The Great Gatsby Essay In F. Scott Fitzgerald’s The Great Gatsby, Nick – the narrator – is an incredibly observant and perceptive young man who is quick to notice the subtext hidden under people and their relationships. Nick uses the imagery of windows frequently in his descriptions of significant people and decisive events to express his observations of the unspoken truths these people and events hold. Because Nick is interested in having deep insight and observation into the lives other people lead, he often uses the imagery of windows in his narrative, allowing him to demonstrate his ability to see through people’s inner lives, particularly Tom and Daisy Buchanan’s. Nick demonstrates a profound interest in observing other humans and their lives, and uses the imagery of windows to demonstrate his ability to do so. First and foremost, he “[imagines] that in a few minutes [he] was going to enter [people’s] lives, and no one would ever know or disapprove” (56), demonstrating a desire to understand people at a non-superficial level. Furthermore, Nick describes how he was going to “become again that most limited of specialists, the ‘well-rounded man.’ This isn’t just an epigram – life is much more successfully looked at from a single window, after all” (4). This is the first instance in which Nick uses the imagery of looking through windows to refer to observation of human nature. He further develops this analogy on page 35; he says: “yet high over the city our line of yellow
In the novel The Great Gatsby, Fitzgerald uses tone, diction, syntax and imagery to voice Nick's perception of the world around him. In this passage his use of language is used repetitively to convey Jordan Baker, Daisy and Tom Buchanan's lives. On the outside it may look like they all are living a perfect and ideal life, however Fitzgerald's illuminating use of language highlights how far from perfect their lives truly are.
“The past is never where you think you left it” (Katherine Anne Porter). People intentionally not willing to leave their past due to the prehistoric memories because the good memory they had. Relevant to Porter’s evince in the novel of The Great Gatsby by F. Scott Fitzgerald, Jay Gatsby a guy who cannot leave his past, constantly wanting to change everything back to the past with his former lover Daisy but never succeeds due to people’ desire of meliorate their lives. During this process the novel also reveals that there’s no distinction of careless between people in the 1920’s and the corruption of American Dream. Fitzgerald uses color symbolism to reveal the unfaithful condition of living and the loss of purity also the descended moral
“The orgastic future that year by year recedes before us” is the unattainable goal of those living in Tom and Daisy’s world—a world where lives are wasted chasing the unreachable (Fitzgerald 180). In his 1925 novel The Great Gatsby, author F. Scott Fitzgerald suggests that making any progress whatsoever toward this aspiration often requires people to establish facades that enable them to progress socially, but that a crippled facade will backfire and cause detriment to its creator. In the passage where Nick realizes who Gatsby is on page 48, Nick observes two different versions of Gatsby—one that is reassuring and truthful and another who “pick[s] his words with care” (Fitzgerald 48). Nick is at first attracted to Gatsby’s constructed
A soft breeze lifts off the Sound and brushes Nick Carraway’s face as he emerges from the shadows into the moonlight. His eyes first gaze across the bay to the house of Tom and Daisy where Nick sees past the walls to people who “...smashed up things and creatures and then retreated back to their money or their vast carelessness or whatever it was that kept them together...” (Fitzgerald: 187- 188). Nick’s head then turns to his side where he views Gatsby’ s mansion. His heart swells for the man who was unable to let go of the past, and move toward his future. With the two houses juxtaposed in his mind’s eye, Nick ponders his experiences in the East, and enters the car to take him home with a new
On the surface, The Great Gatsby is a story of failed love between Jay Gatsby and Daisy Buchanan. The main theme of the novel, however, is comprised of a much larger, less romantic scope. Fitzgerald portrays the roaring twenties as a time of corroded social and moral values. This is shown by the empty pursuit of pleasure, gluttony, and pure shallowness of the rich. Some of these materialistic views of the societal decay of today can be seen by the rich and famous in everyday life.
If, even for a short span of time, the front side of Gatsby's mansion is lit up and “looks like the World’s Fair" at two o’clock in the morning, the reader might then understand how the house becomes filled with an incomprehensible amount of dust and why the white steps are tainted by "an obscene word, scrawled by some boy with a piece of brick" (Fitzgerald 67). The combination of dream and reality is both good and bad. As Nick discovers, there is a "gray-turning, gold-turning light" in the mansion, and the challenge for him is to prevent himself from mistaking the lovely appearance for the true state of things (Fitzgerald 23).
