The Elective Mechanism Of War In Tv Middleton's Memoir

Paul most clearly displays his strength on the each of these levels when a bombardment begins to rip apart the graveyard in which he and his comrades had been resting. A single reading of the passage reveals the first level upon which Paul excels: as a soldier. His training in No. 9 platoon under Corporal Himmelstoss made sure that he would not be killed the moment he stepped foot in the trenches, but the knowledge that he displays in this time of crisis did not come from parade grounds or noncommissioned officers; it came from months of trench warfare, from experience under fire, and from the natural instinct to make the right choices when it matters most. From the beginning of the passage, one can observe Paul’s course of action: he does not think, he reacts. From the moment the first shell lands, he begins gathering information: “By the light of the shells I try to get a view of the fields” (66). When his sleeve is torn away, he does not trust the fact that he feels no pain. Paul thinks: the fact “that [I feel no pain] does not reassure me: wounds don’t hurt until afterwards. I feel the arm all over. It is grazed but sound” (66). His actions reveal some of his soldiering merit, but not all.

Paul escaped serious physical wounds; however, he is completely destroyed by the effects of the war. After being mercilessly attacked with gas, he sees the brutality and lack of concern for the soldiers’ lives. Although he is continuously pressured by authority figures to see the opposing fighter as the main enemy, Paul understands the problem goes beyond killing other men. The war tears Paul apart and leaves him scarred by the lack of

     When Paul becomes stranded in No Man’s Land, he undergoes the transformation from a carefree young adult to an inhumane, lifeless shell of a man. The change begins when Paul hides in a shell-hole, waiting for a pause in the bombardment. A French soldier jumps in as well, looking for shelter. Paul has prepared for this circumstance and stabs him three times. Paul’s strikes are not mortal enough, for the wounds do not immediately kill the Frenchman. The enemy soldier dies over the next day, and while the soldier slides inexorably into the throes of death, Paul

Along with personal feelings, the same goes for everyone Paul witnessing his best friend’s death have impacted their group so that they cannot feel or care for each other. After a battle that left many injured. While Paul rests he thinks of how everyone is left on their own, claiming, "We have lost all feeling for one another. We can hardly control ourselves when our hunted glance lights on the form of some other man. We are insensible, dead men, who through some trick, some dreadful magic, are still able to run and to kill" (Remarque, 116). During another day in the trenches Paul sees many bodies everywhere, soldiers being killed in front of him. Losing everyone that was close to him has caused him to lose himself mentally making him unstable. He carries the pressure of telling the families which furthermore carriers his depression. He carries a comrade’s boots as they are passed down from soldiers after each owner dies, Paul carries these boots to represent unimportance of human life. In addition to young soldiers have to follow and look up to older generation and higher rank officers which lead to betrayal. Propaganda played a huge role in World War 1 giving everyone biased opinions and bad judgements of others. These opinions gave Paul a false perspective of older generations.

In the novel All Quiet on the Western Front, Paul experiences the brutality of war. He uses similes and personification to explain the pain he saw and the pain he experienced. In this paragraph, I will go over some ways how Paul describes his experiences. When Paul is at the front line, he says “like a big, soft jellyfish, it floats into our shell-hole and lulls there obscenely”. Paul is talking about the poisonous gas that the French are trying to kill them with when Paul is hiding. Luckily he had his gas mask on but he can feel the gas surround him in the shell-hole. Paul hates war at first, but after years there, he became used to it and he doesn't

Another attempt at dehumanization is in the description of the weapons being used against the featured soldiers. The author speaks only of the weapons themselves, with quotes such as “The Tommies are firing already”, which ignores the fact that there would need to be enemies behind those guns. Another example would be Paul's willingness to use a space as shelter that was already inhabited by corpse. Rather than respect this individual's final resting place, he defiled the casket and used the deceased to shield himself from harm. Although the attempt to deny humanness is clear, it still shines through during two particular scenes in which fellow soldiers have been badly wounded. In one instance, a fallen comrade has been shot in the hip and it appears that he will not make it. Paul and Kat briefly discuss putting him out of his misery (it seems as if the wounded soldier shares that sentiment), but when they realize they have an audience of “young innocents” they choose to get a stretcher and save his life. There is also a description of throwing dirt over the soldiers who were killed during the

Paul feels as though his family has lied to him because they said he would be a hero and it would be so great because he would be protecting his nation but then he goes and has to see people being blown to pieces.“…at that time even one’s parents were ready with the word ‘coward’; no one had the vaguest idea what we were in for. The wisest were just poor and simple people. They knew the war to be a misfortune, whereas those who were better off, and should have been able to see more clearly what the consequences would be, were beside themselves with joy” (11). Their families do not understand what his going on there. But then, Paul gets out there and there are men losing legs and arms.

The beginning is the starting point of Paul’s change throughout the novel; first going into war, Paul knew who he was, not just another solider. But the literal line where the front starts is the launch of the stripping of his humane and individual identity. Paul narrates the exact point where a physical and mental borderline is set up, “We march up, moody or good-tempered soldiers – we reach the zone where the front begins and become on the instant human animals” (27). His identity shifts when he acknowledges that there must be change for like on the field, he becomes an “instant human animal;” no matter “moody of good-tempered” prior to arriving at the line, their individuality is demolished. War rips the uniqueness off civilian men and throws them in backwards evolution and forces them to act like animals: attacking, killing, and surviving.

