The Horrifying Shower Scene in Alfred Hitchcock's Film, Psycho

In this essay I have chosen to analyse two key scenes, each from two of Hitchcock’s most critically acclaimed films, ‘The Birds’ (1963) and ‘Psycho’ (1960). Both of these scenes from both films display the female protagonists at their most vulnerable, facing the threat and fear of death.

The term “mise en scene” carries the original meaning of “putting into scene” and was a term that signifies the director’s control of visuals and events in the frame. There are several aspects in mise en scene. Aspect such as setting, lighting, costume and behavior of figures were controlled to allow the director to stage the event and create the overall effect within the frame.

Exploring How Alfred Hitchcock Manipulates The Audience In Psycho Alfred Joseph Hitchcock is thought to be, by most, the greatest film director of all time. He was born in Leytonstone, London on13 August 1899. He directed many great films such as The Lodger, The Birds, Sabotage, Notorious, Rear Window, and of course one of his greatest achievements ever, Psycho in 1960. He directed the first British sound film - Blackmail.

The violence in Alfred Hitchcock’s film exposes underlying issues with gender. In addition to abuse of domestic violence and sexual assault, violence is posed as a measure to treat or deescalate hysteria. There is a tendency in Hitchcock pictures for people to use slapping and subdued in order to contain hysterical women. However, hysteria does not represent a legitimate disease inflicted upon these women, but an excuse to knock down women who do not conform to authority.

Psycho is a 1960 American film directed by Alfred Hitchock. The screenplay of the movie written by Joseph Stefano was inspired by the novel of the same name by Robert Bloch on the year 1959. This film is categorized into the horror-thriller genre of film. The starring was Anthony Perkins as Norman Bates, Janet Leigh as Marion Crane, Vera Miles as Lila Crane and John Gravin as San Loomis.

Since it’s infancy at the beginning of the eighteenth century, horror has followed certain conventions that results in an awakening of the senses, evoking intense emotions of fear and terror in the audience. Horror feeds off triggering the primal fears embedded within all of humankind, creating a sense of menace that is the very substance of this genre. Furthermore, the central menace of a piece tends to enlighten the human mind to the world of the paranormal and the enigmatic, dark side of the unknown. The movie “Psycho” directed by Alfred Hitchcock is a perfect example. Infamous for its shower scene, but immortal for its contribution to the horror genre, “Psycho” was filmed with great tact, grace and art in regards to horror conventions.

Shocking audiences of the 1960’s, Alfred Hitchcock’s ‘Psycho’ is one of the most influential films in motion picture history, often being referenced to as the the origin of thriller films. Hitchcock successfully incorporates cinematography, music, and multiple techniques, rendering the perfect amount of tension and suspense right until the climax of the film. Thus, evoking the thrill after which the genre is named.

Hitchcock’s Psycho is a great representative of horror and thriller genres. The director masterfully creates an atmosphere of suspense and creates tension. Hitchcock blends characteristics of a thriller with horror, making the audience terrified. The director creates situations that can happen to anybody of the viewers, and thus, makes such scenes even more scaring and disturbing. For instance, the scene of the murder in a shower impresses the audience to a

The music for psycho is critical to the film as a whole. Each time a character is killed, when the murderer emerges from their hiding place, the high-pitched music strings up the jumpy rhythm, before the rest of the instruments join in. The music sets the tone for almost all the scenes. The shower scene, in which Marion is fatally stabbed, would be nowhere near as effective without its music. Music is also the key to the film due to its ability to build up expectations within the audience and create large amounts of tension and suspense.

Although audiences didn’t appreciate the film at first, over time its details of technical mastery came to be appreciated. In 1958 people were confused by the genre defiance. Not being able to put the film into one category or really describe it all did not settle well. After Hitchcock’s death in 1980 a new appreciation for Vertigo began to grow (Duggan). The story, cinematography and soundtrack got the praise it

One of the philosophies that Hitchcock tackles is that of Sigmund Freud. Freud is known for psychoanalysis and his interpretation of dreams. Specifically, Freud’s theories can be seen

The influence of psychoanalysis became persuasive in the twentieth century. This film, “The Cabinet of Dr Caligari” shows us the influence of this psychological theory by doubting how scary human may become under the shadow of insanity or unconsciousness (in this case insanity). We can clearly see that through the entire film the use of all visual elements like paintings, lights, shadows, twisted building to persuade us, the audience, into the world of insanity to bring psychoanalysis theme which he wants us to

This paper looks at the movie; A Dangerous Method directed by David Cronenberge is based on true life events that happened on the eve of the World War 1. This movie brings out the theories, techniques, and the central characters in the early history of psychoanalysis. It brings out the effectiveness of psychoanalysis method and shows the risks and dangers encountered when entering the unconscious mind. This movie takes a look at these through the life of Carl Jung who was one of the founding fathers of psychoanalysis. It also takes a glimpse into the turbulent relationship between a doctor, his mentor, and his patient. The paper will begin by giving a short

Before the Psycho by Alfred Hitchcock made its way into theaters across the world, film was produced in a completely different way. Some of the elements that were in Psycho were things that nobody saw in movies before. According to Entertainment Weekly’s Owen Gleiberman, when the movie came out, it took place in “an atmosphere of dark and stifling ‘50s conformity” and that the elements of the film “tore through the repressive ‘50s blandness just a potently as Elvis had.” (Hudson). Alfred Hitchcock changed the way that cinema was made by breaking away from the old, “safe” way of creating a movie and decided to throw all of the unwritten rules of film making out the window. The main ways he accomplished this task was by adding graphic violence, sexuality, and different ways to view the film differently than any other movie before its time.

Alfred Hitchcock is widely considered one of the most essential directors of all time and has undeniably revolutionized the cinematic art form and horror genre movement. A key ingredient to his productions is the psychoanalysis of the movie’s villains and the deceivery at comes with deep psychosis. These elements are what have taken Hitchcock from a good director to a legend. Hitchcock layers his movies in ways in which every time one watches his films they can pick up on a new detail that deepens the meaning and effects of the storyline. This is exactly what he does in his 1960 film, Psycho. By layering Freudian psychoanalysis, creating a twist ending and suspense, and giving the villain of the story, Norman Bates, a deeply rich background story, Hitchcock creates phenomenon in the audience arguably scarier, then Norman’s murders. Through this use the psychoanalysis and backstory, the audience also feels sympathy for Norman. This duality is what makes Hitchcock a wonderful artist and Psycho, a piece of art.