Themes Of Do The Right Thing

In the film, Do the Right Thing, director Spike Lee presents the audience with the theme of racism. The title represents the everyday choices that we as Americans of various ethnicities, cultures, and race. Spike Lee’s Do the Right Thing allows the viewers to decide for themselves the right thing to do about racism. Everyone has the choice to be accepting of cultures, or people different from them. The film portrays how an Italian American named Sal has a neighborhood pizzeria in Bedford-Stuyvesant, New York. The neighborhood is primarily African American, but there is a diverse amount of other cultures made up of, Hispanics, European Americans, also there is a store owned by Koreans. This film displays the discrimination between the races and how this can lead to violence.

DuBois's story "The Veil" shows a concept that is visible on many levels. The veil can be seen as the literal darker skin of the black people, which is an easy way to identitify any race from any other race. This physical trait allows for discrimination solely because it is the easiest thing to point out. The veil also explores the idea of the White's lack of acceptance of Blacks as Americans, let alone "real" Americans. The veil also covers the notion of the Blacks' inability to see themselves outside of what America (White Americans) had described them as.

Spike Lee's Do the Right Thing focuses on scenes representing failed communication, dire stereotyping, absence of trust, and wrongful violence that reflects the existing concerns about racism in America. The intense language and strong gestures enhance the film creating a realistic view for the audience.

Spike Lee’s camera technique in “Do The Right Thing” enhances racial tensions between characters. uses a lot of canted frames, tracking shots, close-ups, high and low angles, parallelism, and music to achieve this. The heat wave going through Brooklyn is exemplified in many ways: on the radio, through discussion between characters, people’s dress, and actions, etc. Lee also uses cinematography to get across how hot this day really is. For example, the film begins with a montage of people in the neighborhood trying to cool off, struggling to get through their morning routines: a shot of someone taking a cold shower, cuts to a shot of someone sticking their face in ice, to someone sticking their head in the freezer, men drinking beer, someone

The next aspect of double consciousness consists of the rejection of African Americans by white Americans and institutions. Blacks are forced to live in America, but at the same time, are not considered “true” Americans and are separated by the veil that DuBois talks about. DuBois first feels this rejection when a little girl at his school rejected his card for no reason other than his skin color. He asks, “Why did God make me an outcast and a stranger in mine own house?” (Dubois 896). He describes opportunities for blacks as “relentlessly narrow, tall, and unscalable to sons of night” (896) giving the impression that a

These different ethnic relations are racially divide because it depends on someone's believe towards a race. In the film Do the Right Thing, written, directed by Spike demonstrates how social class, culture, and race can affect the way people interact with each other. For example, Buggin’ Out who is an African-American sees that the pizzeria's “Wall of Fame” and he is offended that the wall only has pictures of Italian “white” important people. The important wall becomes a symbol of racism and hate to the

W.E.B. DuBois, in The Souls of Black Folk describes the very poignant image of a veil between the blacks and the whites in his society. He constructs the concept of a double-consciousness, wherein a black person has two identities as two completely separate individuals, in order to demonstrate the fallacy of these opinions. J.S. Mill also describes a certain fallacy in his own freedom of thought, a general conception of individuals that allows them to accept something similar to DuBois’ double-consciousness and perpetuates the existence of the veil.

It is unfortunate that intolerance continues to exist in our nation (or anywhere else for that matter). Racism, one of the largest and most prevalent forms of intolerance, commonly destroys relationships and can eventually lead to violence. The existence of such hateful ideologies is so prevalent in our society that popular culture is constantly trying to challenge the ignorant basis of racial conflict. Spike Lee’s film, Do the Right Thing, connects with this concept of racial conflict that is so foreign to my past. Through the application of my social and political views, I will demonstrate how Spike Lee’s film is difficult for me to relate to and, in my opinion, conveys a misleading message.

In an attempt to enlighten audiences with a powerful message about the cancer that hate and violence can bring to a society; writer, director, Spike Lee brings Do the Right Thing to the screen. Fusing a powerful story with creative film making, Lee gives us an insider’s look at life on a blistering summer day in Brooklyn.

Spike Lee’s Do the Right Thing (1989) portrayed an important social problem of the time period – interracial rivalry. The movie was one of many ghetto action films made during the era. In the article “Producing Ghetto Pictures” by Craig Watkins, he says that the movies of the ghetto film cycle committed much of their storyline to that of the relationship between young, poor black males and the ghetto (170).

In spite of the fact that Do the Right Thing and Jungle Fever are both associated with social and political issues, they tend to navigate through various racial viewpoints using different cinematic elements. Spike Lee uses a variety of techniques in his film to bring awareness to events occurring in today's society. For example Do the Right Thing, is a film that tackles down the social issue of prejudice as well as the controversial issues between Italian-Americans and African Americans in New York City. The whole movie unravels around the “Wall of Fame” located inside Sal’s Pizzeria, which only features Italian actors. One day a local customer name Bugging Out, demands to have black actors, since after all the pizzeria is located within a black neighborhood. Soon enough the “Wall of Fame” becomes a symbolic representation of racism and hate which leads to a riot involving an explicit scene of police brutality. On the other hand Jungle Fever, tends to emphasise on the subject of interracial couples, as well as the controversy between Italian-Americans and African Americans and of course the usage of drugs. The movie is based on Flipper, an African American architect who has an affair with his secretary Angie, who is an Italian-American. The climax of the movie occurs when Flipper’s wife Drew, finds out about the affair and from then on society begins to reject Flipper and Angie because of social norms. Forcing them into a corner where they later learn that they were driven

In Spike Lee 's Do the Right Thing, the story takes places in 1989, another year in the long struggle for equality for African-Americans. The film portrays the racial tensions between locals of the neighborhood and an Italian-American family in the majority Black and Hispanic neighborhood of Bedford-Stuyvesant (Bed-Stuy) in Brooklyn, New York. Spike Lee shows us what a day in the life of the Brooklyn neighborhood consists of and throughout the movie he portrays several different aspects of a modern urban neighborhood, using the many unique personalities of the characters in the movie.

The movie Do the Right Thing, composed, coordinated and created by Spike Lee, concentrates on a solitary day of the lives of racially differing individuals who live and work in a lower-class neighborhood in Brooklyn New York. Notwithstanding, this common day happens on one of the most sizzling days of summer. The movie fixates on how social class, race and the ethical choices that the characters make directly affect the way individuals communicate with each other. Furthermore, in this essay I will analyses Spike Lee’s use of mise-en-scene, cinematography, editing, and sound in the film.

In The Souls of Black Folk, one of the first consequences of oppression that Du Bois sees as having lasting psychological effects on the black man is the concept of “the veil”. This “veil” is a shadow that casts over the black man's life that forces him to see himself the way society does so, “It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity” Living under this veil is not a decision that the black man chooses to make, but it becomes a psychological effect of oppression. One is forced to constantly think about society's perspective of them, constantly living under this viel where intersectionality does not exist. For example, the black man sees his own self worth in regards to his own cultural expectations, but then he self worth in regards toward how white society sees him. The black man is forced to present himself, in the case that Du Bois speaks of, as an American or as a black man. Du Bois notes that the black male craves intersectionality but in any hierarchical society its

In The Souls of Black Folk, one of the first consequences of oppression that DuBois sees as having lasting psychological effects on the black man/woman is the concept of “the veil”. This “veil” is a shadow that casts over the black man's life that forces him to view himself from the degrading perspective of white society, “It is a peculiar sensation, this double-consciousness, this sense of always