The Joy Luck Club Research Paper

The Joy Luck Club is the first novel by Amy Tan, published in 1989. The Joy Luck Club is about a group of Chinese women that share family stories while they play Mahjong. When the founder of the club, Suyuan Woo, died, her daughter June replaced her place in the meetings. In her first meeting, she finds out that her lost twin sisters were alive in China. Before the death of Suyuan, the other members of the club located the address of June’s half-sisters. After that, they send June to tell her half-sisters about her mother’s life. In our lives there are events, and situations that mark our existence and somehow determine our life. In this novel, it shows how four mothers and their daughters were impacted by their tradition and beliefs. In the traditional Asian family, parents define the law and the children are expected to follow their requests and demands; respect for one’s parents and elders is critically important. Traditions are very important because they allow us to remember the beliefs that marked a whole culture.

Many women find that their mothers have the greatest influence on their lives and the way their strengths and weaknesses come together. In Amy Tan’s The Joy Luck Club, the lives of four Chinese mothers and their Chinese-American daughters are followed through vignettes about their upbringings and interactions. One of the mothers, An-Mei Hsu, grows up away from her mother who has become the 4th wife of a rich man; An-Mei is forced to live with her grandmother once her mother is banned from the house, but eventually reunites and goes to live in the man’s house with her mother. Her daughter, Rose, has married an American man, Ted, but their marriage begins to end as he files for divorce; Rose becomes depressed and unsure what to do, despite

The Joy Luck Club is Amy Tan's first novel. It consists of four sections with sixteen short stories. One of the main issues of the novel is the relationship between Chinese mothers and their Chinese – American daughters. ‘‘Your mother is in your bones.’’ (Tan 1998, 30) There is a cultural chasm between them because of the difference in the way they were brought up and different influences of the environment.

Amy Tan, who wants to understand and figure out her own affiliation between her another mother, wrote The Joy Luck Club. This book explains and uses words to show the differences between the daughters and their mothers by putting in the Chinese culture and the western culture in the article. The Joy Luck Club has four different sections. And they all have common backgrounds but have different meanings behind them.

Traditions, heritage and culture are three of the most important aspects of Chinese culture. Passed down from mother to daughter, these traditions are expected to carry on for years to come. In Amy Tan’s The Joy Luck Club, daughters Waverly, Lena, Rose and June thoughts about their culture are congested by Americanization while on their quests towards self-actualization. Each daughter struggles to find balance between Chinese heritage and American values through marriage and professional careers.

 In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised. The four daughters: Waverly, Lena, Rose, and Jing-Mei are all Americans. Even though they absorb some of the traditions of Chinese culture they are raised in America and American ideals and values.  This inability to communicate and the clash

Communication between generations has always been an issue and with that, a misunderstanding of the past and culture comes along. In Amy Tan’s novel The Joy Luck Club, she shows the stories of four Chinese mothers and their American born daughters. Throughout the novel, the characters encounter both external and internal conflicts in order to contrast the different relationships held by the mothers and daughters with their past and where they came from. The mother-daughter pair of Lindo and Waverly Jong shows the gap between the generations very clearly. Everything is different, from language to name to marriage.

The book The Joy Luck Club is a novel written by Amy Tan, who is very famous in writing about mother-daughter relationships. There are four pairs of mothers and daughters whose stories are told in The Joy Luck Club. All of the mothers were born in China and came to America because of some kind of problem, but their daughters were born in the United States. Due to the fact that the daughters were born in the United States, they are extremely Americanized. Consequently, they do not value the Chinese heritage which their mothers valued dearly. As the daughters are growing up, this conflict between them increases. Suyuan Woo and her daughter, June or Jing-mei, two characters from the book, had major conflicts over the Chinese belief system of

    The complexitities of any mother-daughter relationship go much deeper then just their physical features that resemble one another.  In Amy Tan’s novel The Joy Luck Club, the stories of eight Chinese women are told.  Together this group of women forms four sets of mother and daughter pairs. The trials and triumphs, similarities and differences, of each relationship with their daughter are described, exposing the inner makings of four perfectly matched pairs.  Three generations of the Hsu family illustrate how both characteristics and

In The Joy Luck Club by Amy Tan, Jing-Mei and her mother have a very rocky relationship. Tan develops a relationship between Suyuan and Jing-Mei that is distant in the beginning due to culture differences and miscommunication, but gradually strengthens with time and understanding. Both of them have different backgrounds and have been influenced by two different cultures. Suyuan grew up in China and behaves according to the Chinese culture and her American-born daughter Jing-Mei is influenced by the American culture that surrounds her and wants to become part of it.  Their relationship is also shaped by the pressure Suyuan puts on Jing-Mei. She wants her to be a perfect

To begin with, The Joy Luck Club centers its content around the lives of eight women of Chinese heritage each with their own stories to tell; yet, all striving to satisfy their aspirations in America. A concisive cross is common between the mothers’ hopes compared to those of the American born daughters. Immigrating to America for various reasons, the four mothers all had one goal in mind, to not only construct themselves a better life, but also ensure the finest future for their daughters. For the mothers in the Joy Luck Club, the American dream was to instill Chinese history, heritage, and habit in their daughters while providing American opportunities of growth, gratification, and gallantry. Carrying heavy pasts, the four original American Joy Luck Club members arrived in The United States to start anew, “America was where

The Joy Luck Club contain stories about conflicts between Chinese immigrant mothers and their American-raised daughters. The book mainly talked About Jing-mei's trip to China to meet her half-sisters, Chwun Yu and Chwun Hwa. Jing-mei's mother, Suyuan, was forced to leave her twin babies on the roadside during her flee from the Japanese invasion of Kweilin. Suyuan intended to recover her children, but she failed to find them before her death. Finally, a after her mother's life long search her mother received a letter from the two "lost" daughters. After Suyuan's death, her mothers' three friends in the Joy Luck Club, a weekly mahjong party that Suyuan started in China and later revived in San Francisco, urge Jing-mei to travel to China and tell her sisters about their mother's life. But Jing-mei wonders whether she is capable of telling her mother's story. Lindo, Ying-ying, and

The Joy Luck Club revolves around the idea of family; specifically focusing on mother-daughter relationships. Each mother-daughter pair faces their own struggles such as overly high expectations, miscommunication, and the passing on of undesirable traits. In the first story of this novel Suyuan Woo, the mother of Jing-mei Woo, wants her daughter to become a piano prodigy. She ends up putting such high expectations on Jing-mei that she refuses to practice correctly and become good. Since her mother set such high expectations for her daughter, her daughter begins to resent her. These expectations caused Jing-mei to feel as if she was never good enough for her mother and as a result, their relationship is weakened. Different from Suyuan and Jing-mei are Lindo and Waverly. All of Waverly’s life she feels as if her mother is always against her and is constantly pointing out the negatives in everything. She blames her mother for the failure of her first marriage because she pointed out everything wrong with her husband. Waverly says,

The relationship a mother has with her daughter is one of the most significant relationships either person will possess. In Amy Tan’s The Joy Luck Club, the stories of four mothers and their respective daughters are established through vignettes, which reveal the relationships between them. Throughout the novel, the mothers and daughters are revealed to be similar, yet different. Lindo and Waverly Jong can be compared and contrasted through their upbringings, marriages, and personalities.

From the film The Joy Luck Club, Chinese girls were supposed to act obedient and respectful to their parents and elders. This included the girls having to abide by each and every Chinese tradition that their parents instilled in them. Girls were also expected to be quiet and considerate to their parents and elders. They were only supposed to speak when spoken to at all times. Acting out against anything their parents enforced upon them was completely unacceptable.