The Consequences of change have been moulded through the two texts The Lovely Bones, written by Alice Sebold (2002) and La La Land, directed by Damien Chazelle (2016) and have shaped the audiences understanding through the aspects of change and its consequences though key themes that are showcases in both texts. These themes can be narrowed down to person, place and event.
Susie and her father Mr. Salmon both throughout the novel The Lovely Bones written by Alice Sebold (2002) change each other as a consequence of Susie’s murder. Alice Sebold uses Negative tone and Hyperbole literary techniques to demonstrate the change between Susie and her father through the Narration by Susie about Mr. Salmon for example when Susie talks about how “Mr. Salmon was crazy with grief and had gone out to the cornfield seeking revenge”. Through the use of these Techniques Alice Sebold tugs on the emotions of the audience and allows them to reflect on the change in the Salmon household between losing a daughter and wanting to gain closure and as a consequence of this the audience become torn between two decisions and Alice Sebold enables the audience to consider their life morals. All through the text Alice Sebold grants the audience the understanding to the concept of change and these examples help the audience to mould their thinking through her use of various literary techniques.
Mia played by Emma Stone changes throughout the film La La Land, directed by Damien Chazelle (2016) because of her willingness to chase her dreams, and as a consequence her dreams and personality change. Damien Chazelle uses contrasting in colours and juxtaposition as visual and literary techniques to demonstrate consequences of change to the audience. All through the film Mia’s (Emma Stone) outfit’s and personality change as a consequence of meeting Sebastian (Ryan Gosling) and falling in love. This is depicted through colours and the audience can see how her outfits change from solid bright colours to mature colours and more adult-like clothing choices as a consequence of her changing as a person form her relationship with Sebastian. This allows the audience to ponder on previous relationships and to think about their outfits they have chosen when
Abigail Salmon is one of the main characters in the book, Lovely Bones, written by J L. Her daughter was brutally murdered by a killer and rapist living nearby. The tragedy destroys the family and turn the life around of those who are close to Suisse. Abigail goes through five stages of grief, her path, after the tragedy falls, right into the concept of Elizabeth Kudler-Ross. Desperate mother experiences denial, anger, bargaining, depression and finally acceptance.
Peter Jackson’s 2009 film, The Lovely Bones, is based off of the New York Times bestseller novel written by Alice Sebold. Both the book and the movie adaptation tell the story of a young, 14-year-old girl named Susie Salmon who is brutally murdered by her neighbor. In both versions, Susie narrates her story from the place between Heaven and Earth, the “in-between,” showing the lives of her family and friends and how each of their lives have changed since her murder. However, the film adaptation and the original novel differ in the sense of the main character focalization throughout, the graphic explanatory to visual extent, and the relationship between the mother and father.
The death of a loved one can result in a trauma where the painful experience causes a psychological scar. Alice Sebold’s The Lovely Bones explores the different ways in which people process grief when they lose a loved one. When young Susie Salmon is killed on her way home from school, the remaining four members of her family all deal differently with their grief. After Susie’s death, her mother, Abigail Salmon, endures the adversity of losing her daughter, her family collapsing, and accepting the loss of the life she never had the opportunity to live. Abigail uses Freud’s defence mechanisms to repress wounds, fears, her guilty desires, and to resolve conflicts, which results in her alienation and
Russell Banks’s “Rule of the Bone” is about a young outcast attacking life on his own terms. Chappie Dorset, also known as Bone, learns early on that the world is not all happy tales. Chappie’s exposure to drugs, alcohol, and molestation, causes him to learn this at a young age. As a cry for help, Chappie displays destructive behavior in hope for his mother to see his internal and emotional pain. Instead, society and his family label him as a lost cause. Rather than jumping to conclusions and making judgments against troubled teenagers, Banks shows their side of the story. Some way Banks conveys his message is by creating reoccurring themes, such as acceptance of the world and its flaws, and knowing yourself. Chappie’s journey teaches him valuable lessons.
In her novel, The Farming of Bones, Edwidge Danticat creates scenes of personal trauma in Tibon’s description of his capture and Amabelle’s beating. Danticat does an excellent job of humanizing the horrors of a general massacre through the development of specific characters. The painful memories that Danticat composes are extremely similar to Frank McCourt’s remembrances in his memoir, Angela Ashes, where he retells his childhood in extreme poverty.
