Albert Camus’ The Stranger takes place in a 1940s Algiers, where the sun is always blaring red hot and the French think they’re superior to the Arabs. In all of this we find the ever wandering soul that is Meursault. Meursault, the main character, gives the word “passive” a new meaning. We see him as a “do what I’m told” kind of character in the beginning of the book. Towards the end of the book however, he finally wakes up and realizes what life really means. Meursault is more aware and as he’s sitting in his cell he finally hears his own voice. It takes a death sentence for Meursault to appreciate life for what it is and understand it. We experience this as well, not on Meursault’s level, but when someone close to us passes away or when we simply ponder the meaning of life. We like Meursault try to find meaning in life in dire times but more times than not we get nothing out of it because the universe holds its tongue. Meursault is a young French Algerian who comes off as an emotionless person who doesn’t really care about anything in the beginning of the book. This makes sense because if you look at it from one way: he left Maman in a home without feeling any guilt. However, Meursault and Maman were not close at all and he didn’t have the means to take care of her. Maman was better off in the home where she met friends and fell in love one last time. The only puzzling thing about Meursault’s relationship with his mother was him not showing grief at the slightest when she
He has no initial reaction to the news of her death, and at her funeral service he did not bother to even see her before she was buried. His lack of emotion is evident in the very first lines of the book, “Mother died today. Or maybe it was yesterday, I don’t know.” This shows that Meursault is hardly caring for his mother. Society’s standards would result in him to be in absolute mourning and wanting to go as fast as possible to her body. This is not the only example of Meursault’s lack of emotion and care for factors in his life. He does not care for love and marriage after having intercourse with someone; the society standard at this time was to get married if two partners had intercourse. He does not care for promotion and career advancement when his boss offers him a better job opportunity; the standard at that time and right now is to pursue the best career possible. In these scenarios Meursault is living free from the chains, and does whatever he thinks is right to do. Eventually, society rejects him and his ways, and he gets in trouble with the law. He is judged by society and his ways are ridiculed, making Meursault appear to be a monster.
In The Stranger by Albert Camus, the murder committed by Meursault is questionably done with no reason. Although the entirety of the second part is spent in society’s attempts to find a cause, Meursault has a durable existential mentality that proves that even he knows that there is no true reason for the crime. Through the use of light and heat imagery and diction in The Stranger, Albert Camus comments on the duality of society trying to find a cause for the murder and Meursault defying this because of his existential mentality. These elements heighten Meursault’s negative outlook on life by
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
Finding the meaning of life has been an endeavor undertaken by countless philosophers with almost no uniformity from their answers. Ranging from promises of eternal life, to the belief that life has no meaning at all, Albert Camus, a French philosopher, offers his own unique view on the matter. In Camus’ novel The Stranger, he uses the beach scene where Meursault, the main character, kills an Arab in order to signify that life definitely has a meaning at times, albeit with absurd implications.
In Part 1 of the novel, Meursault does not fully grasp the significance of life because of his absurdist way of life. Camus presents Meursault as a person who does not live life, but reacts to what life presents him. Meursault is incapable of understanding the metaphysics of the world due to his lack of emotions. The greatest understanding of Meursault is through his own mind; instead of being subjective, he is objective. “Behind them, an enormous mother, in a brown silk dress, and the father, a rather frail little man I know by sight” (22). His thoughts include “note-taking” details about his environment with an
The novel starts out with Meursault getting a telegram saying that his mother had died. He takes time off work to go to her funeral and completely fail to show the emotion that the reader expects to see of a son towards his recently passed mother. First and foremost, when he arrives, the coffin is
In The Stranger, Albert Camus writes about a detached yet normal man, Meursault, who encounters unusual situations that evidently leads to his demise. From cover to cover, it was established by the author that Meursault had an unusual way of thinking and that he was continuously revealing his peculiar perspective on life and death. Throughout the novel, Meursault is reminded of death and continues to be judged by everyone in the society that he lives in, for instance, when he was put on trial for shooting an Arab man. Camus writes about the main character by describing his absurdist mindset. It is through the focus of funeral scene, however, that Camus is able to formulate the values of the character and the society in which they live in. This scene was able to reveal Meursault’s perspective on life as well as death.