In F. Scott Fitzgerald’s The Great Gatsby, Nick – the narrator – is an incredibly observant and perceptive young man who is quick to notice the subtext hidden under people and their relationships. Nick uses the imagery of windows frequently in his descriptions of significant people and decisive events to express his observations of the unspoken truths these people and events hold. Because Nick is interested in having deep insight and observation into the lives other people lead, he often uses the imagery of windows in his narrative, allowing him to demonstrate his ability to see through people’s inner lives, particularly Tom and Daisy Buchanan’s. Nick demonstrates a profound interest in observing other humans and their lives, and uses the
(A major theme in The Great Gatsby is the pursuit of what you make of the American dream.)
In his novel The Great Gatsby, F. Scott Fitzgerald describes the moral decay of the Lost Generation in the aftermath of World War I. He does this through the interactions of Nick Carraway and his associates, Jay Gatsby, Jordan Baker, and Tom and Daisy Buchanan, describing through Nick the attempts of Gatsby to try and rediscover his relationship with Daisy. Gatsby ultimately fails to do so and ends up dying thinking he could still pursue a lost dream. Fitzgerald uses Gatsby as an example of the Lost Generation ideals failing in the novel. To help show the “lostness” of the Lost Generation, which include moral bankruptcy (lack of morals) and indecisiveness on what to do with their lives, Fitzgerald employs many motifs throughout the novel,
Time is a meaningful concept in Fitzgerald’s, The Great Gatsby. In which dreams and memories are very important. Believing in dreams, even when the time for that dream on earth to exist has long since passed. F. Scott Fitzgerald’s writings closely mirror his own life for often explore the human struggle between hope and disillusionment. The Great Gatsby is filled with many characters who live hopeless, lonely lives, even though they have all the money one could want. Fitzgerald shows how this dream is full of materialism, how materialism influencing the lives of people makes it hard for them so see the reality objectively. Fitzgerald exposes his own personal character traits to the reader by unconsciously inserting himself into the story, manifesting himself in the Daisy/Gatsby romance, the extravagant lifestyle the protagonists practice, and the flaws that he writes into his characters.
Jay Gatsby is one of the most crucial characters in the book of The Great Gatsby and throughout the book he isn’t happy at all because he lacks the ability to deeply look at other options other than just his love and dream, Daisy. He invariably fails to look at other ways to be happy because in his eyes, his only option that he observes is the option to get Daisy Buchanan back as soon as possible, but he has one problem; Tom Buchanan who isn’t willing to let go of Daisy. Gatsby 's only way to happiness is having Daisy back so that he could recreate the past. Gatsby had the opportunity to attend Oxford and get a heavy education with a great promising future ahead, instead his wish to get back home and reunite with Daisy again. He never saw
Most Americans work hard to be better than others, achieve perfection, and hide their imperfections. Americans will do anything to hide their imperfections. This idea is present in F. Scott Fitzgerald’s novel, The Great Gatsby and in Tennessee William’s play, A Streetcar Named Desire. In The Great Gatsby, Daisy Buchanan, Jordan Baker and Jay Gatsby appear to be living the wealthy and perfect American lifestyle compared to Nick Carraway, a man who was born and raised in the midwest and is renting a small house in West Egg, Long Island. However, Nick realizes that these innocent looking people use white to cover up their corruption and moral dishonesty. This is similar to when Blanche shows up at her sister’s doorstep wearing all white in A
Later in the novel, while Nick reflects on what he has seen of Gatsby’s life, he gives into his cynical side. Nick begins to have insightful views into Gatsby's extraordinary life, but slowly he begins to extracts negativity he feels about the 1920’s optimistic fictitious exterior. During Nick’s last night in the city, he returns the Gatsby mansion one last time. America and the American Dream have dramatically altered in Nick’s mind, now that he has seen the epitome of his best friend’s dreams and hopes crash and burn. Nick’s newfound emotions embody the vertigo of ups and downs that represent Gatsby’s life and allude to Fitzgerald’s message of the unattainable quest for the American Dream.
Throughout the course of The Great Gatsby Nick seems to have changed for becoming a better person for his experiences on the East Coast.
After World War I, America offered the potential for boundless financial and social opportunities for those willing to work hard—an American Dream. The American Dream is defined as someone starting low on the economic or social level, and working hard towards prosperity and or wealth and fame. Establishing fame, becoming wealthy, having lavish luxuries, and a happy family would come to symbolize this dream. For some, however, striving for and realizing that dream ruined them, as many acquired wealth only to pursue pleasure. Even though the characters in F. Scott Fitzgerald’s, The Great Gatsby appear to relish the freedom of the 1920s, their lives demonstrate the emptiness that results when wealth and pleasure become ends in themselves. Specifically, the empty lives of three characters from this novel— George Wilson, Jay Gatsby, and Daisy Buchanan—show that chasing hollow dreams results only in misery.