To begin, Sebold exemplifies the concept that as human connections develop, lovley bones take the form of a symbolic body. This is made apparent when Susie Salmon, from her position in heaven, reflects
In a tragic literature, the protagonist tends to create their own tragic flaws resulting in different consequences. In “The Enormous Radio”, John Cheever uses moral and personality degeneration to foreshadow Irene’s changes. On the other hand, in “A Rose for Emily”, William Faulkner uses the changing of values and social experience to explain Emily’s tragic circumstances. Irene and Emily are lived in different social class. Irene Westcott and her husband, Jim Westcott are a middle class family who earn average income. They live “on the twelfth floor of an apartment house near Sutton Place” and “hope someday to live in Westchester”; they have pride. In contrast, Emily Geierson has a “big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies.” Emily is a wealth woman
When composing the script, Chazelle innovatively assimilate the love stage between Sebastian (Ryan Gosling) and Mia (Emma Stone) to four seasons: spring, summer, fall, and winter. The first
The Lovely Bones is a bone chilling film about a 14 year old girl, Susie Salmon, who was murdered by her creepy neighbour. Susie watches over her friends, family and her killer from a place called, “The In-between”, which is located between heaven and earth. She watches over them because she has unfinished work to do; kiss a boy from her school that she has a crush on, and to indicate to her family who her murderer is. From start to finish, this film is full of suspense, drama, heart pumping activity, love between a father and daughter, humour and the love between a teenage boy and a teenage girl. I personally enjoy watching films about murder so I believe there are more strengths and positive things about this film than weaknesses and
The 1991 movie Thelma and Louise, directed by Ridley Scott, shows its male characters as a caricature and mockery of masculine society through the lens of the female gaze (Cooper, Brenda 282). The use of satirical convention to portray and highlight real world masculine attitudes doesn’t degrade men. This depiction is used throughout the movie as a narrative device and is used to expose the themes of inherent sexism and male abuse, sexist issues within the male gaze and reclamation of power.
La La Land (2016) is a new Hollywood twist on an old-fashioned musical that left me in tears. The film stars Sebastian (Ryan Gosling) and Mia (Emma Stone) who come together with a passionate love, formed through their common yearn for reaching their personal dream careers. Although their common aspirations brought them together, it also plays an evident role in pulling their relationship apart. I believe La La Land fully captures the director's vision through beautiful filming techniques and strategically placed sensory additions. The jazzy, unique tone of La La Land has reminiscence of the 1920s, which is personally my favorite time period in history. The 1920s-feel is twisted into the film’s depiction of relationships through song choices and imagery is effective in reviving the effortlessness and naturality everyday life should have.
The book “The Lovely Bones” is about a girl named Susie. She was murdered and it showed what kind of toll that took on a family. The movie has the same story line. However there are a lot of differences between the two.
In this essay I am going to examine the way in which Sebold presents the characters of Ruth Conners and Ray Singh in chapter 6 of The Lovely Bones. I will interpret the way both characters are perceived in the novel through the omniscient narrator Susie salmon. I will analyse the way the character of Ruth, went from an outcast to as quoted ‘special’ and how the character of Ray ‘an Indian from England’ is different to others. First and foremost, we get an insight of how Ruth and Susie become friends; when Susie and Ray overhear Ruth being told off by Mr Peterford, for a ‘Xeroxed’ copy of one of her drawings being passed around by Brian Nelson. Upon Ruth being told off for adding extra detail to her drawing, she is then told to “draw without
For this assignment I chose to read the reviews on the motion picture “The Lovely Bones”. I have read the book, but wanted to see if the movie was worth watching. I found two reviews for this movie one from Opposing Viewpoints and the other from Roger Ebert’s Movie Blogs. Opposing Viewpoints I found on the school database that was given by my instructor and the Roger Ebert review I found on the internet. Both these reviews demonstrate a different take on the movie and explain further on what really stood out to them on the content of this movie. In conclusion, these reviews do have me convinced that the movie is well produced and is as good as or even better than the book. However, between the two reviews there was both similarities and differences. The similarities was the focus on the in between after-life, they both focused on describing how unique and unreal it seemed like with the scramble of earth and heavenly things. Their differences though was one review focused on the
Characters/Characterisation Susie Salmon is the protagonist in the thrilling novel The Lovely Bones. Sebold’s characterisation of Susie makes her appealing to the audience. The first person narrative perspective allows the reader to not only learn her story from above in heaven, but also takes us back in time in descriptive detail. This enables us into Susie’s mind and allows the reader to experience her thrilling thoughts and feelings; “the odd thing about Earth when we looked down...