Albert Camus introduces the novel The Stranger in an absurd way. He purposely lets the reader know that the main character Meursault has no care for life. To him the only thing that derives from life is death, so what does, or does not happen is of no concern to Meursault. Not only does he not care about the life of others, he especially does not care about his own. This state of mind ultimately leads him to his own demise and death, which is ironic but yet revealing of Albert Camus's message.
The story begins with “Maman died today. Or yesterday maybe, I don’t know” (3). The lines introduce Meursault’s key personality trait, his indifference. He simply states the facts and has little emotional expression when talking about his mother’s passing. At his mother's funeral, he felt others expected him to talk and show emotion and it made him uncomfortable.
At the beginning of the novel, it is made known to the reader of Meursault’s loss of his mother, "Maman died today. Or yesterday maybe,
The Stranger by Albert Camus was published in 1942. The setting of the novel is Algiers where Camus spent his youth in poverty. In many ways the main character, Meursault, is a typical Algerian youth. Like them, and like Camus himself, Meursault was in love with the sun and the sea. His life is devoted to appreciating physical sensations. He seems so devoid of emotion. Something in Meursault's character has appealed primarily to readers since the book's publication. Is he an absurd anti-hero? Is he a moral monster? Is he a rebel against a conventional morality? Critics and readers alike have disputed a variety of approaches to Meursault. I believe he is the embryo
In The Stranger by Albert Camus, the main character, Meursault, is an absurdist who lives in the moment and refuses to be distracted by societal norms. He views the world as random and is indifferent to it. But to many French people living in Algeria, religion, social order and character are intertwined and are imperative to human life. Camus uses the crucifix and the courtroom to convey the idea that religion is man’s desperate attempt to create meaning in life where there is none.
In The Stranger by Albert Camus, Meursault exemplifies Camus principles of absurdism. In light of the two quotes from Camus Resistance, Rebellion and Death, the reader is better able to understand why Meursault reacts furiously to the chaplains reply to him. This reaction comes from the realization that has accumulated in him concerning the indifference of the world and the ephemeral nature of death that is what ultimately left him to be executed for his crime. In The Stranger, Camus introduces us to Meursault who is only concerned with the practicalities of life.
At one point, he declines a job offer to go to Paris. Despite the fact that he'd be able to leave colonial Algeria for Paris, which would seem like a good life choice for many, he doesn't care for the offer. Meursault said that “people never change their lives, that in any case one life was as good as another and that [he] wasn't dissatisfied with [his] here at all” (41). Meursault shows himself not only be indifferent to things or people around him, but that he's also indifferent to his future as everything is the same to him. In his relationship with Marie, Meursault was indifferent to the idea of getting married to her. When asked about marriage and if he really loved Marie, he responded that “it didn't mean anything but that [he] probably didn't love her . . . that it didn't really matter and that if she wanted to, [they] could get married” (ibid). Here he was, saying that he didn't care if he got married. By doing this, he discarded his own ability to decide his future, and instead put it in the hands of someone else. In this respect, Meursault is also like the world, in that his future is decided by others, but unlike the world, Meursault has the ability to decide his future, but never takes the chance, because, like the world, he doesn't care.
Albert Camus, born in colonized Algeria, a father to absurdism, and author of The Stranger confronts the philosophical themes of purpose, integrity, and passivity. The Stranger’s main character, Meursault, is a laconic man whose passive actions and brutal honesty lend to connections in his court trial. Those of which condemn him to execution. Meursault falls victim to his complete honesty, complete passivity, and disregard for the purpose of action. He is straightforward, and his actions usually follow his thoughts. Actions and decisions that most average people regard as serious, Meursault regards as arbitrary. Meursault’s exemplification of absurdism proves to not only lend to his characterization, but as a comfort in his death as well.