Most comedians suffer from depression, and they use their battles as jokes that hide their true emotions behind laughter. The movie The Graduate directed by Mike Nichols, is intended to be a comedy. It portrays a young man named Benjamin who is returning from college and received a highly prestigious award. Not only did he win an award, but he graduated before he turned 21. The average age of a college graduate is 22, therefore, Ben graduated 2 years early with a special recognition, and he does not acknowledge it. Ben does not boast or show glimmer of pride. Instead, he spends his summer having an affair with Mrs. Robinson. His awkwardness may be the source of the humor, but if you look slightly below the surface you will find a sadder truth. The use of music and darkness throughout the film portrays Ben’s inner depression and social anxiety. In the beginning, Benjamin is walking through the …show more content…
Ben is seduced by Mrs. Robinson, and they begin sleeping together. The first time they meet at the hotel, Ben is jumpy and nervous. There is a party going on, and people are meandering about. Ben seems to be on edge. When Mrs. Robinson gets there, it takes coaxing to get him to order the room. Then in order for him to actually go through with the act, we see him slam the bathroom door leaving them in the dark. It appears that Ben is more comfortable surrounded by darkness. Following that, the song proceeds to play again as Ben is pictured laying in the pool on a dark colored pool floaty fantasizing about his nights with Mrs. Robinson. He does not look carried away or blissful, but instead he looks uncaring and detached. His detachedness is a common side effect of depression, and when the scene eventually fades to just Ben’s face, he is surrounded in darkness. The darkness surrounding him symbolizes how his depression is always looming, even in moments when he has no reason to be
Ben and Ellie take refuge in an abandoned apartment block. When Ben has second thoughts about realising the zoo animals into the wild, Ellie reassures him that it was necessary for a new beginning. As they both make plans to leave the city and head for the bush, Raja makes a final appearance. Ben is convinced that Raja is going to kill him, but instead he pats him affectionately on the
As Benjamin transition out of adolescent, he constantly struggles with the decision regarding his future and to find the best way of becoming a man. Ironically, it is his relationship with Mrs. Robinson that helps Benjamin transformation
We see the same act of unconfident behavior again when Benjamin is reserving a hotel room for the two of them. Undoubtedly paranoid, Ben manufactures an extravagant lie to hide his personal misconduct after the bell hop, referring to business matters, asks if “[he] is here for an affair.” However, after many awkward instances and Mrs. Robinson’s continued gratuitous behavior, Ben foolishly leaps into the affair. After countless secret meets Ben begins to realize that the relationship is cold and emotionally empty, counter the initial promising thoughts of being with an older woman. This due to Mrs. Robinson’s abilities to belittle Ben and get what she wants, regardless his opinions. Yet because the fling had no positive affect to his self confidence, when Ben try’s to obtain more from the affair he finds himself in awkward and uncomfortable conversations that Mrs. Robinson has no interest in discussing with him. In one case Ben catch’s himself in a discussion about the imperfect fabricated marriage she has with her husband, and how she only married him because she became pregnant with their only daughter, Elaine.
