The dynamic of oppressor and oppressed has been an issue for centuries, and a topic that has been written about for just as long. Many different authors offer insights into the physical and psychological damages this dynamic can have on both parties. Solutions are often offered in regards to what would be the most effective way to combat or cope against this type of social hierarchy. However, due to the passing of history and the continuation these degrading dynamics, many of these solutions can be deemed as too hopeful, too passive, or simply unachievable. Throughout The Souls of Black Folk by W.E.B DuBois, Black Skin, White Masks by Frantz Fanon, and For Two Thousand Years by Mihail Sebastian the issues and dynamics of oppression are addressed, and different coping methods and solutions are critiqued or praised, however all three novels mistakenly offer solutions that reject the idea of accountability on the oppressor's behalf. The understanding of this mistake can be seen in some of the authors later ideology shift towards a more radical state of mind in regards to the issue. In The Souls of Black Folk, one of the first consequences of oppression that DuBois sees as having lasting psychological effects on the black man/woman is the concept of “the veil”. This “veil” is a shadow that casts over the black man's life that forces him to view himself from the degrading perspective of white society, “It is a peculiar sensation, this double-consciousness, this sense of always
De Beauvoir translates the idea of the Veil that Du Bois presents in The Souls of Black Folk in a way that applies to the oppression of women. Du Bois defines the Veil as the greatest problem to the liberation of black people because of the mental oppression it defines. The Veil symbolizes the way the black people see themselves through the white race’s perspective which causes self-hatred and a belief of inferiority to the white race. When arguing the cause of this mental oppression Du
He wants his readers to imagine the pain and humiliation of the ill treatment that African Americans endure on a daily basis. King writes of vicious mobs lynching people’s mothers and fathers, policemen killing people’s brothers and sisters, a man and his wife not receiving the proper respect they deserve because of their skin color, and the notion that African Americans feel insignificant within their communities; this is why these peaceful demonstrators of whom the clergymen attack “find it difficult to wait” (King, 20). However, King believes that soon, injustice will be exposed, like “a boil that can never be cured so long as it is covered up” (King, 30). This vivid description helps arouse an emotional response, driving shame into the hearts of his white readers.
DuBois's story "The Veil" shows a concept that is visible on many levels. The veil can be seen as the literal darker skin of the black people, which is an easy way to identitify any race from any other race. This physical trait allows for discrimination solely because it is the easiest thing to point out. The veil also explores the idea of the White's lack of acceptance of Blacks as Americans, let alone "real" Americans. The veil also covers the notion of the Blacks' inability to see themselves outside of what America (White Americans) had described them as.
The Souls of Black Folk by W.E.B Dubois is a influential work in African American literature and is an American classic. In this book Dubois proposes that "the problem of the Twentieth Century is the problem of the color-line." His concepts of life behind the veil of race and the resulting "double-consciousness, this sense of always looking at one's self through the eyes of others," have become touchstones for thinking about race in America. In addition to these lasting concepts, Souls offers an evaluation of the progress of the races and the possibilities for future progress as the nation entered the twentieth century.
The next aspect of double consciousness consists of the rejection of African Americans by white Americans and institutions. Blacks are forced to live in America, but at the same time, are not considered “true” Americans and are separated by the veil that DuBois talks about. DuBois first feels this rejection when a little girl at his school rejected his card for no reason other than his skin color. He asks, “Why did God make me an outcast and a stranger in mine own house?” (Dubois 896). He describes opportunities for blacks as “relentlessly narrow, tall, and unscalable to sons of night” (896) giving the impression that a
In his book The Souls of Black Folk, Du Bois says “The negro is a sort of seventh son, born with a veil, and gifted with second sight in this American world – a world which yields him no self-consciousness, but only lets him see himself through the revelation of the other world” (pg 348). He uses the metaphor of a veil to describe the social distance between people. However as I read through chapter one, it was interesting for
As DuBois looks through the veil, he can see a world that he loves, but cannot belong to because it belongs to the whites. The veil perpetuates the concept of alienation from the world to which he knows he will never belong. From the other side, whites look through at blacks, and construct their own opinions of the opposing race, and in doing so, create an opinion that is accepted by blacks themselves. The distortion created by the veil muddles the world of the whites and also the self-knowledge within each individual on the black side of the veil.
