The Madness Of Hamlet And Ophelia

People have mostly seen women inferior to men because women have been thought of as simple-minded and could not take care of themselves. Shakespeare’s Hamlet shows how men treated and thought of women during the 1500s. There was an order most did not interfere with; however, some did. In the 1500s, women were supposed to conform to men’s wishes. Throughout the play, Ophelia first obeyed her father and brother’s wishes, ignored the social norms later, and then went mad, which caused her to never gain her own identity.

     Hamlet, by William Shakespeare, is a complex play, filled with layers of meaning. These are often revealed through the madness of the characters and the theme of madness throughout the play. Although Hamlet and Ophelia are the only characters thought to be so afflicted, the reactions of other characters to this madness mirrors their own preoccupations.

  In Shakespeare's tragedy, Hamlet, the audience finds a docile, manipulated, scolded, victimized young lady named Ophelia. Ophelia is a foil to Hamlet. Plays have foils to help the audience better understand the more important characters in the play.  The character of Ophelia is necessary so that the audience will give Hamlet a chance to get over his madness and follow his heart.

The Tragedy of Hamlet, Prince of Denmark is one of Shakespeare’s most tragic plays. Most of the characters in this play suffered a heartbreaking death, although, all of the characters faced anger, regret, madness or distress. Madness was a reoccurring theme in this play, two characters portrayed this more than others. Ophelia and Hamlet faced similar fates, with similarities and differences along the way, all to do with their madness.

Shakespeare also exemplifies contrast of mental illness and wellness between characters in the play Hamlet. As the characters, Ophelia and Hamlet both endure the stress of a father's death their actions begin to change. This makes it easy for a reader to perceive the difference between Hamlet, Ophelia, and the other characters in the play. Hamlet is one of Shakespeare’s most complex characters, his insanity is often a subject of debate. The article “Mechanics of Madness in Hamlet, Macbeth and King Lear” states that “he is an apt example of the complexities of the human psyche which are often beyond comprehension” (Ebsco). To find out the answer to the ultimate question of whether Hamlet is insane, comparing his actions to those of other characters would be helpful. At the beginning of the play both Hamlet and Horatio are trusted when the ghost appears to the guards. However, soon after Hamlet begins to spiral into insanity. In Act Two, Scene Two Hamlet talks with Polonius and this is the first time a reader can see Hamlet start to act unstable. Hamlet begins with “You are a fish monger” (190), and after Polonius corrects he continues to act deranged, by the end of their conversation Polonius is convinced “though this be madness” (223), meaning that he believes Hamlet is mad. However, Hamlet seems to be able to control his madness, which is why people often think that he is just acting. But by the end of the play Hamlet, similar to Macbeth and Lady Macbeth, has hallucinations. He sees his father’s ghost again, but this time no one else can see it. Hamlet asks his mother, “Do you see nothing here?” (3.4, 150), and she answers with “Nothing at all” (3.4, 151). Comparing Hamlet’s actions to his Mother’s in this scene creates a sense that Hamlet’s acting mad and need for revenge has caused his to change his mental state. Ophelia, also driven mad by her father's death, plus Hamlet's twisted love for her can also be compared to Hamlet throughout the play to see that she is sane at the beginning, but just as mad as Hamlet, if not more, by the end. Ophelia at the start of the play is trying to help the King and her father to catch Hamlet, what she thought was to help him. However, after her lover, Hamlet,

During the reign of Queen Elizabeth, the stage was used as a way to break the barriers of gender norms. In his creation of Hamlet, Shakespeare uses the voice of Ophelia as a means to battle the gender norms that had been placed on Elizabethan society. A good women was seen as someone that was quiet and submissive. If a man could not control a woman’s tongue, there would be no chance that the man would be able to control her body. Though Ophelia’s character was more than capable of exhibiting reason, the control that her father, Polonius, held over her let Ophelia to the the madness that would claim her life by the end of the play. On the other side of the gender spectrum, Hamlet, a prince that should be have been more than capable of

In the play Hamlet by William Shakespeare, there were many important characters just like Hamlet who show up in more than three-fourths of the play; but there are also characters that don’t necessarily show up as much but still have a strong role. One of the characters that didn’t get as much screen time but was still important was Ophelia. Ophelia was a sister, girlfriend, and daughter that so many people loved. Therefore, Despite the lack of presence of Ophelia, she ultimately played a big role in the lives of a lot of the characters.