In All Quiet on the Western Front Paul witness all the horrors of war. He sees death crawling towards the wounded soldiers in the wood, hospital, and on the front. When a soldier was wounded it killed them, they lost a limb or they got sent back to the front. Another awful part of war is soldiers would get shot and stranded out in the woods. They would yell for help, but were never found. Mental wounds were another injury of war. Paul would see people go insane on the front and some soldiers got shellshock. The worst part of the war for Paul was watching all of his comrades die, and his connection with the ones he loved at home fade away. The horrors of war is clearly represented in both Battle Scars and All Quiet on the Western Front with physical wounds, mental wounds, and loss of loved ones.

While on leave, Paul also visits his father and some of his father's friends, but does not wish to speak to them about the war. The men are "curious [about the war] in a way that [Paul finds] stupid and distressing." They try to imagine what war is like but they have never experienced it for themselves, so they cannot see the reality of it. When Paul tries to state his opinion, the men argue that "[he] sees only [his] general sector so [he is] not able to judge." These men believe they know more about the war and this makes Paul feel lost. He realizes that "they are different men here, men [he] can not understand..." and Paul wants to be back with those he can relate to, his fellow soldiers. Paul wishes he had never gone on leave because out there "[he] was a soldier, but [at home] he is nothing but an agony to himself." When Paul returns to the battlefield, he is excited to be with his comrades. When he sees his company, "[Paul] jumps up, pushes in amongst them, [his] eyes searching," until he finds his friends. It is then

Paul explains his view of the constant attacks in the war and the overall negative atmosphere of the war. He feels as if the atmosphere itself “clogs the lungs,” and “suffocates” (Remarque 29) because of the loss that Paul has endured. Paul feels that the constant warfare and atmosphere surrounding him is slowly killing him. He is used to the constant loss and death around him so much so he does not know what living a normal life is anymore either. When Paul returns home he does not feel like he can live a normal life anymore.

Paul tried to remember his passion that once made him happy, but it is like he got lost along the way to feel those happy memories again. Instead, soldiers learned to just distract and disconnect their minds from emotional feelings. During a situation towards the beginning of the novel, involve Paul and his friends visiting a former class friend who had a leg amputation. Muller wants his boots, and is seen as being completely insensitive but Paul doesn’t think of him as that. No, instead he sees the whole picture of the situation although Paul reflects that war causes a soldier to isolate oneself from emotions which allow you to grieve, sympathize, and feel hurt.

Even if they had joined the army voluntarily, they fast realize that there is no honor on the front. There is an unspoken mutual understanding of this mentality between all soldiers, even from opposing sides. This is displayed in All Quiet on the Western Front when Paul takes cover in a shell-hole during a bombardment. A Frenchman jumps into the same home, and Paul mindlessly stabs him to near death. When he realizes exactly what he had done, he says to the dying soldier “Comrade, I did not want to kill you. . . . But you were only an idea to me before, an abstraction that lived in my mind and called forth its appropriate response […] now I see your wife and your face and our fellowship […] Forgive me, comrade; how could you be my enemy?” (Remarque 223). Paul now understands that the man whose life he took was a real human being. He was not a faceless killing machine to be picked off like a fly and forgotten; he was Gérard Duval, a husband, father and printer. As soldiers become familiar with the reality of war, they quickly lose all desire to kill their enemies but continue to do so because they have to. This aversion to killing only becomes more grossly apparent in the face of death. Despite hailing from different countries, soldiers are all the same. They just want to go

We can hardly control ourselves when our glance lights on the form of some other man. We are insensible, dead men, who through some trick, some dreadful magic, are still able to run and to kill” (Remarque 116). Paul’s description of himself and his comrades does not sound human; rather, it sounds as if he were describing a pack of wolves. Furthermore, when Paul becomes trapped in the middle ground during a skirmish, he realizes he must defend himself. A French soldier jumps into his hole, forcing Paul to kill him. Paul “strike[s] madly at home and feel[s] only how the body suddenly convulses” without any thought (Remarque 216). The language employed by Remarque suggests Paul’s behavior is animalistic and brutal. His mad stabs into the body of the Frenchman imply the violent and impersonal nature of man that coincides with war.

While the disconnection allows the soldier to adapt to the brutal war environment, it inhibits them from re-entering society. When he takes his leave, he is unable to feel comfortable at home. Even if Paul had survived the war physically, he most likely would not have integrated back into society suitably. The emotional disconnection inhibits soldiers from mourning their fallen friends and comrades. However, Paul was somewhat less than able to completely detach himself from his feelings, and there are several moments in the when he feels himself pulled down by emotion. These rush of feelings indicate the magnitude to which war has automated Paul to cut himself off from feeling, as when he says, with unbridled understatement, “Parting from my friend Albert Kropp was very hard. But a man gets used to that sort of thing in the army (p. 269) .”