When I was ten years old the most interesting thing about me was that I could say the alphabet backwards. At ten years old, Esperanza from House on Mango Street tells an inspiring story that gives an understanding of how sexism affects young girls. A story is only truly understood after you stop staring at the words on the page and begin to take a look into what’s underneath it all. In a story told through a perspective of a ten year old girl, Cisneros describes a world where remaining independent and disregarding gender roles is an act of rebellion. Esperanza teaches the concept of sexism and the effects it can have on women, all through a coming of age story about family, culture, and society as a whole. Through changes in tone and subliminal messaging, Cisneros describes how women are the victims and minorities in society, as well as expresses her feelings towards the expectations placed on her gender. Exploring a concept so huge through the perspective of a little girl gives a powerful message to the readers about what girls have to go through. Each vignette tells a story the concept of sexism develops throughout. In the vignette “Boys and Girls” Cisneros begins to develop the idea of sexism by explaining that boys and girls are different and live in separate worlds. On the surface this story seems like Esperanza simply expressing her opinions on her siblings and how they're different from one another, however taking a closer look, Esperanza uses a powerful metaphor
In the world of Esperanza's childhood, there is a separate universe between boys and girls (and, accordingly, between men and women). Esperanza and the other children of the barrio learn the intricacies of their gender roles by watching neighbors treat each other in certain ways. The fact that these gender roles are already so clear to Esperanza and the other children is indicative of their prominence in their society; instead of a bunch of kids playing together, they are already boys and girls, divided into two separate worlds.
Women in society have always been looked down upon, and not taken seriously for centuries. The coming-of-age novella House on Mango Street by Sandra Cisneros, proves that statement correct. The novella is about a young girl named Esperanza who moves into a house for the first time, on a street named Mango street. The house is not what she envisioned, so she makes plans in her mind to move out and get her own place, far away, but she is still very innocent. While she’s on Mango Street, Esperanza experiences series of events, that force her to mature. In House on Mango Street, the theme that females are looked down upon, taken advantage of, and the ones to blame in society are shown through literary elements such as, conflict and characterization. The gender literary theory applies to this theme. This theme is also shown throughout multiple vignettes such as “Rafaela who drinks Coconut and Papaya Juice on Tuesdays”, “The Monkey Garden” and, “Red Clowns”.
In today’s world there are countless social problems. People are often treated as an inferior or as if they are less important for many different reasons. In The House on Mango Street, the author Sandra Cisneros addresses these problems. Throughout the story Cisneros does a thorough job explaining and showing how these issues affect the public. This novel is written through the eyes of a young girl, Esperanza, growing up in a poor neighborhood where the lifestyles of the lower class are revealed. Cisneros points out that, in today’s society, the expectation of women and their treatment, discrimination based on poverty, and discrimination because of a person’s ethnicity are the major
Sandra Cisneros demonstrates a challenge that is not obviously to overcome for a young child, in other words one can say that it is remarkable to undertake such responsibility by awaking the older women about their sufferings for an improvement and by keeping watch over her sister constitutes the most important task for her and this act demonstrates she does not neglect her family even she care about her neighbors welfare but. This double responsibility are important aspects for allowing to provide relevant evidences that depict the early responsibility throughout the protagonist Esperanza
Lots of things can change when era changes except gender roles but after read this story, gender roles are changing distinctly than others. Even though it has changed a lot now, woman still has difficulty with when they get a job so we must strive until the equality of man and woman is evenly distributed. Esperanza make effort to improve her life and cultivate own self but not make effort to gender equality. She has interest in gender role but not that much so she think about it but not to act. From this essay, I have gave examples of how people might react to the idea about gender roles. However, we need to realize that women should take action for themselves instead of following
The vignette “Beautiful and Cruel,” conveys the impact it has on Esperanza. In this vignette, Esperanza feels that she is “an ugly daughter” and “the one nobody cares about” (Cisneros 88). She does not need, or want, a man to lead her life, unlike the women she knows. She does not need, or want, a man to make decisions for her. Unfortunately, she still feels the pressure to look gorgeous and stunning: “Nenny has pretty eyes and it’s easier to talk that way
Personal changes within a person are caused by the major and minor decisions and events that affect their lives. In the collection of short stories, The House on Mango Street, by Sandra Cisneros, she focuses on a young Hispanic girl named Esperanza Cordero who grew up on Mango Street. As she is changing and maturing, she writes down her experiences about discrimination of gender, sexual orientation, and more. Esperanza 's transformation from a young and innocent girl to a mature woman is displayed through her self-realization and experiences that help Cisneros reveal how one 's own experiences can lead to the discovery of their identity.
