The Forerunner Patriarchy

During the 19th century men considered themselves to be the superior sex. Without a valid reason or explanation, men were the providers, the politicians, and the physicians. Men had the power. The power to make the rules and set the guidelines of how things were supposed to be done and women were expected to follow without question. The 19th century was also the start of the women’s activist movement, more and more women were starting to realize that they had a voice and they wanted to be heard. Women were gaining the courage to speak up against the wishes of men and set their own guidelines. To stand up and tell men that contrary to what they believe, they are not always right. Among these opinionated women was Charlotte Perkins Gilman, the niece of Harriet Beecher Stowe and the author of many short stories and books on gender inequality. Gilman is most known for her Short story “The Yellow Wallpaper” published in 1892, where she writes about a wife and now a new mother suffering from depression. Through her work she reveals the strength and influence men had over women, the lack of knowledge pertaining to mental health and gender roles present during the 1800s.

“The Yellow Wallpaper”, written by Charlotte Perkins Gilman, is a first-person narration of madness experienced by an unnamed woman in the Victorian era. The madness is exposed through a “nervous condition” diagnosed by the writer’s husband, a physician, who believes the only cure is prohibiting all intellectual thought and to remain in solitude for a “rest-cure”. The act of confinement propels the narrator into an internal spiral of defiance against patriarchal discourse. Through characterization and symbolism, “The Yellow Wallpaper” exhibits an inventive parallel between the narrator’s mental deterioration and her internal struggle to break free from female oppression imposed on her through her husband and society.

Squealer uses propaganda in several ways. He persuades other animals to accept that the pigs will keep all the apples and milk. Squealer then tells them that he hopes they don't think the pigs are doing this to be selfish, saying that if that is what they think then they are wrong. Then he gives the animals another reason to accept the milk and apples by telling them the pigs don't even like milk and apples, and neither does squealer himself. His reasoning for eating them was to stay healthy for the purpose of others.

“The Yellow Wallpaper” written by Charlotte Gilman is a chilling portrayal of a woman’s downward spiral towards madness after undergoing treatment for postpartum depression in the 1800’s. The narrator, whose name remains nameless, represents the hundreds of middle to upper- class women who were diagnosed with “hysteria” and prescribed a “rest” treatment. Although Gilman’s story was a heroic attempt to “save people from being driven crazy” (Gilman p 1) by this type of “cure” it was much more. “The Yellow Wallpaper” opened the eyes of many to the apparent oppression of women in the 1800’s and “possibly the only way they could (unconsciously) resist or protest their traditional ‘feminine’

In Charlotte Perkins Gilman’s short story “The Yellow Wallpaper,” she discusses some of the issues found in 19th century society such as women’s oppression and the treatment of mental illness. Many authors throughout history have written stories that mimic their own lives and we see this in the story. We see Gilman in the story portrayed as Jane, a mentally unstable housewife who cannot escape her husband’s oppression or her own mind. Gilman reveals a life of depression and women’s oppression through her short story “The Yellow Wallpaper.”

In The Yellow Wallpaper, Charlotte Perkins Gilman discusses the oppression men have towards women through the story of a nameless narrator during the 19th century. In the story, the unknown narrator, a woman, is telling her struggle for freedom and her fight to escape from the subordination in her marriage with a physician. In the story, the narrator suffers an illness that prevents her from doing things she likes such as writing. Throughout her illness, the narrator slowly becomes aware of her situation and then starts to fight to change her living condition with her husband. Through the use of two major symbols established throughout the text, Gilman brings awareness of women’s struggle to end their oppression by men and their fight to change the way society is dominated by men. In addition, the symbols used by Gilman underline the way women suffrage awareness slowly began to spread during the 19th century.

All throughout history there has been a stigma around mental illness and feminism. “The Yellow Wallpaper” was written by Charlotte Perkins Gilman in the 1900’s. “The Yellow Wallpaper” has many hidden truths within the story. The story was an embellished version her own struggle with what was most likely post-partum depression. As the story progresses, one can see that she is not receiving proper treatment for her depression and thus it is getting worse. Gilman uses the wallpaper and what she sees in it to symbolize her desire to escape her depression and the controlling nature of the patriarchal society of the twentieth century. The story shows an inside look into the thoughts and feelings of a person with a mental illness such as depression. Gilman also uses symbolism to showcase how the male figures in her life had control over her well-being more than she did. Both her husband and doctor hindered her from healing by not listening to her when she expressed what she felt would help her. She does not clearly say that she feels overwhelmed by the patriarchal society of the 1900’s; however, one can infer this by her wording and actions throughout the course of the story. Charlotte Perkins Gilman uses “The Yellow Wallpaper” to reveal the truths of a woman’s everyday struggles in a patriarchal society and also the deeper struggles of a woman with depression.

