Rotten acts have been committed since the creation of the world. However, in Williams Shakespeare’s Hamlet, indecent feats are committed frequently. These acts are committed both knowing and unknowingly and range from the plays beginning right to the final scene. Consequently, the play is centered around the idea that “something is rotten in the state of Denmark”, this enhances the rotten acts that various characters commit. These acts can be seen through the themes of revenge, misogyny, and betrayal.
Revenge is a rotten act that is constantly demonstrated by various characters. At the beginning of the play, Hamlet starts the cycle of violence by listening to the ghost’s words of “Revenge his foul and most unnatural murder.” (I, v, li 31) The act of Claudius murdering the king fuels Hamlet’s quest to avenge his father. This is the crux allowing all that is rotten in the state of Denmark to commence. Laertes tells Claudius “To this point I stand / That both the worlds I give to negligence. / Let come what comes, only I’ll be revenged/Most thoroughly for my father.” (IV, v, li 151-154) Hamlets impulsive murder of Polonius spurs Laertes desire for revenge. This desire is only deepened when he learns that his sister Ophelia has also died. This recklessness of Hamlet is also shown as he murders those who have crossed him. He tells Horatio about Rosencrantz and Guildenstern by saying, “He should those bearers put to sudden death, / Not shriving time allowed.” (V, ii, li 51-52).
When Hamlet hears a noise behind a curtain, and stabs at it wildly, assuming it is the man who killed his father, he finds out it is his friend Polonius, the father of Ophelia. After Ophelia learns of her father’s death, she loses touch with reality, and drowns. Once Hamlet decided to take action, he had no control over the actions of his revenge, which consequently led to his girlfriend’s death. Also, Laertes, the son of Polonius, after learning of his father’s murder by Hamlet, concocts a plot of his murder. He poisons a rapier to kill Hamlet, but Hamlet unknowingly uses that same poison against him. Laertes´ desire for revenge against Hamlet led to his own death from his own actions. After being poisoned in his duel with Hamlet, he says “I am justly killed with mine own treachery” (5.2.338). The characters who pursued these acts of vengeance expected satisfaction, but the opposite occurred. Thus, Hamlet, undermines the belief that revenge gives satisfaction and relief to the pursuer, especially because of Shakespeare’s acknowledgement of the drastic consequences. Finally, the play offers the idea that for both parties, revenge can be forgiven, which is more satisfactory than any other
Revenge is a recurring theme in Hamlet. Although Hamlet wants to avenge his father’s death, he is afraid of what would result from this. In the play Hamlet, Hamlet’s unwillingness to revenge appears throughout the text; Shakespeare exhibits this through Hamlet’s realization that revenge is not the right option, Hamlet‘s realization that revenge is the same as the crime which was already committed, and his understanding that to revenge is to become a “beast” and to not revenge is as well (Kastan 1).
In modern society humans stand up and fight for what they think is right and fair. Human beings have the desire to avenge what they think is wrong. The theme of revenge has a major effect in the play Hamlet and is a constant throughout the play, it underlies almost every scene. In the play Hamlet, William Shakespeare examines the theme of revenge through the erratic thoughts and actions of the characters Hamlet, Laertes, and Fortinbras. The main revenge plots in the play is Hamlet’s aim to avenge his father, Hamlet Sr, Laertes’ aim to avenge the murder of his father, Polonius, and Fortinbras’ aim to avenge the death of his father, Fortinbras. Having lost their fathers, Hamlet, Laertes and Fortinbras take vengeance on the people that killed them. These plots play a major role in the play presenting the theme of revenge to the audience.
Throughout time, people have served justice for the wrongs of others, often through revenge. Because of this, some people see justice as taking an eye for an eye, and a tooth for a tooth. Shakespeare’s play The Tragedy of Hamlet, Prince of Denmark is no exception. The primary form of justice throughout the play is through revenge. There are three characters who demand and successfully achieve the justice by taking revenge on the wrongdoer. Hamlet seeks justice for his father’s murder, Laertes for the death of his father and sister, and Fortinbras for both the death of his father and the loss of his land.
The lust of revenge can only be satisfied by the person carrying out the revenge and the revenge must be on an individual level. Hamlet has a desire to seek revenge on Claudius for the “most natural murder” of his father (1.5.31). When Hamlet found out about his fathers murder, he wanted to take action into his own hands. Claudius murdered King Hamlet for the royal crown and for a position as King of Denmark. Laertes wishes to take “revenge most thoroughly for
In his play Hamlet, William Shakespeare frequently utilizes the word “revenge” and images associated with this word in order to illustrate the idea that the pursuit of revenge has caused the downfall of many people. He builds up the idea that revenge causes people to act recklessly through anger rather than reason. In Hamlet, Fortinbras, Laertes and Hamlet all seek to avenge the deaths of their fathers. Hamlet and Laertes manage to avenge their father’s deaths and in doing so, both rely more on their emotions rather than their reasoning, which eventually leads to their downfalls at the end of Hamlet.
William Shakespeare’s Hamlet has been widely regarded as one of the greatest tragedies ever written. One prominent theme exemplified in this particular play is the theme of rottenness or decay. Shakespeare uniquely uses disease, rotting, and decay in order to reveal the manifestation and consequence of moral corruption. Physical corruption mirrors the moral corruption within the characters in the play. The moral corruption in Denmark is showcased for the readers throughout the play by images of physical corruption and disease. Shakespeare argues in Hamlet that sin or moral corruption is like a disease that leads one to one’s own “death” or demise. Nobody is immune from it.
