In both “House Taken Over” and “The Fall of the House of Usher”, it is implied that supernatural or unexplainable forces are happening in the House. There are also a lot of similarities and differences between the two. One of the main focuses in each story is the house in which the protagonists live in. For example, in “The House of Usher”a boon companion of Roderick, the owner of the house comes to visit after not seeing his friend in years. Upon his arrival he is shocked to see the house. The House was in horrible condition and looked nothing like it did years ago. He looked into the lake next to it and tried to envision the old house, but he could not. Then we have the house from “House Taken Over” in which the protagonists of the story are brother and sister who inherited the house from their grandparents. Very similar to the “House of Usher” this house is also very run down and old. It feels like they aren’t the only people in the house as they keep moving from room to room locking the doors as they leave them. In this story though, we don’t know the condition of the protagonists. They could be ghosts, or maybe they’re alive. We …show more content…
In “House Taken Over”, we just know that the protagonists are brother and sister. There are also less characters in “House Taken Over” (2) as opposed to four in the “House of Usher”. We also know that Roderick Usher is not mentally sane and is basically on the verge of insanity after the “loss” of his sister. Feeling as she is still alive, he starts to hallucinate the house falling apart before his very eyes. In the “House Taken Over” we get an idea that the siblings are not in a sense normal human beings. There is no account of them interacting with any other people and it feels like they are some sort of ghost. This can also be supported by the fact they are constantly moving rooms and never enter the rooms
Although Both Edgar Allan Poe’s “The Fall of the House of Usher” and “ House Taken Over” by Julio Cortazar have settings set in large, old, spooky houses, the setting is different because Edgar Allan Poe’s setting s in a much older than House Taken Over. The author in “The Fall of the House of Usher” also relies time more on the supernatural in his setting with visions of ghosts and figures while the “ House Taken Over” is set in a normal old house.
The short stories “ The Fall of the House of Usher “ and “House taken over” are both stories that focus on a basic story of a sister, a brother , and a house . although there are differences that separate the stories , there are also similarities that bring them closer together.
“House Taken Over” is exceptionally shorter than “Usher” and incorporates modern English and a calmer mood to express the Magical Realism in the story. Cortazar’s text is much less intense than Poe’s and uses far more ordinary and recognizable characters and setting. He tells the story of a brother and his sister Irene and the activities they do in their daily life. The plot is then shifted towards fear with the addition of the fantastic events of the supernatural beings. “I went down the corridor as far as the oak door, which was ajar, then turned into the hall toward the kitchen, when I heard something in the library or the dining room. The sound came through muted and indistinct, a chair being knocked over onto the carpet or the muffled buzzing of a conversation. At the same time or a second later, I heard it at the end of the passage which led from those two rooms toward the door” (39). The characters in “House” have an unimpressed tone when they learn of the otherworldly creatures and try to ignore it, indicating that the story is indeed written in the style of Magical Realism. “‘I had to shut the door to the passage. They’ve taken over the back part.’ She let her knitting fall and looked at me with tired, serious eyes. ‘You’re sure?’ I nodded. ‘In that case,’ she said, picking up her needle again, ‘we’ll have to live on this side’”
With our imagination we can have many thoughts in our mind, we can think of how we want to be in the future. Everybody in this world has their own way of thinking. “In the Gothic stories, “The Fall of The House of Usher written by Edgar Allan Poe and “House Taken Over” by Julio Cortazar the authors write about how both stories have some type of interest that makes the reader want to be very eager about the story. The imagination can overcome reason through issues such as: fear, paranoid, delusion, etc. The House of The Fall of Usher talks about how Mr. Usher is trying to get over his “dead” sister and the narrator is trying to help him. They begin to hear things inside the house, and realize that the sister was alive at the end. House Taken Over about a bother and sister that share a house that’s been passed over from previous family members and normally they have a typical daily routine but at night they come across “spooky” occasions.
In “The Fall of the House of Usher” the story starts with the narrator saying that he is overcome with a feeling of gloom upon first seeing the house. He compares the windows to vacant eyes. The narrator goes on to tell how the house appears to him but then tries to explain it away as his overactive imagination.
Throughout both short stories, “The Fall of the House of Usher” and “House Taken Over” readers are exposed to situations in which imagination overcomes reason in some characters. In the short story, “The Fall of The House of Usher” written by Edgar Allan Poe imagination overcomes reason with both the narrator and the main character. Roderick Usher and the narrator believe they are hearing the noises in the house that are being described in a novel they are reading. In addition, Usher’s imagination overcomes his reason when he believes he hears noises of his dead sister Madeline. Similarly, in the short story “House Taken Over” written by Julio Cortazar it exemplifies the idea of imagination overcoming reasoning. This is showed when a brother and a sister are driven from their home when it's invaded by unwelcomed visitors. The siblings believe there is an evil force taking over their house. LIkewise, in the poem “The Raven” by Edgar Allan Poe the idea of imagination overcoming reasoning is shown when the author believes that there is an evil force that keeps reminding him of something he is trying to forget ; Lenore. Aso his imagination takes over his reasoning since he is talking with a raven, even though birds do not talk. In both the short stories and the poem the idea of imagination overcoming reasoning is portrayed throughout the characters.