In Charlotte Perkins “The Yellow Wallpaper,” which was published in 1892, the author explores the gender ideologies of the time period and how women were seen as inferior, resulting in unfair treatment in cases even involving their personal health. The main character, who is a woman named Jane, is led to insanity due to the unsuitable treatment received for her depression, but the insanity she goes into symbolizes a revelation. As she progresses into this insanity, the author ties in the discovery the main character makes of the hidden figure in the wallpaper to a woman making the discovery of how the oppressions and limitations women face must be challenged and changed in order to escape the lifestyle which keeps them imprisoned to the

Today women in developed countries enjoy many freedoms from social stigmas and oppressions in the work force, although, they are still not completely equal to their male counterpart. There are still women being paid less than men doing the same job and there is the idea that prices for female products are raised slightly higher than it is for men for the same products; however, this does not compare to the kind of oppression women went through in the 1890s. Charlotte Perkins Gilman embodied the oppression of females in the 1890s in her short story, “The Yellow Wallpaper,” which depicts a mother and wife going through postpartum depression while struggling with her male physicians and husband over her treatment plan. Critic Frances Baskerville sums Gilman’s intention for her story stating, “Her [Gilman’s] fiction was intended as a vehicle for her feminist and socialist themes, a means of persuading a general audience” (Baskerville line 2). Although one of the issues of “The Yellow Wallpaper” is dealing with postpartum depression, one of the main themes of the short story is female oppression and what everyday life was like for women in her time.

Charlotte Perkins Gilman’s, “The Yellow Wallpaper”, published in 1899, is a semi-autobiographical short story depicting a young woman’s struggle with depression that is virtually untreated and her subsequent descent into madness. Although the story is centered on the protagonist’s obsessive description of the yellow wallpaper and her neurosis, the story serves a higher purpose as a testament to the feminist struggle and their efforts to break out of their domestic prison. With reference to the works of Janice Haney-Peritz’s, “Monumental Feminism and Literature’s

In a classic piece of feminist writing, “The Yellow Wallpaper,” Charlotte Perkins Gilman depicts the mental deterioration of a woman diagnosed with hysteria and prescribed the rest cure, an infamously ineffective treatment for anxiety and depression pioneered by Dr. Silas Weir Mitchell at the turn of the nineteenth century. The story is framed as the narrator’s journal entries, which are infrequent and rushed because writing them violates the rest cure, thus making her writings a better representative of her descent into madness as well as her potent emotions regarding her confinement than had she written one for every day of her three month stay in the room with the repellant and titular yellow wallpaper. Gilman expresses the narrator’s societally mandated respect for her husband in addition to her resentment of the inferior treatment of women through her formal and impassioned tone and virulent imagery in reference to the setting in her 1892 short story, “The Yellow Wallpaper.”

Ever since the dawn of humanity, women have always been viewed as inferior and dependent on men for survival. Even as recently as the late nineteenth century, women had less freedom than women in modern-day society, and they were expected to live with and depend on their husband or father. Taking place in the late nineteenth century, “The Yellow Wallpaper” written by Charlotte Perkins Gilman reveals the treatment of women in a patriarchal society, and exposes the perception of mental illness within that period.

It is no secret how a woman's body is highly vulnerable during pregnancy. There are a lot of things she cannot do when she is with child. A pregnant woman cannot consume raw unpasteurized cheeses and meats, certain types of fish, junk food and fast food, and extra vitamins. They are asked to limit their exposure to paint fumes and to strenuous activities. Doctors however are adamant that pregnant women stay away from drinking alcohol.

The writing of George Orwell (The Animal Farm) reflects numerous events that occurred during Stalin’s rule. The novel is an allegory for the Russian revolution where the characters reflect different leaders, Mr. Jones and the humans represent the capitalists of the West and the ‘pigs’ represent the leaders of the Russian Revolution (Aven, 2013). The novel portrays the Russian Revolution of 1917 as a revolution that resulted in a government more oppressed and totalitarian than the one it overthrew (Aven, 2013). The Characters and events in the novel parallel the events of the Russian Revolution. The mass sell-off of Russian states assets follow the collapse of the Soviet Union due to income inequality (Aven, 2013). The creation of a new class of men known as the Russian oligarchs whose wealth and power could not save or doom politicians (Aven, 2013). The novel reveals that even the good can fall prey to ambition, selfishness and hypocrisy, as well the abuse of power that any society with leaders that have absolute power is ultimately doomed to failure due to the inevitability of leaders manipulating power for their own personal benefit (Aven, 2013). Creating a fear of man into the people so that they would become even more determined to work hard, Orwell attacks Stalin for betraying the revolution to suit his own needs.

Charlotte Perkins Gilman once said, ‘’There is no female mind. The brain is not an organ of sex. Might as well speak of a female liver’’. Gilman’s belief that there’s no difference in means of mentality between men or women demonstrated through ‘’The Yellow Wallpaper’’. Gilman symbolically portrays that women suffer from psychological disorders caused by lack of love, care, and a constant pressure of secondary roles and personal unimportance in social life. The Yellow Wallpaper is a short story about a woman who has a mental illness but cannot heal due to her husband’s lack of belief. The story appears to take place during a time frame where women were oppressed. The short story can be analyzed in depth by both the psycho-analytic theory and