In The House of Mirth by Edith Wharton, Lily Bart is a woman with a gambling problem who further anticipates to marry a man of vast fortune by going to parties. In The Great Gatsby by Scott F. Fitzgerald, Jay Gatsby is a wealthy man who gained his wealth through criminal activity and throws parties. In between the both of these novels and the worlds of the two characters, the common themes of wealth and marriage are shared. Lily and Jay have similar characteristics: Jay uses his wealth to impress
tragic but tell readers the fate of the characters. Realist novels have plausible events, with cause and effect in their stories — what the characters desire and the consequences they receive because of that. Realism in the novel, The House of Mirth by Edith Wharton, was clearly shown through Lily Bart's character with its ironic ending that had both her fall and rise as a character. She was known for her beauty in the novel; she made various mistakes in the process of entering the high social status
From Gender Roles to Gender Goals Edith Wharton’s novel, House of Mirth, written in 1905 centers around Lily Bart, a single woman in her late twenties, who is constantly struggling to maintain her status in high society. Lily navigates herself through the upper class with a “double consciousness”. This double consciousness enables her to recognize “...that [she] is at the same time inside and outside the ideology of gender; and conscious of being so, conscious of that twofold pull, of that division
varied based upon the social class in which a woman was born. Edith Wharton in The House of Mirth, explores the lives of women who aspired to be part of New York City’s highest social class. Specifically, the author follows the life of Lily Bart and her quest for acceptance and financial security in high society. Lily Bart intrigues me as I cannot decide if I am more repelled by her, or more sympathetic to her. I expect that Edith Wharton has made Lily not wholly unlikeable on purpose. In doing so
In The House of Mirth, a book often described as a book of manners, Edith Wharton describes the plight of Lily Bart, an unmarried woman at the end of the Victorian era. It can be appreciated how Wharton, a member of the time period’s elite circles herself, wrote the novel using her own experiences and ideas regarding the elite’s activities, giving The House of Mirth an unparalleled sense of authenticity. Throughout the novel, it becomes clear that Lily’s troubles can be sourced back to a combination
When I first started reading chapters 8-15 of the House of Mirth by Edith Wharton, I thought about the effects of money on a person’s identity in the late Victorian Era in New York. The novel, The House of Mirth depicts a woman named Lily Bard trying to make a name for herself in New York’s high society. While for many during the later part of the 1800s, times were rough and money was tight, those who were wealthy separated themselves into a higher social class. To become a highly-esteemed member
Visualize being at a lovely dinner in New York City during the early 20th century and scrutinizing some of the most affluent people the city has to offer. Edith Wharton was able to witness all of the arrogance in New York during this time and put those observations into her novel, The House of Mirth. Edith Wharton was born on January 24th, 1862 into a prosperous New York family. She lived in an expensive area of New York and was primarily educated by governesses and personal tutors (Olin 72). Her
Edith Wharton Literary History The birth of the Realism and Modernism era appeared during the late eighteenth century to early nineteenth century. Both Realism and Modernism are evident in many of Edith Wharton’s literary works. Realism came from chaotic times where it “encompasses the period of time from the Civil War”(Realism from American). The United States grew enormously after the civil war with “the rapid growth in industrialism and urbanization, an expanding population base due to immigration
Naturalism in The House of Mirth Challenging the strict deterministic confines of literary naturalism, which hold that "the human being is merely one phenomenon in a universe of material phenomena" (Gerard 418), Edith Wharton creates in The House of Mirth a novel which irrefutably presents the human creature as being subject to a naturalistic fate but which conveys a looming sense of hope that one may triumph over environment and circumstance if one possesses a certain strength
Woman as Commodity in Edith Wharton’s The House of Mirth At the turn of the 20th century, the social and economic climate of urban America saw a boom in industry and productivity. Within this microcosm of economic prosperity, social elites participated in a constant exchange of opportunities, ideas, and social exploitations. In Edith Wharton’s The House of Mirth, the atmosphere of high society deeply emulates the atmosphere of the market itself. Wharton utilizes economic terminology and vocabulary