Throughout the Shakespearian play, Hamlet, the main character is given the overwhelming responsibility of avenging his father’s "foul and most unnatural murder" (I.iv.36). Such a burden can slowly drive a man off the deep end psychologically. Because of this, Hamlet’s disposition is extremely inconsistent and erratic throughout the play. At times he shows signs of uncontrollable insanity. Whenever he interacts with the characters he is wild, crazy, and plays a fool. At other times, he exemplifies intelligence and method in his madness. In instances when he is alone or with Horatio, he is civilized and sane. Hamlet goes through different stages of insanity throughout the story, but his neurotic and skeptical personality amplifies his

Hamlet’s insanity can be thought of as a tragedy or misconception of reality. The death of his father had shaped the first few impressions of his own persona as well as a new experience with his new aunt. As  a result of his genius insanity prince Hamlet has devised a plan to make things more clear to the audience. “Hamlet’s behavior strikes the audience as abnormal on  several occasions. For example, Hamlet seems to be really mad when he is in front of Ophelia in disordered clothes. He behaves as if he had been loosed out of hell to speak of the horror”.  As the progress of the play foreshadows a significant end to his insanity that he acts upon.  As the play progresses throughout, Hamlet finds ways in order to give others the impression that he has lost his sanity from his “love” of Polonius’s daughter Ophelia. “(Ophelia)He grabbed me by the wrist and held me hard, then backed away an arm’s length and just looked at me, staring at me like an artist about to paint my

   Shakespeare's Hamlet is a master of deception. Hamlet decides to make Claudius believe that he is insane, but the scheme backfires when everyone, except Claudius, falls for it. Ophelia is one of those who believes Hamlet lost his mind, and when he does not return her love, she is so brokenhearted that she commits suicide. Near the end of the tragedy, Hamlet plays the part so well, that he convinces himself he is insane. Clearly, Hamlet's plan to put on an antic disposition is a tragic error.

Great authors can develop the same idea in different ways. Shakespeare introduces the characters of Hamlet and Ophelia to mental illness throughout “Hamlet”. Hamlet a, Depressed and Monomaniacal Psychopath, runs off of the vengeance of his father to kill his uncle, King Claudius. Ophelia A victim of, hysteria and depression, cannot function without the support of her father and lover without this support she can loses the will to live. Shakespeare uses metaphors, gender, tone, and word choice to develop the progression of mental illness in his characters throughout “Hamlet”.

There were various ‘treatments’ used in the span of history to treat those who were affected by anything regarding mental health. Psychology, despite being one of the youngest sectors of science has a very undeveloped, horrific history when it comes to participants. “Madness is a generic term that includes behaviors considered deviant. Deviance is always culturally defined, and varies markedly from society to society.” ("Madness and Culture."). In the play, both Hamlet and Ophelia are affected mental health disorders deriving from the deaths of loved ones yet they both dealt with it differently. Arguments regarding Hamlet’s mental state are made based off his encounter with his father's ghost as well as his general behaviour. Hamlet’s friends often worry that when Hamlet and his father meet “there [King Hamlet] assume some other horrible form, Which might deprive your sovereignty of reason And draw you into madness?” (1.4.71-73). Nonetheless, this worry was often disproved throughout the play. Being described as having a ‘crafty madness’ by Rosencrantz disproves his madness theory. Moreover, there are various instances where Hamlet confesses to faking his apparent decent. With statements such as “I am but mad north-northwest” (Shakespeare 2.2.386) or “...am not in madness, / but mad in craft” (Shakespeare 3.4.188-189) show that Hamlet is fully aware of himself and how others think of him, showing that his acts are done on purpose and he is, in

Hamlet is one of Shakespeare’s most famous plays. In it, a young, Danish prince struggles with the death of his father and the betrayal of his mother. This struggle is so profound; it shakes its main character Hamlet to the core and brings him to the brink of sanity. Shakespeare uses madness to convey important information throughout the play especially through Hamlet and his love interest, Ophelia. Hamlet does not always appear to be mad, in fact throughout the play his sanity is questioned by the reader and other characters. Whether real or faked, Hamlet and Ophelia’s madness reveal to us more about their characters, opinions and secrets than their regular discourse.

Shakespeare dabbles with the human mind in his play, Hamlet. Through Hamlet’s careful planning for the murder of his uncle, he feigns madness as both a cover for his actions and a renewal of his own meticulous personality. Accordingly, this renewal comes with its own consequences, as his new personality corrupts his old relationships. Relationships previously built on love are tainted by this new madness, but even in madness, one’s true emotions are manifested in some fashion. Regarding Hamlet and Ophelia’s relationship, love is intertwined with madness, and the extent of this madness corresponds to the level of love that they possess for the other.

In the play Hamlet by William Shakespeare, the titular Hamlet, the young prince of Denmark, wars against his own inhibition to avenge the death of his father at the hands of his uncle, now king. In pursuit of this goal, Hamlet assumes a guise of madness to escape investigation and scrutiny, however this backfires, leaving his uncle more suspicious than ever before. Hamlet, however, is not the only character troubled by madness, his love interest, the noblewoman Ophelia falls to insanity after the death of her father Polonius at the hands of the one she loved. In Hamlet, manifesting itself differently throughout the play in the speech of both Hamlet and Ophelia, madness is one of the main driving forces behind the story’s progression, and while reason can be found hidden within their cryptic and maddened speech, madness leads not only them but those around them to their untimely demise.