Drum portrays the Gwich’in ontology through indigenous theories of substantive kinship, cosmology, and structuring legal order. The Gwich’in ancestors have relied of the Porcupine Caribou herd for their “nutritional, cultural, and spiritual needs” (Drum, 3); a relationship that lasts to this day. Drum illustrates the dependent relationship between the Gwich’in and the Caribou to strengthen the kinship between humans and non-humans. In 2004, the Gwich’in Steering Committee stated, “In our creation story, the Gwich’in came from the caribou when there was a separation of humans from animals” (Drum, 14). The origin of the Gwich’in is centralized around the caribou also strengthening the spirituality between human and non-human entities. This statement
"Children of the Forest" is a narrative written by Kevin Duffy. This book is a written testament of an anthropologist's everyday dealings with an African tribe by the name of the Mbuti Pygmies. My purpose in this paper is to inform the reader of Kevin Duffy's findings while in the Ituri rainforest. Kevin Duffy is one of the first and only scientists to have ever been in close contact with the Mbuti. If an Mbuti tribesman does not want to be found, they simply won't be. The forest in which the Mbuti reside in are simply too dense and dangerous for humans not familiar with the area to enter.
As anthropologist Bruce Knauft described, the Gebusi clan had words that described many different aspects, examples included oil the Gebusi word for tomorrow and yesterday and owa for grandparents and grandchildren, but the most defining one was kogwayay, a catchfall marker to describe all of their cultural distinction. Because of kogwayay’s branching terminology, kogwayay is also the Gebusi’s word for ethnicity, the identification with a cultural group because of shared values customs and beliefs, while inversely excluded from different groups. One aspect that contributes to the Gebusi’s sense of kogwayay is religion. Through Knauft’s book we see their religious ways introduced and watch them change and adapt with the dynamics of cultural change over time.
The, “Sorrow of the Lonely and the Burning of the Dancers”, is a ethnography written by anthropologist Edward Schieffelin, derived from his fieldwork with the Kaluli people of Papua New Guinea. The main focus of the book of the book is how many of the fundamental notions that are implicit in Kaluli culture are found in the Gisaro ceremony, which Schieffelin uses as, “a lens through which to view some of the fundamental issues of Kaluli life and society” (p1).
The religion detailed and examined throughout Don Talayesva’s “Sun Chief” can be difficult to understand and near impossible to appreciate. At first glance to the casual reader it can appear shallow and ridiculous; a religion created around the wants and needs of the Hopi but not based on any empirical or even supposed sacred evidence. When coupled with The Sacred Canopy however, the reader begins to understand the simplistic beauty of their religion providing necessary guidance and support to the Hopi tribe. The reader also is able to relate to Don’s religion in terms of the love one has for his or her own dogma and the importance it plays in an individual’s life.
Aboriginal spirituality has it that the spirits of unborn children (jilmas) are present in the land, usually in sacred waterholes. By dreaming, the child 's father brings its spirit into the mother 's body. Children are not born from the physical joining of the parents, but from the spiritual joining of both the parents and the land. From this, we can see that Aboriginals attribute their very existence to the land.
On earth, people are self-centered and do not care for each other. In contrast, On Malacandra, various species live and work together (Gibbons 88). There three intelligent species in Malacandra and their differences of knowledge is their strength. The pfifltriggi excavate and makes things out of their excavation, the Seroni are the master of knowledge and the hrossa were poets (Lewis, 68). Even with these different talents, there is no group that wants to dominate the other. They know that they have differences but have accepted them since “they can talk to each other, they can cooperate, and they have the same ethics” (Lewis 156).
