The Fire-Stealer: A Study of Robert Walton in Mary Shelley's Frankenstein

The pursuit of discovery and knowledge are thrilling aspects of human achievement, but can also be very dangerous if not handled correctly. In Mary Shelley’s “Frankenstein,” Shelley portrays these two aspects of accomplishment as dangerous, destructive, and even fateful. Shelley begins her novel with an ambitious seafarer named Robert Walton. Walton is determined to reach the North Pole, where he may “tread a land never before imprinted by the foot of man” (6). During his journey, he writes constantly to his sister, Margaret Saville. Unfortunately, due to the laws of nature, sheets of impassable ice enclosing on their ship soon interrupt Walton’s mission. Trapped, Walton meets

Robert Walton and the Creature both contribute much to Victor Frankenstein's character. They are both strong foil characters in the novel. A foil character is a minor character whose situation or actions parallel those of a major character, and by contrast clarifies certain elements of the major character. Because Walton plays a role that both parallels and contrasts to Victor's in many ways, it appears that Robert Walton is the more effective foil for Victor Frankenstein.

Victor Frankenstein, also known as the modern Prometheus according to Shelley, holds a similar yet different story and fate as Prometheus. While Prometheus only wanted to correct his brother’s mistake in making a superior race of man, Victor wants to understand “the secrets of heaven and earth” in order to elevate himself to a godlike status (Shelley, 30). He decides that he will create “a new species” which “would owe their being to” him and give him the

Mary Shelley's Frankenstein is subtitled "The Modern Prometheus", and rightfully so. Prometheus, the Titan of Greek mythology that created man and gave them fire, is a fitting symbol for Victor Frankenstein, the man who created a "monster" and gave him life. The most obvious aspect of the similarity between Frankenstein and the Prometheus myth is the underlying theme - both stories deal with ill-fated actions with tragic consequences. The classic Prometheus stories, as told by Aeschylus, Percy Bysshe Shelley and summarized by Edith Hamilton, contain symbolic and thematic elements that closely parallel Mary Shelley's "modern Prometheus."

Walton’s Letters in Mary Shelley’s Frankenstein ‘Frankenstein’ is a gothic, science fiction novel written by Mary Wollstonecraft Shelley. It was written in Switzerland in 1816 and London in 1816-1817. The novel begins with a series of letters from the explorer Robert Walton to his sister, Margaret Saville. The entirety of ‘Frankenstein’ is contained within Robert Walton’s letters, which record the narratives of both Frankenstein and the monster.

The ultimate consequences of Promethean ambition are characterized through Victor and Walton, who parallels Victor, yet is able to turn from the ‘intoxicating draught’ of superiority and unbridled ambition. This juxtaposition of character reinforces the significance of moral responsibility, as Shelley ultimately mocks the hateful bond between Frankenstein and his child, the Monster. The harsh consequences of disrupting nature and forfeiting moral conscience are conveyed, connoting the inevitable demise due to loss of self and identity.

In Mary Shelley’s 1818 novel, ‘Frankenstein’, a recurring motif of ambition and the quest for knowledge is present among the characters of Victor Frankenstein, Robert Walton and the creature. Victor’s obsessive ambition is his fatal flaw, ruining his life and leading to the murder of his loved ones and eventually his own death. Robert Walton shares a similar ambition

Mary Shelley, the renowned author of Frankenstein, explores the consequences of man and monster chasing ambition blindly. Victor Frankenstein discovered the secret that allowed him to create life. His understanding of how bodies operated and the science of human anatomy enabled him to make this discovery and apply it to the creation of his monster. Walton wished to sail to the arctic because no sailor has ever reached it. The monster was created against his will, his ambition was to avenge his creation as a hideous outcast. These three characters were all driven by the same blind ambition.

Written in 1817 by Mary Shelley, Frankenstein is a novel about the "modern Prometheus", the Roman Titian who stole fire from the gods and gave it to man. The story takes place in several European countries during the late 1700's. It is the recollection of Victor Frankenstein to a ship captain about his life. Victor is a student of science and medicine who discovers a way to reanimate dead flesh. In a desire to create the perfect race he constructs a man more powerful than any normal human, but the creation is so deformed and hideous that Victor shuns it. The creation then spends a year wandering searching for companionship, but everywhere he goes he is shunned and feared. Hating life

Often in society, people are separated or ostracized, from the town people, due to their appearance or persona. In Mary Shelley’s, Frankenstein, many characters are alienated from their community due to the value of attractiveness versus ugliness, self-proclaimed solitude, and the balance of loneliness and companionship. Victor Frankenstein, Victor’s creation, and Robert Walton are examples of the moral values of the time period and atmosphere surrounding the characters.