He initially had no interest at all in nature, but after some adjustments he changed his mind and gained a “relationship” with nature and, he even learned some survival skills along the way. In the beginning of the text, Ben preferred to be indoors making videos, or being a detective or even just watching television rather than being outside like his younger sister Olive. This meant that unlike his sister Ben did not develop any survival skills. This became a problem, when the Silver family were suddenly on the run from the cops and found themselves in a life or death situation. The novel mentions that, ‘wilderness was his enemy”. This was one way of showing that Ben did not like to be outside in nature. Eventually, Ben changes views and he now appreciates and enjoys being outdoors in nature. He even finds peace within the wilderness. The novels says Ben had “missed this placed”. This shows that he has changed tremendously. He has gone from Ben, the being indoors lover, to Ben the Nature loving boy. This was a significant change for the
Soon ben learn all the tricks for sneaking out of the ghetto. So he can find food for his family . Later he use his blond hair and blue eye to blend in into the polish population .With the help of ben’s aunt she help him without any suspicion .Then later on ben learn that all of eastern europe thousands of people also
At the beginning of the arrival, Ben and his family stayed at their house. One night, there are gunshots and screams heard coming from their neighbors house; Ben’s mother demands them to blow out the candles which lit the rooms and his father told Ben that “If anything happens to me, take care of your mother and baby sister,” (Page 117). After that, the door crashes open and Ben’s father shoots the male intruder to no avail—his father is then shot in the face and Ben
Begins with a comforting scene of Ben with his parents. The dreamy filter the scene is given makes it seem like a dream and/or a flashback. Initially, Ben was excited to have a sister and pleased as he says to his Mum, "I can't wait for the baby to come then we're gonna be best friends, aren't we?" However this is quickly changed when Ben drifts in and out of sleep, his first view being of his Mum singing to him and the third one of his Mother’s hair turning white and the desperation he
Ben’s Purpose in the Drama (Consider how his appearances give meaning to the drama as a foil* to Willy.)
When the audience first encounters Ben (Miller 44), he represents the success that Willy is striving for. Before the audience learns of the success that Ben encountered in Africa, they see him on the stage accompanied by an idyllic musical motif
Ben had to deal with a kinds of shame, he had his family ashamed of him and he was ashamed of himself. His whole family was disgraced the way he look and
The author uses flashback on page 109 when he writes “Bubby, why did leave me? You ran away. Bubby, why did you run?” This establishes how even though Ben is laying on his death bed, he can still remember what happened and what he didn’t do for his sister. The guilt is trapped inside of him and it brings us back to the memory lane and we wonder what had happened to cause it. And we know there’s a whole
Now in the literary story Benjamin has a grandfather who at the start was antagonized, became to enjoy his grandson’s company. It is a brief account of his grandfather but a meaningful one as this was the first one who gave him a sense of acceptance. The film version gave him acceptance through Queenie and we never get to know a grandfather; though one could say the patrons at the old folk’s home could have been grandparent surrogates for Benjamin. The patrons at the old folks home taught him many things but his experience living there taught him not to fear death and what loss was about which, in a sense, desensitized the character so that when Queenie passes he is not visibly upset.
Like all couples, Andie and Ben struggle with dialectical tensions in their relationship. First, they have trouble with the connection-autonomy dialectic. They are spending every day together trying to build (or destroy) their relationship (connection), but in Andie's efforts to drive Ben away she begins to make him uncomfortable with the amount of control she has in his life. She redecorates his apartment, makes him wear a shirt that matches hers and their dog's, crashes his night with his friends, and even blows his nose for him, interfering with Ben's autonomy. Another dialectic that Ben and Andie struggle with is that of openness-closedness. They both begin to have feelings for the other and want to share some things about themselves but neither is willing to disclose their original motive for the relationship. Also, Ben understandably does not mention to Andie that he was in diapers until he was five, and he gets angry when his mom divulges that information. Every relationship has such tensions, and they cannot be eliminated, only managed.
Gradually, Ben overall becomes sensitive to the environment. The sadness has overwhelmed him and left him a primitive form. He becomes impaired in the way that he relies on a caretaker and is unable to recapture the memories of himself after he’s gone. Once Ben becomes missing, people don’t search for him but instead call to ask where he has been. After about a week everyone in his life ceases to call or look. Annie is the only one to evoke the memories of Ben, the disabled man who became primitive
To begin one may note the almost ridiculous piety with which the film views the institution of marriage. Mrs. Robinson is made into a villain due to her decision to have sex outside of her marriage, and the film presents her and Ben's relationship as a one-sided seduction, even though they do not actually act on their desires until Ben initiates a second meeting. That the older, sexually-active woman is made into a villain is simply one element of the film's otherwise mundane