The Flora Belle

Because of the Virgin’s Mexican history, she holds great significance to Mexican Catholics, so it is no surprise why the Virgin remains inherent in Mexican culture, or as literary scholar Debra J. Blake so aptly defined, “Guadalupe equals Mexico.” Both men and women admire the Virgin, but her religious setting provides a context for oppression through the church. NietoGomez explains how the church utilized Guadalupe’s image, "Marianismo, the veneration of the Virgin Mary, became the model of how to make oppression a religious obligation. This is the heritage of the Chicana." The church created a patriarchal role for themselves by weaving the Virgin’s image as a pure mother to model ordinary women’s behavior. By applying this method through the guise of subjugation, the Church rationalized their need to “protect” women in order to maintain their pure, moral status. Paradoxically, feminine virtues expressed by the Virgin as to be employed by women represents many contradictory elements. Debra

The novel Signs Preceding the End of the World by Yuri Herrera brings to light many issues faced by immigrant women. The novel follows the young Makina in her quest to find and bring home her brother from what she imagines to be a mystical far away land. While the novel focuses on the challenges of immigration, the underlying meaning is much more complex. In Yuri Herrera’s Signs Preceding the End of the World, the common misconception that women cannot be the strong character in the novel is challenged. This is achieved by having the female protagonist, Makina, go on a quest to save her brother, be a vital individual in her community, and fight the misogynistic society she lives in.

1942 In December of 1941, Japan brought the United States into World War II by bombing Pearl Harbor. In response, the American government quickly enacted a number of evacuation orders that sent those of Japanese heritage living in the United States to internment camps. Fear was officially in the states and separating ourselves from the Japanese was our militaries best solution. The precautions brought about by the American government in response to these attacks from Japan can be identified in the short story, “Evacuation Order No. 19”.

Cultural expectations have prevented humans from being able to lead their own lives the way they see fit. Gloria Anzaldúa and Sandra Cisneros are two notorious Mexican-American writers that wrote extensively about cultural borders and expectations. Anzaldúa came from the Mexico-Texas border, was a cultural and feminist theorist as well as English scholar, while Cisneros also comes from a Latino background and speaks from her cultural hybridity to illustrate cultural expectations. In this paper, I will use Anzaldúa’s “Borderlands / La Frontera” as a lens for Cisnero’s short story, “Woman Hollering Creek” to draw connections of cultural and gender expectations between two different genres of text.

In this essay, I will argue Catalina de Erauso’s experiences in Peru both confirm and challenge the expectations placed on masculine and feminine honor in early colonial Spanish America. For women to be considered honorable in colonial Spanish America, they either became nuns or they married and became women of families. (Milstead Lecture, 10/26/17) This meant they either devoted themselves and their virginities to the church and God or they devoted themselves to their husbands and children. An example of dishonorable women in colonial times were prostitutes. In the book Lieutenant Nun, de Erauso finishes her story with a threat to the harlots she encounters on the streets of Naples. “… and a hundred gashes with this blade to the fool who

In the beginning, there were mothers. Like goddesses they create life, nurturing their offspring into adulthood and beyond. Through wisdom, culture, and tradition they educate their young on the wonders of life, gracing us with the opportunity to follow in their footsteps to become mothers ourselves. Through the study of Chicana feminism, it becomes apparent how motherhood is a recurring theme throughout much Chicana feminist art and literature, often discussing how these women fostered growth in multiple facets of their being through their general life experience. Perhaps, this is due to the role of a mother weaving the lives of their children, nursing them, guiding them, and creating a life that implements their own values and beliefs. They have the opportunity to create a mirror image or even an entirely new and improved version of themselves. Whether the maternal figure is a hero or villain, traditional or nontraditional, tangible or fictitious, these characters play a vital role in shaping the Chicana feminism we see today.

