The Flora Belle

Ewen's Immigrant Women in the Land of Dollars Throughout history, the concept of Americanization has been studied in order to better understand the effects of a mass culture on immigrants. On one side stands the view of an immigrant engulfed in American ideology who leaves behind his past. He conforms to this new individualism and now is able to move upward on the economic ladder. On the opposite end of defining Americanization is the unscathed immigrant who maintains his old word traditions and institutions to emerge

Traditions and old teachings are essential to Native American culture; however growing up in the modern west creates a distance and ignorance about one’s identity. In the beginning, the narrator is in the hospital while as his father lies on his death bed, when he than encounters fellow Native Americans. One of these men talks about an elderly Indian Scholar who paradoxically discussed identity, “She had taken nostalgia as her false idol-her thin blanket-and it was murdering her” (6). The nostalgia represents the old Native American ways. The woman can’t seem to let go of the past, which in turn creates confusion for the man to why she can’t let it go because she was lecturing “…separate indigenous literary identity which was ironic considering that she was speaking English in a room full of white professors”(6). The man’s ignorance with the elderly woman’s message creates a further cultural identity struggle. Once more in the hospital, the narrator talks to another Native American man who similarly feels a divide with his culture. “The Indian world is filled with charlatan, men and women who pretend…”

In “How the Garcia Girls lost their accents” Carla Garcia’s cultural identity depends mostly on her background. In the beginning of the story the Garcia’s are celebrating their anniversary and they are asked to make a wish, “‘Dear God’, she began. She could not get used to this American wish-making without bringing God into it. ‘Let us please go back home,please,’”(226).

In “A Thrice Told Tale,” Margery Wolf gives insight on how feminist feel about ethnographies. Wolf tells the story of Mrs. Tan, a Taiwanese villager through a fictional lens, first hand research observations, and a primary article. In 1960 Mrs. Tan was viewed as insane due to her irregular (or do you mean unconventional?) behavior. The author demonstrates these different types of analysis which accurately depict (or capture) Mrs. Tan’s experiences in Taiwan.

1942 In December of 1941, Japan brought the United States into World War II by bombing Pearl Harbor. In response, the American government quickly enacted a number of evacuation orders that sent those of Japanese heritage living in the United States to internment camps. Fear was officially in the states and separating ourselves from the Japanese was our militaries best solution. The precautions brought about by the American government in response to these attacks from Japan can be identified in the short story, “Evacuation Order No. 19”.

She explains her thesis by stating “Others who write stories of migration often talk of arrival at a new place as a loss of communal memory and the erosion of an original culture. I want to talk of arrival as a gain,” (360). The key points of the text include Mukherjee describing her transition between Calcutta and the United States, and what it means to be and American and how culture influences that aspect. The information in the text is significant; the people of America are a part of a melting pot, sometimes it is hard for them to find the distinction between American culture and their own. The information in Mukherjee’s story is clear and specific, unbiased, and is relevant to the purpose of the story. I believe Mukherjee has achieved her purpose of informing her audience about cultural differences; she presents certain strengths and weaknesses within the text.

Women themselves perpetuate their inferiority; the author recounts a moment in her life when her emotional connection with her mother was interrupted abruptly by a telephone call from her brother. In this instance, the mother chose to speak with her son, the Chicano, over her daughter, the Chicana.

Because of the Virgin’s Mexican history, she holds great significance to Mexican Catholics, so it is no surprise why the Virgin remains inherent in Mexican culture, or as literary scholar Debra J. Blake so aptly defined, “Guadalupe equals Mexico.” Both men and women admire the Virgin, but her religious setting provides a context for oppression through the church. NietoGomez explains how the church utilized Guadalupe’s image, "Marianismo, the veneration of the Virgin Mary, became the model of how to make oppression a religious obligation. This is the heritage of the Chicana." The church created a patriarchal role for themselves by weaving the Virgin’s image as a pure mother to model ordinary women’s behavior. By applying this method through the guise of subjugation, the Church rationalized their need to “protect” women in order to maintain their pure, moral status. Paradoxically, feminine virtues expressed by the Virgin as to be employed by women represents many contradictory elements. Debra

In the beginning, there were mothers. Like goddesses they create life, nurturing their offspring into adulthood and beyond. Through wisdom, culture, and tradition they educate their young on the wonders of life, gracing us with the opportunity to follow in their footsteps to become mothers ourselves. Through the study of Chicana feminism, it becomes apparent how motherhood is a recurring theme throughout much Chicana feminist art and literature, often discussing how these women fostered growth in multiple facets of their being through their general life experience. Perhaps, this is due to the role of a mother weaving the lives of their children, nursing them, guiding them, and creating a life that implements their own values and beliefs. They have the opportunity to create a mirror image or even an entirely new and improved version of themselves. Whether the maternal figure is a hero or villain, traditional or nontraditional, tangible or fictitious, these characters play a vital role in shaping the Chicana feminism we see today.

