In consideration of the fact that many regard Shakespeare as one of the best writer of all time, it corresponds that Shakespeare would excel in this respect. He even goes further to concisely illuminate a new understanding of the complexity of human relationships through the brief and superficially minor roles of Rosencrantz and Guildenstern.
From Rosencrantz and Guildenstern’s first appearance, they are the subject of the defining of the power Gertrude holds in respect to Claudius. Both the King and the Queen greet the men, but Gertrude requests that they, “show us so much gentry and good will / as to expend your time with us a while / for the supply and profit of our hope” (Shakespeare 2.2.22-24). According to critic Erin Elizabeth Lehmann, this request “makes Gertrude an equal partner [to Claudius] in dispatching the two of them to go and talk to Hamlet”(Lehmann). This is an interesting dynamic, especially for the time period in which women were usually servile to men. Furthermore, she not only places herself in a position equal to Claudius but also a position above Rosencrantz and Guildenstern. At this point, by entering the agreement to keep tabs on Hamlet, Rosencrantz and Guildenstern
William Shakespeare is the world’s pre-eminent dramatist whose plays range from tragedies to tragic comedies, etc. His general style of writing is often comparable to several of his contemporaries, like Romeo and Juliet is based on Arthur Brooke’s narrative poem, “The tragical history of Romeo and Juliet”. But Shakespeare’s works express a different range of human experience where his characters command the sympathy of audiences and also are complex as well as human in nature. Shakespeare makes the protagonist’s character development central to the plot.
Class struggle is noticeable in Hamlet. The royals exploit the lower class to satisfy their ambitions. People from the working class carry out the Aristocrats commands and they hold an insignificant rank in their society. The Aristocrats notably Hamlet, Claudius, and even Gertrude oppress others to obtain what they want and show that they are superior. Claudius poisons his own brother and marries Gertrude to have a stronger chance at being king since she is “the imperial jointress,” to the throne; he does not marry Gertrude because he loves her; he is using her to obtain the power (I.ii.9). Even when he gets the throne, he still wants more power and seeks to murder Hamlet because the prince knows his secret. Claudius also uses Guildenstern and Rosencrantz to spy on his nephew. The men carry out his orders without protest; they are “like an ape, in the corner of/ [Claudius’] jaw;” the king is using them to find out the reason for Hamlet’s sudden madness and when he will get what he wants; he will get rid them (IV.ii.18-19). Claudius uses Laertes to get rid of Hamlet because he wants his nephew to remain inferior to him because the people of Denmark love Hamlet and they will want him as their ruler; Hamlet is a menace to Claudius and an obstruction between him and the ultimate power.
Gertrude as well is exploited by men throughout the play. Gertrude is seen as a prize to Claudius, a way for him to succeed to the thrown without having Hamlet take over. Although it is not doubted that he loves her, but he first uses her to get the kingship without question. Claudius has been wooing Gertrude even before the death of the king, which a reason for the “most wicked speed” in which they were married. (Act 1, scene 2. line 156) Gertrude is also used by Polonius, but more so she allows him to spy on her having a discussion with Hamlet. Polonius tells the Queen that Hamlet is coming to her private chambers and that she should have a discussion with him on his lately “unrestrained” acts. She replies to Polonius that she will “warrant” him, and “fear [her] not” for she is on his side. (Act 3 Scene 4 Lines 1-7) Gertrude however is not an unintelligent woman, so a reader would wonder why she would allow herself to be exploited by Claudius. Carolyn G. Heliburn agrees with Gertrude’s intelligence saying that her speeches are “not the mark of a dull and shallow woman.”
King Claudius expresses, “Welcome, dear Rosencrantz and Guildenstern. Moreover that we much did long to see you, the need we have to use you did provoke our hasty sending.” (2.2.1-4) He addresses them in what is seemingly a sincere manner, proclaiming the supposed yearning he has had. However, these so-called sincere actions towards Hamlet’s childhood friends are just to convince them to take on the role of spying on Hamlet’s actions and reporting them back to Gertrude and Claudius. He continues to mask his true motives by saying, “To draw him on to pleasures and to gather...you may glean..to us unknown, afflicts him thus that, opened, lies within our remedy.” (2.2.15-19) King Claudius’ choice of words convey an inkling to the audience that he cares for Hamlet because of how he expresses his need to find out Hamlet’s condition, and fix it. This also presents Gertrude with the idea that Claudius has Hamlet’s best interests at heart. This, in King Claudius’ favor, solidifies his honorable, yet selfless stature with his contriving
Hamlet uses his observations and encounters with Horatio, Rosencrantz, and Guildenstern to understand the importance of loyalty to others. Horatio is the only one who remains unquestioningly devoted to Hamlet. Horatio’s abundance of fidelity, however, emphasizes Rosencrantz and Guildenstern’s lack of loyalty and their eventual betrayal. Rosencrantz and
The fact that Claudius and Gertrude want to get marry so fast leads to different thoughts. Claudius speaks to the royalty and not to the entire castle that includes the lower class because he does not want to raise suspicions. He could have killed King Hamlet, so he would be the maximum authority in the state of Denmark politically, socially, and economically. Gertrude and Claudius might have been lovers in the past and their rise to power has been carefully planned and executed. And Gertrude wants to preserve her power and high position in Denmark.
Gertrude makes it seem as if she and Claudius are recruiting Rosencrantz and Guildenstern to help cheer Hamlet up. In reality they are recruited to spy on Hamlet and see what his plans are.
Moreover, as mother to Hamlet, she acts largely as a reflection of the evils within Claudius. Much of the antagonism Hamlet directs towards her is, thus, aimed clearly at the elements of her that mirror Claudius: her lustfulness and corruption. In return, however, Gertrude offers Hamlet a level of motherly love and understanding. When she says "Let not thy mother lose her prayers, Hamlet. / I pray thee, stay with us, go not to Wittenberg," she quite clearly is expressing simple love and a desire to remain close to Hamlet. While Claudius is purely destructive towards Hamlet, Gertrude's ability to filter her lustfulness and corruption through her womanhood allows her to act, at least on some level, as a positive force on Hamlet.
“I doubt it is no other but the main, His father's death and our o'erhasty marriage.” (II.ii.56-57). Hamlet, a male character once again, places her in the position of little importance, that of Claudius’ sidekick. In Act II, scene ii, the King and Queen are welcoming their guests, Rosencrantz and Guildenstern. After the King says, “Thanks, Rosencrantz and gentle Guildenstern,” the Queen clarifies, "Thanks Guildenstern and Gentle Rosencrantz.” (II. Ii 33-34). Queen Gertrude corrects the King but also mimics exactly what he has just said, which gives the impression that she cannot think for herself but rather, all of her actions are dependent on Claudius, the King and her husband. Along with dependent to the men in Hamlet, Shakespeare also presents the females characters as fragile and helpless without the men by their side.
Rosencrantz and Guildenstern also looked to the King and Queen for approval. They didn't resort to the use of a daughter, but on the use of a close friendship. They used their bond with Hamlet to get information that the Court wanted. Claudius and Gertrude were very convincing in telling Rosencrantz and Guildenstern of how Hamlet was suffering, telling them that "[Their] visitation shall receive such thanks as fits a king's remembrance (P.34)". At first Rosencrantz and Guildenstern weren't too keen on selling out their friend. But instead of standing up to the King and Queen, Guildenstern told them that "we both obey and here give ourselves to be commanded (P.34)". They were more interested in doing what was right in the eyes of the Royal Court than doing what right in their eyes. Rosencrantz and Guildenstern weren't just Hamlet's friends; they were greeted by Hamlet as his "excellent good friends (P.40)". Hamlet viewed them in the same regard as he viewed Horatio, one who Hamlet stayed with and loved all through the play. Rosencrantz and Guildenstern didn't seem to care, and used this trust and love by their friend to please Claudius and Gertrude. This neglect of heart by these two characters was not something that they wanted to do for themselves, but something that they did
Shakespeare portrays Gertrude as a woman of power and intelligence - she was Queen for a considerable amount of time - we can safely assume at least 30 years - and she is asked advice on matters by King Claudius - "Do you think 'tis this?" (II.2.152). Gertrude is
When the audience is first introduced to Claudius and Gertrude, Claudius refers to his Queen as his “imperial jointress (I.2.9).” And there are instances where she does seem to act queenly and with authority. Yet, when it comes to Hamlet, Claudius and Polonius micromanage and use her to find out Hamlet’s mental state. Though Gertrude has been kind and understanding of her son and his melancholy, there is no obvious reason to assume that Polonius’s comment that “nature makes [mothers] partial” would be true of Gertrude or that this would soften her rebuke of his more combative actions (III.3.35). It is interesting that when Polonius tells Gertrude that he is going to hide, she tells him “fear me not,” which means “don’t doubt me” (III.4.9, Mowat and Werstine pg. 168). If Polonius and Claudius had not doubted Gertrude, Polonius would not
William Shakespeare is one of the most recognized playwrights in the history of man. People have analyzed every sentence of his works and have taken note of the various styles used in his writing. Ironically enough, little is known about Shakespeare's personal life. It is assumed, however, that like other literary writers, Shakespeare relates occurrences in his life into his writing. The average person experiences varied and numerous events that affect them personally, and shape them into who they are. Whether one expresses loyalty or betrayal to another can impact one's life greatly and can cause numerous outcomes in a person's life. In
Within Shakespeare’s Hamlet resides a strong theme of illusion and reality shown in the attention that is drawn to the seeming and being within the characters. The play itself is about acting because not only are actors required to act out the parts that are written, but also the characters themselves are acting. They put on a facade just as an actor assumes a role on the stage (Bloom 11). Rosencrantz and Guildenstern seem to be concerned friends. Instead, they are simply acting as such because they are charged by the king to find the origin of Hamlet’s peculiar behavior. Gertrude seems to be the dutiful queen that married Claudius for the benefit of the kingdom itself while she has simply failed to grieve her husband, dishonored his memory by marring so soon after
Shakespeare treats politics and politicians in a derogatory way as we can see that Lear sees them as being abject tricksters and Hamlet thinks that they are evading God.