In Hamlet, Shakespeare uses revenge as a major theme present throughout the work. Revenge plays a crucial role in the development of Fortinbras, Prince of Norway, Hamlet, Prince of Denmark, and Laertes, son of Polonius. All three men seek revenge for the murder of their fathers. Revenge can be interpreted as a separate character in Hamlet. Revenge is set to overcome anyone who seeks it. Initially, after each of the murders, every son had a definite course of action to obtain vengeance. Or in Hamlet's case the choice was to seek no vengeance. As the play unfolds, each young man approaches the desire for revenge and chooses a different path towards gaining it based on the guidance of another character in
In this case, Hamlet is obsessed with yet unable to act out his revenge since he is a man of thought and reflection, not of action and impulsiveness. "Revenge, said Francis Bacon in his essay on the subject, is a kind of wild justice, and something in Hamlet is too civilized for stealthy murder," says Northrop Frye (Frye). While he knows it is his duty to avenge his father's murder, Hamlet's desire to fulfill this obligation constantly wavers. In self-pity he cries, "O cursed spite / That ever I was born to set it right!" (1.5. 188-189), and yet in rage he utters, "Now could I drink hot blood / and do such bitter business as the day / Would quake to loot on," (3.2. 397-399). Hamlet hesitates numerous times to fulfill his duty to avenge his father, and in the end he must actually convince himself to kill Claudius. "... I do not know / Why yet I live to say 'This thing's to do', / Sith I have cause, and will, and strength, and means / To do't... / ... / O, from this time forth, / My thoughts be bloody, or be nothing worth!" (4.4. 43-46, 65-66). This unusual flaw leads to Hamlet's inevitable demise, and is the most convincing evidence that Hamlet is, indeed, a tragedy. The protagonist, however, is not the only character in the play that experiences a want for revenge. Shakespeare uses all three of the sons seeking vengeance to reveal the complexity of the human yearning for
Revenge as a theme is cleverly built upon throughout Hamlet; with it being the driving force behind three of the key characters in the play. Revenge is a frighteningly vicious emotion, which causes people to act blindly and without reason. In Poe’s, “The Cask of Amontillado”, Montresor enacts revenge for reasons unknown. Hamlet in contrast, has all the motive in the world to complete his task; yet he constantly hesitates. The text reveals that the need for revenge creates a stranglehold on the genuine emotions, thoughts, and actions of three characters: Hamlet, Prince of Denmark, Laertes; son of Polonius, and Fortinbras; Prince of Norway. This hold makes the characters act beyond their standard ethical positions and makes them helpless to
There is an old saying, "The sins of the fathers are visited upon the sons." When the sons in question are Hamlet, Laertes, and Fortinbras - pivotal characters in Shakespeare's Hamlet - one might wonder how each man's father affects their particular natures - their particular sins. While Hamlet could be considered a story in the vein of Cain and Abel; a jealous man who slays his brother, an allusion which Claudius himself makes during his "prayer" at the climax of the play - "O! my offense is rank, it smells to heaven,/It hath the primal eldest curse upon 't;/A brother's murder! . . ." (III, iii, 36-39) - the greatest sum of miseries in the play are caused by the paths taken by Hamlet, Laertes, and Fortinbras
Revenge. Revenge causes one to act blindly through anger, rather than through reason. It is based on the principle of an eye for an eye, but this principle is not always an intelligent theory to live by. Young Fortinbras, Laertes, and Hamlet were all looking to avenge the deaths of their fathers. They all acted on emotion, and this led to the downfall of two, and the rise to power of one. Since the Heads of the three major families were each murdered, the eldest sons of these families swore vengeance, and two of the three sons died while exacting their acts of vengeance. Revenge is a major theme in the Tragedy of Hamlet.
Revenge is one’s desire to retaliate and get even. Human instincts turn to revenge when loved ones are hurt. But, these misdeeds of taking upon revenge may lead to serious consequences. In William Shakespeare’s tragedy “Hamlet,” Fortinbras, Hamlet, and Laertes’s each show how their desire for revenge unavoidably leads to tragedy. The loss of their loved ones caused these characters in Hamlet to take action. Young Fortinbras has built an army to get back the lands his father lost to King Hamlet and Denmark. His actions can be compared to the measures Hamlet is willing to take upon Claudius. Hamlet wants to kill his uncle, Claudius, for killing his father to gain royalty status. Laertes has the same anger as Hamlet killed Polonius,
Shakespeare's Hamlet is filled with murder, revenge, and betrayal. The way the characters go about their revengeful murder says a lot about them. Claudius is a manipulating coward: he poisoned his own brother in his sleep in order to obtain the throne. Hamlet is completely indecisive: he spends majority of the play debating whether not to kill Claudius, when he would do it, and how he would do it. As soon as Laertes hears of his father’s death, he leaves Paris and marches an angry mob into the castle to demand blood. The methods in which the protagonist, antagonist, and foil murder others reflects back on their true in our character.
Central to the plot and the themes developed in Shakespeare's Hamlet, are the varying elements of corruption which occur during the play. This is echoed in Marcellus' famous comment of 'Something is rotten in the state of Denmark,' when Hamlet is beckoned away by the Ghost (1.4.90). As the play continues and the story enfolds, it becomes apparent that there truly is 'something rotten in the state of Denmark,' and rather that it is not just one 'something,' but many things.