The Importance of Fear in Hamlet
Fear plays an important role in Shakespeare's tragic play, Hamlet. Within the play, the main character, Hamlet, attempts to overcome his fear and fulfill his father's revenge. Hamlet's apprehension toward death prevents him from carrying out the murder of Claudius. Although confrontation with death is avoided for as long as possible, Hamlet comes to recognize his weakness, and faces this anxiety.
Displaying an 'antic disposition', Hamlet first attempts to side step his trepidation by feigning madness. After meeting with his fathers proposed ghost, Hamlet attempts to distance himself from the thought or evidence of death. Hamlet notifies his friends, Marcellus and Horatio, of his plan
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Hamlet exhibits his insecurity toward death when he lingers on the phrase ' no traveler returns' from death. He is afraid of leaving his earthly life, showing his indecision towards what lies in the afterlife. This indecision carries over into his actions when trying to go through with Claudius' murder. Hesitant to kill Claudius, Hamlets settles on making sure the ghost was correct in his accusation. By employing the players to dramatize the murder of King Hamlet Sr., Hamlet hides behind the façade of the play in order to accuse Claudius. By using the players as his medium for accusation, Hamlet again shows how timid he is to approach the subject of death and confront it face to face. It is seen by Claudius that Hamlet's 'madness' is a direct threat to his security, and Hamlet is shipped off to England. While traveling to his execution, Hamlet again slips out of deaths way before having to directly challenge it. Prior to Hamlet's 'kidnapping', he changes the letter to have it be his escorts execution. This is only appropriate, since Hamlet never is present to see their reaction to facing death, or is there is witness the ending of their lives. Again, Hamlet is able to allude death, by escaping the ship set sail for his execution.
Returning home, Hamlet contemplates the finality of death, and resolves to confront this head on, breaking his guise of insanity. Walking back toward the Kingdom, through a grave yard with Horatio,
Hamlet is considered to be Shakespeare's most famous play. The play is about Prince Hamlet and his struggles with the new marriage of his mother, Gertrude, and his uncle and now stepfather, King Claudius about only two months after his father’s death. Hamlet has an encounter with his father, Old King Hamlet, in ghost form. His father accuses Claudius of killing him and tells Hamlet to avenge his death. Hamlet is infuriated by this news and then begins his thoughts on what to do to get revenge. Hamlet and Claudius are contrasting characters. They do share similarities, however, their profound differences are what divides them.Hamlet was portrayed as troubled, inactive, and impulsive at times. Hamlet is troubled by many things, but the main source of his problems come from the the death of his father. “Oh, that this too, too sullied flesh would melt, thaw, and resolve itself into a dew, or that the everlasting had not fixed his canon 'gainst self-slaughter” (Act 1, Scene 2). In this scene, Hamlet is contemplating suicide, which is caused by the death of his father and the new marriage of Gertrude and King Claudius. This scene shows the extent of how troubled Hamlet is. Even though Hamlet’s father asked him to avenge his death, Hamlet is very slow to act on this throughout the play. “Now might I do it pat. Now he is a-praying. And now I’ll do ’t. And so he goes to heaven. And so am I revenged.—That would be scanned. A villain kills my father, and, for that, I, his sole son, do this same villain send to heaven” (Act 3, Scene 3). This scene shows King Claudius praying, while Hamlet is behind him drawing his sword but decides not to kill
Fear of the unknown arises in the very beginning scene of the play with the appearance of the ghost of Hamlet's father.
Hamlet realizes that he is dying and that he now has the excuse to kill Claudius
Hamlet always wants more information before he takes revenge. Hints of his true motivation first appear when the ghost appears and Hamlet says, “Haste me to know ’t, that I, with wings as swift/ As meditation or the thoughts of love,/ May sweep to my revenge.” (I.v.29-31). Hearing of the murder, his first reaction is to gather more information about the identity of the murderer. After his meeting with the ghost, he starts to question the authenticity of the ghosts information. Thus begins his quest to confirm the truth by acting as if he is insane. His activity leads to the invitation of an acting troupe to improve. Hamlet takes advantage of their presence, convincing them to reenact a play similar to his father’s murder. During the play, Hamlet notes how the King and Queen
In Hamlet, William Shakespeare presents the main character Hamlet as a man who is fixated on death. Shakespeare uses this obsession to explore both Hamlet's desire for revenge and his need for assurance. In the process, Shakespeare directs Hamlet to reflect on basic principles such as justice and truth by offering many examples of Hamlet's compulsive behavior; as thoughts of death are never far from his mind. It is apparent that Hamlet is haunted by his father's death. When Hamlet encounters the ghost of his father, their conversation raises all kinds of unthinkable questions, for example murder by a brother, unfaithful mother, that triggers Hamlet's obsession. He feels compelled to determine the reliability
Now that the pressure has been lifted, Hamlet has the opportunity to ponder death, something that has demanded his attention since his father's demise. In the famous soliloquy Hamlet attempts to discard the appearance of death to dissect the survival instinct of human beings. Why, when death appears to be the desired escape from "a sea of troubles," do human beings refuse to succumb? (III.1 ln 59) Hamlet quickly grasps the inherent fear of the unknown present in the human psyche. This display of insightquickly disappears once Hamlet again faces emotional pressure. He somewhat maintains his ability to separate reality and appearance, but his intense passions stunt his efforts to remain on a direct course to his goals.
Fear and doubt is what caused Hamet to procrastinate the murder until the end of the play. Murder is a very heavy subject; it is more than just a casual crime. Hamlet learns what the burden of committing a serious crime like murder feels like. Multiple times throughout the play it seems as though Hamlet is motivated to go through with the murder, but it is just the heat of the moment. When Hamlets steps back and takes a minute to think about it, the fear and doubts kick in. After hamlet talks to his father's ghost and after the play within the play are two moments where Hamlet seemed amped up and ready to get his revenge. Hamlet proves to be an intelligent person who thinks before he acts, until the very last scene, when he agreed to fence
In addition, Hamlets madness causes him to want to kill the king, Claudius, and clouds his thoughts. When Hamlets, fathers ghost comes to visit him, it tells Hamlet to get revenge on its death and to kill Claudius. While the ghost disappears Hamlet recounts what he has just done and states, “So, Uncle, there you are. Now to my word:/It is ‘Adieu, adieu, remember me!’ / I have sworn’t” (I.v.110-112). Hamlet is not even certain that the ghost is his father at first, yet he still aims to kill the king. His anger over his father’s death leads Hamlet to not think clearly, causing him to act out which in the end, leads to his death.
Hamlet is an intensely cerebral character marked by a desire to think things through and pick situations apart. As such, for the first three and a half scenes of Hamlet, Hamlet broods over his father’s death instead of taking action against Claudius, his father’s murderer. Hamlet finally acts because he experiences three intense emotional jolts that allow him to view his situation from a new perspective and spur him to action. Together, these emotional experiences alter his personal philosophy about the nature of death and God’s relationship with creation, and compel him to finally take decisive action.
Likewise, this journal discusses the mystery of death as depicted in the play Hamlet. In the repercussion of his dad 's death, Hamlet gets obsessed with the notion of demise. All through the play, he considers demise from awesome various perspectives. He supposes both the profound result of death, represented in the phantom and the substantial stays of the dead, like the decaying corpses in the cemetery. And since death in the play is the cause as well as the consequence of vengeance, then it is intimately tied to the subject of vengeance and justice.
Throughout the play, Hamlet undergoes a painful split between head and heart, caused by numerous family problems. When the prince returns home to pay his final respects to his dear and beloved father, he discovers a most terrible fate. He learns that his noble father whom he had loved so, is not only deceased, but his own uncle is to blame. Hamlet's mother, whom he also loves dearly, is now sharing an "adulterous bed" with the very murderer of her once beloved husband. Initially, Hamlet is driven to a state of ruin by
Hamlet is an interesting character who is mourning the recent death of his father, as well as the recent marriage of his mother to his uncle. So, in his grieving mind, when Hamlet hears news that some guards have seen the ghost of his father, he curiously investigates with them. To his dismay, the news is true, and Hamlet confronts his fathers ghost, who claims he was murdered by his own brother and asks Hamlet to avenge his murder. After calming down, Hamlet reasonably thinks that the ghost could be an evil spirit, so he sets up a test to prevent himself from blindly killing an innocent man. He sets up a play that mimics the murder of a powerful monarch in a way similar to the details of his father's death. Upon viewing the play, the king stands up and yells to stop the play and leaves quickly. Hamlet accomplishes his goal of finding out the truth without raising flags about him knowing the truth. Unfortunately Claudius suspects him after some questionable events and Claudius orders a try on his life. Claudius sends Hamlet to England with orders in a letter for the King to execute him stating “The present death of Hamlet. Do it England; For like the hectic in my blood he rages, And thou must cure me.” (4,3,69-71). When discovered by Hamlet in a passionate rage he replaces the letters with ones demanding his school friends, Rosencrantz and Guildenstern, to be executed in his place. Condemning men oblivious to their transgressions to death, a casualty of innocence that
Hamlet's view of death morphs through the course of the play as he is faced with various problems and troubles that force him to deal with life differently. This holds particular significance for a modern audience who, unlike the predominately Christian audiences of Shakespeare's time, contains an assortment of perspectives on the subject. For the majority of the play, Hamlet yearns for death, but there are different tones to his yearning as he confronts death in different circumstances; from his encounter with his father's ghost to the discovery of his beloved Ophelia dead in the ground, Hamlet feels an irrepressible urge to end his life. There are obstacles that get in his way, both internal and external, and Shakespeare's play is an
As the play goes on, Hamlet encounters his father's ghost. Upon discovering that his father's death wasn't natural, he says with much feeling that "Haste me to know't, that I with wings as swift/ As meditation, or the thoughts of love,/ May sweep to my revenge" (1.5.29-31). The ghost tells him that he was murdered by Claudius. His motives were his love for Gertrude, without her knowledge or consent. Hamlet is furious and seething with rage with the news of his father's murder. Knowing the truth makes Hamlet's subconscious realize that killing Claudius would be similar to killing himself. This is so because Hamlet recognizes that Claudius' actions of murdering his brother and marrying Hamlet's mother, mimicked Hamlet's inner unconscious desires. Hamlet's unconscious fantasies have always been closely related to Claudius' conduct. All of Hamlet's once hidden feelings seem to surface in spite of all of the "repressing forces," when he cries out, "Oh my prophetic soul!/ My uncle!" (1.5.40-41). From here, Hamlet's consciousness must deal with the frightful truth (Jones).
Throughout the course of the play, Hamlet is also obsessed with the mystery of death. In the beginning of the play, he states that he is unsure where one ends up after they die. Later into the play, he makes a reference to the afterlife contradicting his first approach. When he attempts to kill