Fear is among one of the most universal human emotions that everyone is interconnected at one point or another during their lifetime. In the gothic stories, “The Fall of the House of Usher” and “House Taken Over” written by Edgar Allan Poe and Julio Cortazar respectively. Edgar Allen Poe writes about how the character Mr. Usher, who because of his mental illness and delusions, cannot come to terms with his reality. Cortazar writes about the relationship between a brother and sister who have normal everyday lives and have strange and odd nightmare that haunts them. The
"Every story would be another story, and unrecognizable if it took up its characters and plot and happened somewhere else... Place is the crossroads of circumstance, the proving ground of, what happened? Who 's here? Who 's coming?” Eudora Welty stated this, emphasizing the importance setting has on a story. Authors of all kinds, young and old, famous and not famous, boy or girl—they all have at least one thing in common: setting. In every story a setting is described, sometimes in exceeding detail. Some authors make an attempt to give their audience full understanding of the setting their story is taking place. Many do this by describing the smells, colors, textures, sounds, and sometimes even tastes, to the reader. In many early-American writings, authors go ‘above and beyond’ to help their reader understand the setting, so as to feel what the writer is feeling. Setting often stirs a sense of empathy in the reader’s mind if the descriptions are well-written and captivating. Authors such as Joyce Carol Oates and especially Edgar Allan Poe are well-known for their use of description in the setting. Two very successful stories, written by these authors, are excellent examples of setting. Furthermore, “The Fall of the House of Usher,” by Poe, and “Where is Here?” by Oates both display how the author uses setting to help the reader visualize the situation, create
Similarly, the setting in both stories, the stories include two siblings-Madeline and Usher, Irene and her brother-who live in a very bygone, spacious, and lonely house.This can be seen in “House Taken Over” where it says, “We liked the house because, apart from its being old and spacious…”(1). Irene’s brother narrated how vast the house was and he later mentions that even though it is so big only two people live in it while it can occupy eight or people. Another similarity is that both houses were owned in the family through many generations. This idea can be seen in “House Taken Over,” where Cortazar explains, “ ...it kept the memories of great-grandparents, our paternal grandfather, our parents and the whole of childhood (1). Cortazar’s short
In the story, “The Fall of The House of Usher”, there are many mysterious happenings that go on throughout the story between the characters Roderick Usher and the narrator. Throughout the story, Edgar Allan Poe uses themes such as madness and insanity to connect the house back to Roderick Usher. In the “Fall of The House of Usher”, the narrator goes through many different experiences when arriving to the house. The narrator’s experiences start out as almost unnoticeable in the beginning, turn into bigger ones right before his eyes, and end up becoming problems that cause deterioration of the mind and the house before the narrator even decides to do anything helpful for Roderick and his mental illness. In “The Fall of The
“The Fall of the House of Usher” follows a similar symbolic storyline. Throughout the story, the narrator uncovers significant details regarding the mysterious childhood friend of his and many of the important elements are revealed. Specifically, Poe designed the plot in such a way that the Usher siblings represent two sides of the same individual; Madeline and Roderick as the body and the mind respectively (Miller par 32). Since the twins are the first in their family, it shows the separation from original unity (genetically) and foreshadows that the twins must die in order for the restoration of peace. The House of Usher also has a significant symbolic value in the story; it represents Roderick’s psychological state of mind and is described by the narrator as having disturbing realistic qualities (Poe 893). Nevertheless, toward the end of the story, the epitome of the symbolic nature of this story is revealed and is concluded by an epic turn of events. Madeline collapses on Roderick as the narrator rushes to leave the house; the siblings death at the end symbolize the destruction of the physical world as shown by Madeline and the destruction of the spiritual world as displayed by Roderick’s immediate death
The house seems to be absorbing Usher’s mental health and physical health. Evidence of this is shown by the faltering health and growing fears of Roderick Usher in relation to the growing scariness of the house.
The Usher mansion is slowly deteriorating, just like Roderick Usher himself. The “sombre tapestries,” “ebon blackness,” and “phantasmagoric armorial trophies” did not just start showing in the house; these elements have had time to develop and is now represented as a never ending darkness, which is just like Roderick Usher’s mental illness. Not only does Poe create an image of the house, he also uses lucid details describing the Usher’s mansion and the rooms inside the home to show that Roderick’s mental illness has physically and mentally trapped him. Roderick is a gloomy and mysterious character who looks as if he is dead. Poe describes Roderick’s appearance as one to not easily be forgotten (Poe 152). In Roderick’s mind, he feels as if he has no escape from this illness, which terrifies him. His biggest fear is fear himself. The evil that has overcame his body will take a toll on his life and he is aware of it because he says “I shudder at the thought of any, even the most trivial, incident, which may operate upon this intolerable agitation of soul. I have, indeed no abhorrence of danger, except in it absolute effect-in terror” (Poe 153). As described in the story, the Usher house has rooms that create a somber life and with this creation, Poe is able to portray the kind of life that Roderick Usher is living and will live. Not only is this technique used in “The Fall of the House of
Filled with a sense of dread by the sight of the house itself, the Narrator reunites with his old companion, who is suffering from a strange mental illness and whose sister, Madeline, is near to death due to a mysterious disease. The Narrator provides company to Usher while he paints and plays guitar, spending all his days inside, avoiding the sunlight and obsessing over the sentience of the non-living. When Madeline dies, Usher decides to bury her temporarily in one of his house's large vaults. A few days later, however, she emerges from her provisional tomb, killing her brother while the Narrator flees for his life. The House of Usher splits apart and collapses, wiping away the last remnants of the ancient family. Edgar’s inspiration for this story might have come from true events of the Usher House, located on Boston's Lewis Wharf. As that story goes, a sailor and the young wife of the older owner were caught and entombed in their trysting spot by her husband. When the Usher House was torn down in 1800, two bodies were found embraced in a cavity in the cellar (Neilson).
The Fall Of the House Of Usher is a short story written by Edgar Allen Poe in 1839. The short story is complexly written, with challenging themes such as identity and fear. Poe utilises many elements of the Gothic Tradition such as setting and supernatural elements to create a more mysterious story, and uses language to his advantage, employing adjective filled descriptions of literal elements that also serve as metaphors for other parts of the story.