Ewen's Immigrant Women in the Land of Dollars Throughout history, the concept of Americanization has been studied in order to better understand the effects of a mass culture on immigrants. On one side stands the view of an immigrant engulfed in American ideology who leaves behind his past. He conforms to this new individualism and now is able to move upward on the economic ladder. On the opposite end of defining Americanization is the unscathed immigrant who maintains his old word traditions and institutions to emerge

Traditions and old teachings are essential to Native American culture; however growing up in the modern west creates a distance and ignorance about one’s identity. In the beginning, the narrator is in the hospital while as his father lies on his death bed, when he than encounters fellow Native Americans. One of these men talks about an elderly Indian Scholar who paradoxically discussed identity, “She had taken nostalgia as her false idol-her thin blanket-and it was murdering her” (6). The nostalgia represents the old Native American ways. The woman can’t seem to let go of the past, which in turn creates confusion for the man to why she can’t let it go because she was lecturing “…separate indigenous literary identity which was ironic considering that she was speaking English in a room full of white professors”(6). The man’s ignorance with the elderly woman’s message creates a further cultural identity struggle. Once more in the hospital, the narrator talks to another Native American man who similarly feels a divide with his culture. “The Indian world is filled with charlatan, men and women who pretend…”

Immigrants arriving in America for their first time are initially devastated at their new lives and realize their “golden lives” were simply fantasies and dreams of an ideal life in America. Immigrants from foreign countries, including those mentioned in Uchida’s Picture Bride, faced countless problems and hardships, including a sense of disillusionment and disappointment. Furthermore, immigrants and picture brides faced racial discrimination not only from white men, but the United States government, as well. Immigrants were plagued with economic hardships lived in deplorable living conditions. Though nearly every immigrant and picture bride who came to America fantasized about an ideal life, they were faced with countless hardships and

In “How the Garcia Girls lost their accents” Carla Garcia’s cultural identity depends mostly on her background. In the beginning of the story the Garcia’s are celebrating their anniversary and they are asked to make a wish, “‘Dear God’, she began. She could not get used to this American wish-making without bringing God into it. ‘Let us please go back home,please,’”(226).

Throughout history, myth has taught lessons, explained phenomena, and perpetuated common knowledge and thought. Myth is threaded into history all over the world, and along the border of the United States and Mexico is no different. In “Woman Hollering Creek,” Sandra Cisneros reinscribes myths that have perpetuated the patriarchy, breaking down stereotypes and the narratives that we have come to associate with them. This essay will explore the roles of La Llorona and La Malinche in “Woman Hollering Creek” and “Never Marry A Mexican.” These myths are inscribed within Mexican American women and Cisneros combats these archetypes by retelling them. The reinscription of these myths by Sandra Cisneros gives up hope that there is more than just the fate of the mourning mother, the colonized victim, and the virgin.

Throughout the first few chapters of the essay, Leslie Marmon Silko structures the reading in a manner that allows the audience to stay truly engaged and curious of her conflictions. She uses personal experience, cultural behavior and rich pueblo history to contribute to the reflection of her culture's internal values and pure integrity. She emphasizes the impact her grandmother Amooh, as well as other countless relatives and friends, have had on her willingness to accept her disparate appearance; while also portraying what it is to be a true and humble member of her society.

In “A Thrice Told Tale,” Margery Wolf gives insight on how feminist feel about ethnographies. Wolf tells the story of Mrs. Tan, a Taiwanese villager through a fictional lens, first hand research observations, and a primary article. In 1960 Mrs. Tan was viewed as insane due to her irregular (or do you mean unconventional?) behavior. The author demonstrates these different types of analysis which accurately depict (or capture) Mrs. Tan’s experiences in Taiwan.

Exploring the themes of identity and immigration, this essay will focus on one short story and two case studies. Caterina Edwards’ Island of the Nightingales, follows Teresa Pomoronzola, a second-generation Italian immigrant living in Edmonton, who is sent to her mother’s homeland, the island of Lussino, in order to think clearly and gain perspective. Primarily, Teresa faces the internal conflict of choosing between her two lovers, yet she is also conflicted about her identity. Through the juxtaposition of divergent lifestyles and cultural values, Edwards’ Island of the Nightingales, suggests that a second-generation immigrant’s return to their family’s homeland is the ideal method for reconciling a conflicted identity and effectively understanding one’s background.

Aunty Uju, who is burdened with task of getting a job and raising a son alone, feels the need to change her personality, mentality, and appearance for a smoother immigrant experience; but Adichie highlights the abandonment of identity resulting from