“The Falling Man,” taken by Richard Drew on September 11, 2001, remains one of the most controversial, yet underappreciated images of the 21st Century. The picture captures one of the final moments of a victim from the World Trade Center, who chose to commit suicide rather than perish in the burning fires on the top floor. As the man plunges to his doom, he is positioned upside-down with legs flailing in the air. In the background lies the Twin Towers, positioned precisely to split right in the middle of both the image and the man himself. Understandably, this scene drew much backlash by the public, as it revealed the private moments of a man on the worst day in modern American history. At the same time, it also caused others to reflect soberly
In 102 Minutes, the authors force the reader to absorb the significant toll that the events of 9-11 had on the families involved and people across America; also, Dwyer and Flynn seek to inform them of the errors in the design of the towers and decisions made by rescuers that preceded the catastrophic events that took place. The authors mention these facts and arguments to ensure the improvement of future architectural practices, prepare people for intense situations, and to personalize the tragedy that holds such an important place in our country’s history. Through various rhetorical strategies, the writers appeal emotionally and analytically to their audience.
Flannery O’Connor, undoubtedly one of the most well-read authors of the early 20th Century, had many strong themes deeply embedded within all her writings. Two of her most prominent and poignant themes were Christianity and racism. By analyzing, “A Good Man is Hard to Find” and “Everything that Rises Must Converge,” these two themes jump out at the reader. Growing up in the mid-1920’s in Georgia was a huge influence on O’Connor. Less than a decade before her birth, Georgia was much different than it was at her birth. Slaves labored tirelessly on their master’s plantations and were indeed a facet of everyday life. However, as the Civil War ended and Reconstruction began, slaves were not easily assimilated into Southern culture. Thus, O’Connor grew up in a highly racist area that mourned the fact that slaves were now to be treated as “equals.” In her everyday life in Georgia, O’Connor encountered countless citizens who were not shy in expressing their discontent toward the black race. This indeed was a guiding influence and inspiration in her fiction writing. The other guiding influence in her life that became a major theme in her writing was religion. Flannery O 'Connor was born in Savannah, Georgia, the only child of a Catholic family. The region was part of the 'Christ-haunted ' Bible belt of the Southern States. The spiritual heritage of the region profoundly shaped O 'Connor 's writing as described in her essay "The Catholic Novelist in the Protestant South" (1969). Many
On the morning of September 11, 2001 millions of people were in shock the moment they received news that the World Trade Center was hit. The images from this horrific day flooded the media’s television screens and newspaper articles. Perhaps the most gruesome images shown were those of people jumping out of the building as they were collapsing. Tom Junod, a writer for the Esquire magazine, illustrates his perspective of this shocking incident through pictures, media coverage, and depicting people’s reactions in his article The Falling Man. Tom Junod’s article should be read by anyone who believes they have felt all there is to feel from the 9/11 attack. He will prove otherwise that there is indeed still much emotion to
You are right, in my previous submission I neglected to discuss and compare the spatial size of the figures on the two artworks. It is a common feature of Romanesque art, both in manuscript illumination and sculptures, that figures are contorted and almost squeezed in to fit in and fill in the space that they occupy. As with the Expulsion of Adam and Eve on the Doors of Bishop Bernward, the figures are small in the composition, whereas the figures fill the space in the Creation of Adam and Eve, Fall of Man by Wiligelmo. The figures fill the space so much that they go almost completely from the top to bottom, and as I had mentioned before it looks like the sleeping Adam could almost roll off the sculpture. The figures in the Bernward Doors
The momentous tragedy that occurred on September 11th, 2001 has been engraved into the memories of United States citizens. What began as an ordinary day quickly evolved into an tragedy no one could have predicted: thousands of lives had been taken and countless more devastated and ruined by the acts of terror. Although unpredicted, the horrific and frightening news affected all. The four planes individually plummeted into their targets—two crashed into the Twin Towers, another struck the Pentagon, and the final hurtled into an empty field—eliciting a wave of panic throughout the nation. The jarring images of commercial airplanes hijacked by members of the terrorist group Al-Qaida managed to instill a fear. As the terrified country anxiously fretted about the future, President George W. Bush delivered a speech to address the nation in order to soothe the tensions and worry. In George W. Bush’s “9/11 Address to the Nation,” the terrorist attack orchestrated against the U.S. is addressed with rhetorical devices such as parallel structure, imagery, and various appeals in order to inspire and heal the country.
Throughout the documentary, Avery appeals to pathos by incorporating photographs and recordings to illustrate the magnitude of the tragedy while supporting his claims. He examines how the buildings collapse by showing eyewitness videos and computer simulations. The film repeatedly shows footage of the destruction of the World Trade Center (WTC) buildings. It shows the airplanes flying into the towers, the sudden collapse, and the solemn aftermath. Because of the potent imagery, Avery appeals to the audience’s grief, fears, and doubts.