Immigrants arriving in America for their first time are initially devastated at their new lives and realize their “golden lives” were simply fantasies and dreams of an ideal life in America. Immigrants from foreign countries, including those mentioned in Uchida’s Picture Bride, faced countless problems and hardships, including a sense of disillusionment and disappointment. Furthermore, immigrants and picture brides faced racial discrimination not only from white men, but the United States government, as well. Immigrants were plagued with economic hardships lived in deplorable living conditions. Though nearly every immigrant and picture bride who came to America fantasized about an ideal life, they were faced with countless hardships and

The trend of immigration brings out the issue of cultural identity. The controversy concerning tradition and cultural expectation is becoming increasingly fierce. Is it necessary to change one’s own cultural identity in order to fit the working environment and blend into the new society? How do people’s intrinsic cultural identities affect their new lives? Should the way of preserving cultural tradition be altered? How individuals’ cultural expectation influence their attitudes of redefining traditions? Will redefining tradition result in the loss of the value of the original culture? Andrew Marantz in his article, “My Summer at an Indian Call Center,” recounts his experience taking culture training that he was required to attend in order to work at one of the many call centers in India, discussing the reasons and the consequences of altering one’s own cultural identity. Meanwhile, Julia Alvarez uses the example of Quinceanera, a female coming-of-age tradition known among Hispanic communities, talks about the issue of redefining original tradition and cultural identity. In her article, “Selections from Once Upon a Quinceanera”, she touches on various aspects of Quinceanera, pointing out its pros and cons, extending the meaning of preserving cultures and redefining traditions. Changing cultural habits for certain purposes and redefining cultural traditions bring about the dilemma of cultural identifying. Although cultural assimilation is emerging in the trend of immigrants,

Exploring the themes of identity and immigration, this essay will focus on one short story and two case studies. Caterina Edwards’ Island of the Nightingales, follows Teresa Pomoronzola, a second-generation Italian immigrant living in Edmonton, who is sent to her mother’s homeland, the island of Lussino, in order to think clearly and gain perspective. Primarily, Teresa faces the internal conflict of choosing between her two lovers, yet she is also conflicted about her identity. Through the juxtaposition of divergent lifestyles and cultural values, Edwards’ Island of the Nightingales, suggests that a second-generation immigrant’s return to their family’s homeland is the ideal method for reconciling a conflicted identity and effectively understanding one’s background.

In this essay, I will argue Catalina de Erauso’s experiences in Peru both confirm and challenge the expectations placed on masculine and feminine honor in early colonial Spanish America. For women to be considered honorable in colonial Spanish America, they either became nuns or they married and became women of families. (Milstead Lecture, 10/26/17) This meant they either devoted themselves and their virginities to the church and God or they devoted themselves to their husbands and children. An example of dishonorable women in colonial times were prostitutes. In the book Lieutenant Nun, de Erauso finishes her story with a threat to the harlots she encounters on the streets of Naples. “… and a hundred gashes with this blade to the fool who

This book depicts the national and cultural status of the immigrant mother, who is able to preserve the traditions of her Indian heritage that connect her to her homeland. Ensuring a successful future for her American-born children is coordinated with the privilege of being an American citizen. Ashima yearns for her homeland and her family that she left behind when

The novel Signs Preceding the End of the World by Yuri Herrera brings to light many issues faced by immigrant women. The novel follows the young Makina in her quest to find and bring home her brother from what she imagines to be a mystical far away land. While the novel focuses on the challenges of immigration, the underlying meaning is much more complex. In Yuri Herrera’s Signs Preceding the End of the World, the common misconception that women cannot be the strong character in the novel is challenged. This is achieved by having the female protagonist, Makina, go on a quest to save her brother, be a vital individual in her community, and fight the misogynistic society she lives in.