The Death of Socrates resides in the Metropolitan Museum of Art. It is by Jacques Louis David, a French painter from the eighteenth century. This particular piece was done in 1787 about an event that occurred 399 BC. Socrates was faced with a legal decision to renounce his teachings or drink a cup of hemlock, killing himself. Socrates’s teachings were hugely influential in Greece at that time and it sparked recognizable change in Athens particularly. Athenian authority saw his revolutionary thought as a threat and because of his teaching he refused to renounce his teaching. Even without this knowing the dramatic story of the great thinker and his demise, David’s piece is profoundly striking. The movement and placement of each character as well as the balance of shape and color provide a certain attraction to this piece. Additionally, it provides a great example of the intriguing cross between art and The Academy. David intelligently pays tribute to the height and power of ancient philosophy as well as modern art and this marriage makes for a greatly impactful piece of art. At first impression, the movement and layout are the most arresting part of this piece. Socrates, propped up on his deathbed, appears strong and stoic but at the same time somber and delicate. The anatomic accuracy of Socrates as well as the other characters provides a geometric structure. Whereas the light suspension of the different fabrics in the painting provide a soft fluidity and these two
Socrates was a Western Ancient Athenian Greek philosopher who lived from 469 BCE until his death in 399 BCE. He was a student to another philosopher, Sophists, Socrates was different from most Greek philosophers he wanted to get at the truth and find out how one can truly be ‘good’ and moral in life. “To Socrates the soul is identified with the mind; it is the seat of reason and capable of finding the ethical truths, which will restore meaning and value of life” (ADD IN-TEXT CITATION SEMINAR). We continue to use many of Socrates teachings today, such as, ‘The Socratic method’, which is known as asking a question and within these questions you lead it to the answer you wanted to hear, many uses this as a teaching technique and is shown to be highly effective. A great number of Athenians looked up to Socrates and considered him the wise man of Athens, he had many followers whom would ask questions and seek answers. As popularity and following of Socrates grew so did accusations. The charges laid on Socrates by the Athenians were unjust and therefore his death was highly wrong in the eyes of true democracy that Athens was apparently known for. In this paper, I will discuss how Socrates was wrongfully convicted for the corruption of the youth despite having many young followers, introducing new Gods while still being considered an Atheist, and the main reason he was seen as a threat to Athens was that he brought change to the city.
Socrates and Jesus were two teachers whose guidance people still follow today. They were both sentenced to death for their teachings even though there were witnesses to their innocence. Socrates was accused of corrupting the youth and practicing atheism by three men, Lytus, Anytus, and Meletus. Plato, Socrates’ student, recorded Socrates’ defense speech. Socrates succeeded in getting some of the jury to see the truth, but in the end, he was sentenced to the death penalty. The Gospel of Luke is a section in the New Testament that reveals the Lord Jesus Christ and all he taught until he was killed. Jesus ' teachings and preaching are brought out as he healed the wounded and sick, and brought hope to the desperate. Jesus was also sentenced to death, but death did not keep him from teaching and after three days he resurrected and continued to teach. These men both died for truth and accepted their punishments. Socrates and Jesus have some similarities in their teachings and experiences, but Jesus focused more on shaping others and taught the “Christian life”, while Socrates shaped his students by teaching them how to take a different path than what the majority follows.
By viewing the painting The Death of Socrates by Jacques-Louis David, Socrates’ loyalty to the Athenian government was far more important to him than his own death or friendship. He was more interested in teaching his students about his belief in reason and the law of justice before he died. Still, the students and friends were arguing with him and trying to convince him to renounce his teachings. Socrates was strong in telling his students how it was for the good of society that he drinks the poison hemlock. He was not going to change what he was teaching all along when he truly believed in the democratic Athenian government laws. Socrates’ loyalty to the government was much stronger than the ties of friendship or acquaintances.
“the hour of departure has arrived, and we go our ways – I to die, and
Through several dialogues Plato gives readers accounts of Socrates’ interactions with other Athenians. While some may think of him as a teacher of sorts, Socrates is adamant in rejecting any such claim (Plato, Apology 33a-b). He insists that he is not a teacher because he is not transferring any knowledge from himself to others, but rather assisting those he interacts with in reaching the truth. This assistance is the reason Socrates walks around Athens, engaging in conversation with anyone that he can convince to converse with him. An assertion he makes at his trial in Plato’s Apology is at the center of what drives Socrates in his abnormal ways, “the unexamined life is not worth living for a human being” (38a). Socrates, through aporia, looks to lead an examined life to perfect his soul and live as the best person he can be. This paper looks to examine the ‘unexamined life’ and the implications rooted in living a life like Socrates’.