In addition, the image "Firefighters at Twin Towers attack" Photograph by Todd Maisel by is distinctively visual as it challenges perceptions about the rescuers being invincible as they are presented in a defenceless state. The image depicts the struggle of the rescuers from the impact of the destruction of the 9/11 attack on the twin towers in New York in September 11th 2001. The composer portrays the image of the rescuers being a protection and guardian for the man as they carry him away from the destruction and smoke behind them. This is visually represented through the symbolism of firefighter’s uniform is ironic of them dishevelled and covered in ash showing them as invincible and getting away from the attack. Also, the close proximity of the three figures emphasizes seeking safety through connection. Furthermore, the image distinctively depicts the idea of the rescuers being defenceless through the gaze of the figure on right is directed at the camera, imploring whilst the two other figures
The Spirit Catches You and You Fall Down, by Anne Fadiman, is the story of two very different cultures lacking understanding for one another leading to a tragedy due to cultural incompetence. Today in America there are very many different cultures. Health care providers need to be aware of cultural diversity and sensitivity when caring for patients. If a health care provider is not sensitive towards a patient’s culture it can cause a relationship of mistrust to form, lead to barriers in the plan of care, and increase health care cost. The current guidelines to promote cultural competence in the clinical setting include completing a cultural diversity self-assessment, identify the need of the population served, evaluate barriers in the community and practice, educate staff to cultural diversities, schedule longer appointments, clarify limitations, and identify alternatives offered (Cash & Glass, 2014).
In the novel Ordinary Men by Christopher Browning there contains a thesis in which the novel is centered around. This thesis is the theory that these ordinary people could commit these atrocities in the Holocaust because of the pressure from their peers and country that were participating in these appalling acts of violence and massacres of innocent people.
Social change comes from a societies understanding and acceptance of controversial topics, laws that enforce social norms and the politics that play a role in such change. The author Gerald Rosenberg of “The Hollow Hope” believes that the Supreme Court is able to bring about social change. Rosenburg main argument seemed to be questioning if a courts ruling that had once been accepted and had standing for several years were to be over turned, would the environment outside of the courtroom suddenly change and be accepting of their division.
The small city of Brownsville is small in both population and mind. Even though there are individuals who commute morning and night from country to country, there is no unity. Growing up, I had never experienced a “diverse” city. In the city of Brownsville, Hispanics are the majority. As a result, individuals who saw somebody of a different race or ethnicity would make negative and offensive comments towards them. At times, these offensive comments were accidental. Other times, the offensive comments were on purpose and intended to appear humorous to friends. Apart from discriminatory remarks to outsiders, this happened amongst people of my Hispanic community.
In the article “The End of Men,” Hanna Rosin offers several examples of women overpowering men. The inequality between men and women has become a critical issue in today’s society. According to Rosin, women are slowly surging ahead in the workforce and family life while men are left behind struggling to meet expectations. Rosin argues that this role reversal is taking place because women are simply better suited for postindustrial society.
Anthropology and genetics are two fields that, when put together, discover some amazing things. Most of these amazing things are written in the book The Journey of Man, by Spencer Wells. In it, he explains where humans originated from, and how we came to populate the entire globe. It is both humbling and riveting, and a great start to understanding how much work truly goes in to studying our past.
Fyodor Dostoyevsky’s novel, Notes from the Underground Man, uses the idea of a modern dystopia by depicting a story that revolves around a distressed older man. Throughout the novel, the main character has a narcissistic belief that he is better than everyone else because of his acute sense of consciousness. His awareness however, also causes him to believe not only are people ignorant to the world around him but that they are also against him. In contrast, critics believe that the main character, the underground man, actually suffers from psychological disorders that causes him to reason this way. Psychological disorders are defined as a wide range of conditions that can affect mood, behavior and thinking, and based on his conduct in the novel, the underground man presents himself as an individual who is subjected to obsessive compulsive behavior, social repression and paranoia.
One individual named Richard Drew, a professional journalist and photographer was in New York on 9/11. While the terrorist attack occurred he sat helpless and watched from the streets but decided to begin snapping pictures. However, the article entitled, “The Falling Man” by Tom Junod showed the controversy of what he was taking pictures of. Richard was taking pictures of the “Jumpers” (Junod, 2016, para. 6). The Jumpers were the citizens trapped within the twin towers with no other exit but to jump for possible freedom, but as they fell hundreds of stories from the buildings the people on the streets knew their was no help for them and the only thing that awaited them was a quick death. Within the article it states, “He was standing between a cop and an emergency technician, and each time one of them cried, "There goes another," his camera found a falling body and followed it down for a nine- or twelve-shot sequence” (Junod, 2016, para. 3). In this statement