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The Key Renaissance Architecture: Pre-Renaissance Architecture

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THE RENAISSANCE ARCHITECTURE
A Mathematical Insight

Table of Content Page Number

Table of Content 1
A. Introduction 2
B. Pre-Renaissance Architecture 2
C. The Key Renaissance Architect 3
1. Filippo Brunelleschi (1377-1446) 3
2. Leon Battista Alberti (1404-1472) 3
3. Andrea Palladio (1508-1580) 4
D. The Renaissance Influence 4
E. The Golden Ratio 5
F. The Proportion Legacy 5
Bibliography 6 A. Introduction
During Renaissance, the focus of human knowledge shifted towards the pursuit of knowledge and society made great advances in science, art and philosophy. One area that captures the Renaissance perfectly is the architecture. Inspirations from …show more content…

Renaissance (1400-1500) (also known as the Quattrocento and sometimes Early Renaissance); High Renaissance (1500-1525) (or Cinquecento), and Mannerism (1520-1600). Whereas art historians might talk of an "Early Renaissance" period, in which they include developments in 14th century painting and sculpture, this is usually not the case in architectural history. The bleak economic conditions of the late 14th century did not produce buildings that are considered to be part of the Renaissance. As a result, the word "Renaissance" among architectural historians usually applies to the period 1400 to …show more content…

The mathematical legacy of Renaissance was seen to spread throughout the world. The Renaissance style spread from Italy across Europe. The forms and styles of the great buildings and structures of Renaissance, represents the pinnacle of art, philosophy, and science. The architecture of this period defines the prevailing thought of the time, including the great Renaissance artists, scholars and philosophers. Architects during the eriod elevated from craftsman to artist. As most of these architects were also skilled mathematicians and geometers, they applied these skills to their work. The idea of proportionality was very innovative for the world at that age. The architect across the globe, started adopting the same for their impact on humanism. Once Palladio had found the basic geometric pattern for the problem ‘villa,’ he adapted it as clearly and as simple as possible to the special requirements of each commission. He reconciled the task at hand with the ‘certain truth’ of mathematics which is final and unchangeable. The geometrical keynote is, subconsciously

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