In the W.E.B Dubois’s essay The Souls of Black Folk, Of Our Spiritual Strivings, he talks about many of his personal experiences of being an African American in the early 1900’s. Dubois develops 3 main central ideas that relate to his experiences. These central ideas are self-consciousness, double consciousness, and the ideal of human brother hood. In his essay he uses some textual evidence provided with some rhetoric and figurative language to prove his ideas.
Throughout history, many people have been oppressed because of their race, religion and gender, resulting in the loss of their rights and freedom. Despite the fact that freedom is an inherent rights of any human being, many examples have proven that these rights often require rebellious acts to obtain said rights. Although human rights have evolved over the years, humans still fail to learn from their mistakes, resulting in history repeating itself. Through storytelling and novels, people show depictions of history to honour those who have died and to educate younger generations to prevent unfortunate events from occurring again. In this same vein, Lawrence Hill and Alice Walker display oppression through abuse, structural inequality and gender stereotypes. Although the novels, The Book of Negroes by Lawrence Hill and The Colour Purple by Alice Walker were written in different time periods and revolved around different cultural influences, each demonstrates the theme of oppression throughout various events.
This theme helps illuminate how black people came to be treated in America both when slavery existed and beyond into today’s society. The theme that black people are disposable bodies within American society. Because of the tradition of treating black people as objects or whose value strictly came from their ability to make profit, the idea of what it means to be black in America is imbedded in the danger of losing one’s body. Although slavery has ended, the racism remains as a violence inflicted on black people’s bodies. Coates is more than happy to emphasize that racism is an instinctive practice.
In Dubois (1903) “The Soul of Black Folk” the ideas of double consciousness and the veil affect blacks. A veil is a piece of clothing that conceals a face. The veil is figurative and is presented in the film through Buggin outs questions Sal of the wall of fame. Even though it’s Sal’s pizzeria Buggin out raises a great point. Buggin out tells Sal that the clientele he attracts are black folk. While black folk are the majority of the customers they should have a say on the wall of fame. The veil is to conceal the importance of blacks. To Sal and his sons blacks are not important enough to put on the wall. The community is diverse but Sal’s son Pino view blacks with hate and resentment. Pino views blacks as apes and animals not people. Another example of the veil can be the conversation Mookie has with Pino. Mookie criticizes Pino for constantly critiquing blacks and questions his favorite entertainers. Pino’s
Through his work, “Of Our Spiritual Strivings,” W.E.B. Dubois takes the reader on a journey through the typical black man’s eyes. He creates a new meaning of the African American man as he shares personal experiences and stories of the past alike. He plays upon the heart strings of every reader, no matter the race, with his literary knowledge of words, use of pathos, and stories of his past experience to pull in emotional ties to his work. The application of dualism allows the reader, who is most commonly white men, to choose a side to sympathize with, for Dubois gives the sense of double consciousness as the African and the American throughout his entire work.
The veil is used as a lens how others view black individuals, a lens that unclear. Veil of race is the idea of a color line. The veil equals double consciousness (individuals having two distinct views) in how there are apparent multiple perspectives. White Americans don’t see black individuals as Americans. The existing perception of social life (seeing self through eyes of others). Consequently, blacks view themself the way the white Americans define them. Perceptions results experiences.
The idea of double consciousness, termed by W.E.B. Du Bois, for African Americans deals with the notion that one’s self has duality in being black and American. It is the attempt to reconcile two cultures that make up the identity of black men and women. One can only see through the eyes of another. A veil exists in this idea, where one has limits in how he or she can see or be seen. This individual is invisible to the onlookers of the veil, and those onlookers may be invisible to the individual. This then alters how one can truly interpret their conscious. This concept is one that has been explored in various themes of literature,
Historical materialism is fundamentally the idea that humans use labour on nature in order to produce and manufacture methods of subsistence, and that these relations of production are broken into division of labour and subsequent social classes. A class system nestled on division therefore depends on modes of production, and ultimately becomes the primary driving force for society. As a result of undermining the black community, economic opportunities are limited and become divided into the lower classes. In this sense, Dubois’ metaphor of the veil is binary to that of Marx’s historical materialism; the racial perceptions and limited economic opportunities presented for the black community in this sense coexist. In contrast to Marx’s observation of class struggles, when we contextualize his opinions on communism, it may spur a resolution that can cast the veil away for future generations.