In philosophy class this semester we spoke a lot about Socrates and his trial. We were required to read the dialogue ‘Apology’ by Plato. The ‘Apology’ Dialogue is what Plato recorded during the speech Socrates gave to the court defending himself against the charges of "corrupting the young, and by not believing in the gods in whom the city believes” these two were the main charges, but underneath that there were also other significant charges such as being considered an antidemocratic or pro-Spartan, sophistry, and being lampooned by Aristophanes in the comedy “clouds”. "Apology" in this sense has the meaning of speaking in defense of ones beliefs or actions. The trial is usually categorized into two interpretations which are: Socrates as a Martyr and Socrates as an Antidemocratic. The first interpretation which says Socrates trial and death was Socrates acting as a martyr; that interpretation is considered more “traditional” and “standard” compared to the ‘radical’ interpretation that stated that Socrates was Antidemocratic.
The portrayal of Socrates, through the book “the trial and death of Socrates” is one that has created a fairly controversial character in Western history. In many ways, Socrates changed the idea of common philosophy in ancient Greece; he transformed their view on philosophy from a study of why the way things are, into a consideration man. Specifically, he analyzed the virtue and health of the human soul. Along side commending Socrates for his strong beliefs, and having the courage to stand by those convictions, Socrates can be commended for many other desirable characteristics. Some of those can include being the first martyr to die for his philosophical beliefs and having the courage to challenge indoctrinated cultural norms is part of
The problem with Socrates concerns the problem with the role of value and reason. Nietzsche believes that the bulk of philosophers claim that life is a corrupt grievance for mankind. Nietzsche reasoned that these life deniers were decadents of Hellenism, as a symptom of some underlying melancholy. For someone to paint life in such a negative light they must have suffered a great deal through the course of their own life. Furthermore, these no-sayers agreed in various physiological ways and thus adopted the same pessimistic attitudes towards life. Socrates was ugly, alike decadent criminals and by ways of these similarities was decadent as well. Nietzsche also claims ugliness as a physiological symptom of life in its decline supported by studies in phenology.
The question of why Socrates was executed and if he deserved the charges put against him has been asked by historians for centuries.
A man facing an unjust execution is presented with another option: escape from prison and flee to another providence. Most men would eagerly take this chance to prolong their lives and continue their journey on earth. Most men would do anything to get revenge for the wrong that has been done to them. However, most men are not like Socrates. Socrates did not plead his case by eliciting pity from the jury for an old man and his poor family. He did not beg for a different sentence that would allow him to live. Instead, he let the jury come to its own conclusion while acting with virtue and integrity. He held fast to his principles by remaining in prison to face his execution because that is how a good and just person would behave. Socrates’ decision not to escape in Crito is consistent with his principle that the good and just person never does harm to a large extent because accepting his verdict allows him to reinforce the sanctity of law and to set a prime example for his peers.
The first painting, Death of Socrates by Jacques-Louis David, depicts one of the great philosophers, Socrates being sentenced to death. Socrates was a famous Athenian philosopher. It was through the works of Plato, Socrates’s student, that we learn about the trials and imprisonment that Socrates endured for his way of thinking. Through David’s painting style and use of Neoclassicism, viewers can understand the significance.
As we continue to utilize this theme of femininity versus masculinity, we can see how the composition of each painting depicts each contrast. The Swing places the viewer inside an outdoors setting that is clearly soft, curvy, and feminine. The Death of Socrates takes place in an indoor setting marked by its attention to geometry, straight lines, and 90-degree angles. When looking at the setting in Fragonard’s work, we can see that there is no sense of order or structure, the same that are conveyed in David’s The Death of Socrates. This lack of order or structure was used by the Neo-Classicist to repudiate Rococo. By giving their form of art
The Death of Socrates by Jacques-Louis David is a ageless work of art. The detail, colors, and symmetry all point to an extremely talented
Socrates spent his time questioning people about things like virtue, justice, piety and truth. The people Socrates questioned are the people that condemned him to death. Socrates was sentenced to death because people did not like him and they wanted to shut him up for good. There was not any real evidence against Socrates to prove the accusations against him. Socrates was condemned for three major reasons: he told important people exactly what he thought of them, he questioned ideas that had long been the norm, the youth copied his style of questioning for fun, making Athenians think Socrates was teaching the youth to be rebellious. But these reasons were not the charges against him, he was charged with being an atheist and
The Death of Socrates was painted by the French painter Jacques-Louis David during the Neo-classical era in 1787. The painting illustrates the execution the Philosopher Socrates as told by Plato in his Phaedo. In 399 B.C, the Athenian court had put Socrates on trial for talking about things in the sky and below the earth, corrupting the minds of the youth, and not believing in the gods, but in other spiritual things. Socrates was then sentenced to death by drinking a poisoned hemlock. In Plato’s Phaedo Death Scene and Apology, both works recount the trial and death scene of Socrates. David, later on, paint the death scene of Socrates inspired by the Phaedo Death Scene. Socrates gives his last lesson to his students while calmly facing