It is true that in many of the stories in The House on Mango Street there is a man holding back a woman from being free. Esperanza is often feels sympathy for these women. These stories are used to show us how trapped behind her culture and expectations Esperanza feels. The helplessness Esperanza sees mirrors her own feelings of weakness. While I do believe many of the stories Cisneros gives us depict a rather stereotypical view of the Mexican American household, I also believe it is a tool used to reflect her main character’s struggle to break
“She walks, she talks, she cleans, she works, she IS, but she is NOT, all at once. She is here, but part of her is elsewhere for eternity” (Anonymous). This quote by an anonymous person illustrates a woman who is rooted in who she is but dreams to be someone else. She dreams to be another person, far away from her dreary life. Sandra Cisneros establishes that many young girls within the Hispanic culture represented in The House on Mango Street are forced into roles they do not wish to take, resulting in a loss of identity and ultimately, a sense of powerlessness in the girl without anyone to show her how to be powerful.
Society has built a role for women. And there’s no better example of this idea than The House on Mango Street, in which Esperanza describes specific moments of her life which lead her to believe in women independence and feminism. She has different ideas and thoughts on the definition of women and what they should be. Esperanza doesn’t fit into the constructed definition Mango Street has of how women should be.
In the book The House on Mango Street, author Sandra Cisneros presents a series of vignettes that involve a young girl, named Esperanza, growing up in the Latino section of Chicago. Esperanza Cordero is searching for a release from the low expectations and restrictions that Latino society often imposes on its young women. Cisneros draws on her own background to supply the reader with accurate views of Latino society today. In particular, Cisneros provides the chapters “Boys and Girls” and “Beautiful and Cruel” to portray Esperanza’s stages of growth from a questioning and curious girl to an independent woman. Altogether, “Boys and Girls” is not like “Beautiful and Cruel” because Cisneros reveals two different maturity levels in Esperanza;
Cisneros uses simple syntax and tells the story in vignettes to present the story as if it were told in Esperanza’s eyes. Vignettes are short little descriptions of an event or idea. The House on Mango Street is strictly told in vignettes which makes sense as it is told in a child's eyes. These vignettes tend to get larger as the story progresses and as Esperanza becomes more aware of her surroundings. As a result of this, the vignettes not only become more complex, but more mature as well. In vignettes such as “Hairs” and “My Name”, Esperanza writes about simple innocent ideas like what she likes and does not like, but later in the story vignettes such as “The Monkey Garden” and “No Speak English” cover much more mature situations such as the patriarchy and rape in the near-poverty-line Latino neighborhood of Chicago. Esperanza finds herself in these situations because of how she begins to mature and become an independent sexual being. With all of this information in mind, Cisneros uses the power of the vignette convey the fact that Esperanza is becoming an individual sexual being.
In the novel The House on Mango Street by Sandra Cisneros, a young Latina girl named Esperanza struggles to find her identity as she grows up in a poor Latino community. Inevitably, there comes a point where she is conflicted with her sexuality as she progresses through her developmental stage. The author uses indirect characterization, symbolism, and repetition to convey the themes of innocence and sexuality. In the beginning of the chapter of “The Monkey Garden,” Esperanza expresses her frustration when she is not sure if she is becoming too old to play games.
Esperanza, the speaker of Sandra Cisneros’s vignette “Sally,” feels bittersweet admiration towards her classmate because of her bold maturity, but the abuse that Sally receives from her father breaks Esperanza’s heart. The clothes that Sally has makes Esperanza want them too, which highlights the strange, alien feelings of growing up in a society that pushes young girls to mature, but not too quickly. Also, the abuse that Sally receives confirms that society views women inferior to men. Imagery in the vignette reveals strictness in Sally’s home: “You pull your skirt straight, you rub the blue paint off your eyelids…” Sally is forced to conform to the ways of society by having to dress modestly or else she will attract unwanted attention.
The book shows a natural maturation of a little girl, but it happens much quicker than most girls because of the experiences she has with men and what she learns from the older women that inhabit the neighborhood. Her early writings talk about her desires and essentially seem to be all about her with her own life and musings at the center. She is excited to live in a big house but then it disappointed when it turns out to be run down and not as nice as she wanted. She does meet a few friends and they play like girls should without much care outside of themselves and their own fantasies, but the reality of their situation and where they live invade on that fantasy and force Esperanza to come face to face with sexuality and the attention that she is getting from men. This happens at a fragile time in her life because she is maturing through puberty and she has feelings for boys, but the negative aspect of that attention works to distort the natural feelings she may have had for men. Already we see before this maturity that she considers men to be kind of in a world