Unfortunately, time-honored Hmong traditions are challenged by American culture. For example, there is conflict between Hmong Christians and Hmong Animists. Animists sacrifice animals to worship spirits; they believe “that all living things have spirits” (Brittan, 1997). Hmong Christians worship God and condemn animal sacrifice. As a result, Christianity altered traditional Hmong rituals and ceremonies. For instance, Christianity eliminated the payment of a bride price
Commonly referred to as Bushmen by the general public and thought of as being harsh wild people that live in the “unlivable” Kalahari Desert. The Ju /’hoansi tribe native to the southern African desert, located along the border of Namibia and Botswana, have been misunderstood and stereotyped for a long time. This is until a man by the name of Richard B. Lee came along and wrote an ethnography about the local systems of the Ju and completely changed how an outsider might view this rural tribe, along with being a fine example of proper long-term field research in social anthropology. This highly regarded book on the Ju /’hoansi is titled “The Dobe Ju /’hoansi.” Although Lee states in the
Chapter one, “Fieldwork among the Maisin”, describes how anthropologist John Barker, author of Ancestral Lines, goes to Uiaku New Guinea to study the Maisin people. His specific goals were to study how a people can maintain a cultural identify in a modernizing world and how they can live without destroying their environment. Barker first arrived in New Guinea in 1982 where he examined “how the Maisin make a living, organize social interactions, conceptualize the spiritual world, and meet the opportunities and tragedies of life” (Barker 2016:2). He studied the tapa cloth, a fabric made from bark, that the Maisin use as a connection to their ancestral past and to help define their culture. Barker discovered that the Maisin have faith in traditional methods and do what they can to preserve that lifestyle. Barker‘s work went
The belief of the Sioux is reflected on their literature because they believe in animals having the power to be messengers and also give signs they also believed humans and nature were one this is everywhere in their works. The Huron tribe’s literature illustrate that their beliefs much like that of the Sioux, animals have a great significance and it is used very much in their
What does it mean to be human? What does it mean to be animal? The curious thing about the The Island
Western and Indigenous knowledge systems differ in values, habits of mind and practices; however, there has been productive cross-cultural collaboration that integrates global vision with social and cultural dimensions. Productive collaboration addresses past contradictions in the coevolution of society, science and environment. Ten Canoes is a cross-culturally collaborative film that was meant to portray the Yolngu community in its true representation in an attempt to bridge the black and white Australian cultural divide by sharing its traditions and values with a non-Indigenous audience. Important spiritual and cultural information is shared throughout the passage of the film that frames and contextualizes the cosmology of the Yolngu people (Clothier & Dudek, 2009: p. 85). Dutch-born director Rolf De Heer and Yolngu director Peter Djigirr consolidate to show modern audiences the “community’s cultural continuance and to connect between individuals and the community both past and present” (Clothier & Dudek, 2009: p. 86). Additionally, Ten Canoes is only spoken in the Yolngu’s Indigenous language. For Yolngu audiences, “the use of their own languages in Ten Canoes highlights the vibrancy of a continuing linguistic heritage” (Clothier & Dudek, 2009: p. 87). Simultaneously, audiences that cannot understand the language of the Yolngu people read subtitles that create a critical intimacy to engage in “passion and reason while seeking understanding” (Clothier & Dudek, 2009: p.
“Ancestral lines” by John Barker is a book about the anthropologist’s experience in the Uiaku village located in Papua New Guinea. In the first chapter, Barker tells his readers briefly about him and his education, his and his wife’s experience with the Maisin community, and talks in great detail about the Maisin and their culture in the Uiaku village.
Since the first native began to colonize North America, aboriginal first nations have tried to explore their relationship with spirit animals. These cultures have felt those animals spirits are important as they help them connect with both their history and their sense of community. In my myself. In fact, I have come to realize that there are several animals that reflect my attitude and personality. These animals are the Horse, Canadian Goose, and a Bear.
Evidence suggests human presense in parts of Norway, Sweden, Finland, and even Russia over 9,000 years ago (Joessefson, 142). However, it would not be until thousands of years later that a highly unique and successful tribe would form, known as the Sami. While many Sami have assimilated into modern European culture, central traits still exists within this indigiouns group native to the Sapmi region. Some Sami still practice modes of subsistence, systems of marriage, kinship, social organization, and religion common to their ancestors. However, today, the Sami are faced with social issues distinct from those of their predesesors, such as pressures to conform to modern society, economic struggles, and in some cases, loss of community. It is important to evaluate both the past and present defining characteristics of the Sami peoples to fully understand their culture.