With austere, scientific accounting of human nature, Shelley documents how zealous Captain Walton rescued Victor Frankenstein, the passionate student of natural philosophy and impetuous, chance creator of life, from death in the remote regions of the North Pole. It is through Walton's journal entries that readers comprehend Frankenstein's

Robert Walton serves a great purpose in Mary Shelley’s novel, Frankenstein. First and foremost, Walton acts as a sort of doppelganger to Frankenstein. Both men have a strong curiosity and a mind that allows them to push great limits of knowledge to follow through on this curiosity. They are both, in their own prospects, the first people to witness something newfound; Walton wanting to push the limits of travel to find the North Pole, and Frankenstein wanting to push the limits of science to create artificial life. Though both men may be very similar in the lives they lead, this is not the main purpose for the introduction of Walton into the novel. The novel both opens and ends with letters by Walton, and a writer going by the alias ‘N.G.1988’ decided to analyze the possible reasons Shelley included Walton’s letters to enclose the story of Dr. Frankenstein.

Indeed, Shelley’s several allusions to Coleridge’s poem and the parallel plots that Frankenstein’s tragedy shares with the mariner’s tale are intentional references meant to expose her warning purpose. The mariner’s tale is a mirror image of Frankenstein’s—identical yet backwards. The mariner is punished for killing a Christ figure, Frankenstein is punished for vitalizing a demon—both offenses concern the illegitimate use of a godly prerogative and a disregard for the sanctity of life. Captain Walton—the warned—of course, is also a mariner; however, he sails north and the Ancient Mariner—the warner—sailed south. Walton himself is the first to allude directly to the rime saying that he goes “to the land of mist and snow,” yet he swears that he shall “kill no albatross” nor, says he, shall he return “as worn and woeful as the ‘Ancient Mariner’” (33). His vows are ironic, however, because he is saved from that ancient fate only by listening to Frankenstein’s tale which warns him against his hubristic quest for knowledge. Toward the end of the book, Captain Walton weighs his chance for discovery and glory against the lives of his men noting, “It is terrible to reflect that the lives of all these men are endangered through me. If we are lost, my mad schemes are the cause” (181). Happily, Frankenstein’s mariner-like caution proves effective for the captain who heeds the warning and turns back. The second-person

In his thoughts, Walton concludes that if he does not have “glory and honour” he will have no reason to live (Shelley 205). This reflection opens Walton’s eyes to the dangers of too much ambition as he recognizes that he is dependent on his successes for his self-worth and happiness (Shelley 205). Fearing this concept, Walton makes a decision to return home empty-handed, despite its shamefulness (Shelley 204). In this example, Walton reveals that he is a dynamic character (Shelley 205). Instead of seeing an abundance of forbidden knowledge as the secret to success, he sees it as it truly is: an opportunity for his own destruction (Shelley 205). Walton’s character is developed in this way to demonstrate that one is in control of their life (Shelley

Possibly the most significant trait that connects Victor Frankenstein and Robert Walton is the desire to have knowledge of the forbidden, a theme that is echoed throughout Shelley 's book. During Shelley 's time, industrialization and science began advancing at unfathomable rates and Shelley feared that these innovations were in some ways inhuman and that boundaries should exist of what man truly requires knowing. Thus, she created two parallel characters to illustrate the different paths the search of forbidden knowledge produces, whether it is a science that resembles sorcery, or uncharted territories covered with impenetrable ice. Victor will stop at nothing to pursuit this forbidden knowledge and explains, "Curiosity, earnest research to learn the hidden laws of nature, gladness akin to rapture, as they were unfolded to me, are among the earliest sensations I can remember." However, his endless search to create life ironically triggers the destruction of lives, including his and the monster 's. He even symbolically hunts the creature, the product of his own doing, to stop the destruction he has spawned. He explains: