The House On Mango Street Analysis

During many instances in The House on Mango Street people are treated according to their wealth. People often look down upon Esperanza and her peers with no reason except that they live differently because they have less money. During one part of the story Esperanza talks about strangers by saying:

In the collection of vignettes, The House on Mango Street, Sandra Cisneros develops the theme that people should not be devalued because of their financial circumstances through metaphors of classism, the motif of shame, and the contrast between minor characters Alicia and Esperanza’s mother. Esperanza, the protagonist, is a Mexican-American adolescent living in the rural Chicago region. She occupies a house on Mango Street with her father, mother, two brothers, Carlos and Kiki, and little sister, Nenny. Mango Street is filled with low-income families, like Esperanza’s, trying to adapt to their difficult circumstances. Esperanza realizes it is difficult, but she dreams of leaving her house and Mango Street altogether.

Esperanza, a strong- willed girl who dreams big despite her surroundings and restrictions, is the main character in The House on Mango Street by Sandra Cisneros. Esperanza represents the females of her poor and impoverished neighborhood who wish to change and better themselves. She desires both sexuality and autonomy of marriage, hoping to break the typical life cycle of woman in her family and neighborhood. Throughout the novel, she goes through many different changes in search of identity and maturity, seeking self-reliance and interdependence, through insecure ideas such as owning her own house, instead of seeking comfort and in one’s self. Esperanza matures as she begins to see the difference. She evolves from an insecure girl to a

In conclusion, we know that Esperanza’s negativity of herself begins to slowly change as she slowly experience what accepting means and how she began to accept where she was from . Throughout this book, Cisnero showed us accepting is an important part of growing in life as well as determining the true you. In the beginning she hated her life always wanted to escape out of Mango Street versus the end she says she is going to come back. From the beginning to the end, Esperanza finally accepted where she was from and how Mango Street has developed who she became

For example as stated on page 4, “ Our house would be white with trees around it, a great big yard and grass growing without a fence. This was the house Papa talked about when he held a lottery ticket and this was the house Mama dreamed up in the stories she told us before we went to bed. But the house on Mango street is not the way they told at all.”.When the reality of her parents expectations didn’t go the way hoped it created the initial reason for Esperanza’s dream about leaving Mango Street . If their house wasn’t that much of a downgrade to what they have wanted ,Esperanza may not have felt the need to dream about a whole new house of her own. As her character continues to grow, her reason of wanting her own house becomes much more meaningful . Essentially, Esperanza's house will not only show her taste in real estate, but her true self . In other words , her house will act as a safe haven , the place she can escape to express herself and show her true nature. Illustrated on page 87 ,” One day I’ll own my own house, but I won’t forget who I am or where I came from. Passing bums will ask,Can I come in? I’ll offer them the attic, ask them to stay, because I

However, some may argue that Esperanza's friends are more of an important aspect of Esperanza's identity. This may be because Esperanza spends time with her friends in which they create experiences together that may develop who she grew up to be. In spite of that, Esperanza's family is who she spends the majority of her time with. She wouldn't have learned how to be a role model for others if it weren’t for her family. In addition without her family

Esperanza explains it as, “The boys and girls live in separate worlds. The boys in their universe and we in ours” (Cisneros 8). Throughout the book, there is a constant conflict of being a female and keeping one’s freedom. Many of the men on Mango Street beat their wives and/or daughters and confine them to the home. Sally and Esperanza’s great-grandmothers are two examples of the mistreatment of women by men. Out of fear that Sally will run away, like his sisters did, Sally’s father abuses her as a means of control. In the chapter “What Sally Said”, Esperanza says,”But Sally doesn’t tell about the time he hit her with his hands just like a dog, she said, like if I was an animal” (Cisneros 92). Sally later ends up in an equally abusive and controlling marriage, which leaves her just like every other woman; by a window. Then there is Esperanza’s great-grandmother who was forced to marry and spend the rest of her life leaning out a window in sadness, dreaming of all the things she could have been in life. It is because of these things that Esperanza wants to escape; abusive relationshionships, confinement, helplessness, and fear. She refuses to comply with the expectations that society has set for her as a woman. For Esperanza, defying this gender role and remaining an independent woman is an act of dissent, and almost

In addition, the financial state of Esperanza and her family contribute to a factor that has shaped her identity. Esperanza is not pleased with her wealth and wishes for more. In the first chapter, she describes her home starting with a good, optimistic tone but as she explained more, her tone felt ashamed: “Out back is a small garage for the car we don't own yet and a small yard that looks smaller between the two buildings on either side. [.....] and the house has only one washroom. Everybody has to share a bedroom-Mama and Papa, Carlos and Kiki, me and Nenny” (4). This shows that the family does not have enough money to live a sustainable and comfortable life. Later in the book, it mentions how there is a desire for “white people” homes and towns with large homes and space. Although, Esperanza does not admit that she is poor, she surely hints to it multiple times throughout the novella.

     In The House on Mango Street, we see how the youth struggled with the discrimination being pushed on them by Whites. Esperanza describes how they lived in such a poverty-stricken area of the city, and did not interact with the Whites. She talks about how the Whites saw Mexicans as bad people who committed crimes. Esperanza shows how personal identity for Mexicans was made

The House on Mango Street emphasises the importance of being oneself in order to grow and reach one’s full potential. The novel contains many advocates of remaining loyal to one’s morals. Esperanza, a poverty-stricken girl growing up in a barrio,

Growing up as a young Chicano girl affected Esperanza's experiences throughout her life. A large emphasis was placed on her ethnicity by the author to build a large part of her identity. Even though Esperanza did not want to be associated with it at first, but her own identity is connected to the identity of the community.The barrio shares similar experiences and memories with Esperanza. In “Those Who Don’t,” The young girl notices the preconceived fears whites have of Hispanics and vice Versa. Esperanza knows she will one day leave Mango Street, but will return to help others. “You will

The House on Mango Street is a collection of vignettes written by Sandra Cisneros that is about a young Mexican-American girl named Esperanza, and the struggles of her life as she transitions from childhood into adulthood. Esperanza wants to find her true identity, but the conflicts and struggles that she faces throughout the story. Her town is a part of her adventure to find her self identity. She picks herself up, learning and figuring herself out throughout the novel. The author uses symbolism throughout the vignettes to convey the deeper meaning of conflicts developed in the novel, to show the difficulties of growing into adulthood.

In a series of vignettes, The House on Mango Street, by Sandra Cisneros, covers a year in the life of Esperanza, who is about twelve years old. During the year, she moves into a house on Mango Street. It is the first home her parents actually own, however she has had a plethora apartments in her life. However, the house is not what Esperanza has dreamed of, for the reason that it is run-down and cramped. For the duration of the vignettes, the readers watch Esperanza struggle but overall mature. In the rest of the vignettes, the readers receive a glimpse of the lives of the women on Mango Street. When reading the readers get to learn and understand these women. They are extremely important because they act as character foils to help the readers better understand Esperanza. During the novel, the women on Mango Street are confined and go through many struggles. The reader also learns about Esperanza's identity.

Esperanza was ashamed of the house she lived in, the clothes she wore, her appearance and even her name. Esperanza’s confidence was already extremely low. For instance, she was talking to a nun at her school about being able to eat lunch at school because she lived to far away to walk home and eat. The nun glared out the window and pointed at a rundown house and asked if Esperanza lived there. Even though she did not live there, Esperanza replied, “Yes.” After the nun made this rude remark, Esperanza cried because she was disappointed that the nun thought it was her house. She let the nun get the best of her. It is crucial to keep a positive attitude and try your hardest to make the best of your situation, as it will enable you to live a happier life and be more successful in what you do. Although at times Esperanza was humiliated and embarrassed, such as when Tito and Sally started to laugh at her when she tried to stop them from kissing Sally, she didn’t let these situations keep her down. Esperanza was sad that one of her good friends would do such a thing to her, when she was only trying to protect her, but continued to persevere and made the best of the

Esperanza being perceived as “other” is illustrated very early in the story, along with her desire to change that perception. A conversation between