The Medici Of Great Modern Art

The Medici family commissioned many artists to make art for them. By the family commissioning them it basically made the artist’s name. In the early time of the Medici family when they were just building up their empire commission artists would help them to build their political prestige and their reputation in the community. Initially in the time of Lorenzo Medici the church wanted nothing to do with the Medici family’s art patronage because they believed that the works that they had commissioned were crude or inappropriate due to nudity or sexual scenes. About 70 years later right before Pope Julius died the Medici art patronage was brought into the church when he commissioned Michelangelo to paint the ceiling of the Sistine Chapel. By Michelangelo being brought into the light of the Catholic Church it opened doors for the Medici family to

The Renaissance occurred in Europe between 1400 and 1600. This event began in Italy during the Medieval period and then expanded to the rest of Europe, marking the start of the Modern age. The Renaissance began in Florence Italy in the 14th century. It was a cultural movement that had an enormous impact in Europe during the early modern period. The Renaissance’s influenced politics, science, literature, art, philosophy, religion, music, and other aspects. Around the 13th century in Italy started the Renaissance’s art influence. Leonardo da Vinci, was known as the "Renaissance man," because of his art masterpieces and his studies in other fields during this time. Italy wasn’t a political concept in the

To many, the name Lorenzo de Medici just sounds like an irrelevant Italian man. At a closer look, Lorenzo was one of the most important people in the history of Italy. Born to Lucrezia Tornabuoni and Piero di Cosimo de ' Medici, Lorenzo ruled Florence from 1469 until his death in 1492 after his father’s death. He helped make Florence the most important city-state from 1469-1492. Lorenzo de Medici was the most important ruler of Florence because he formed political alliances to protect his people, he was a strong supporter of education, and he was an advocate to many great artists.

In the fifteenth-century, the evolution of patronage begin, since power, and money influenced the creation of great artworks. One hand it flourished the Italian architectural collections other hand, notable designers as Brunelleschi, and Donatello designed and experimented with their creations. For example, Brunelleschi creation for the Medici family, which known as the Dome of Florence Cathedral (Fig 12-12). As it has been mentioned in the book he was the founder of the dome and it was one of the Gothic inspired and cost effective creation from that time period. Artist Donatello also made a contribution in the art world in a fascinating way since his work was inspired by as it has been mentioned in the book by the classical forms which

Marie De Medici: Marie De Medici was the daughter of Francesco I and Grand Duke of Tuscany, she was the wife of Henry IV and mother to her son Louis XIII.

While researching many online sources about, The Medici family and specifically Lorenzo de Medici, I found several sites that had help me further my knowledge and understanding of Lorenzo de Medici and why he was influential during the Renaissance time period. I could not find all my information strictly on one sight because Lorenzo de Medici had many different fields of work and personal things that he had invested his time into to only find it on one source. Many of these sources often placed an emphasis on Lorenzo de Medici’s life and not what he would be remembered for. He has contributed so much to the culture and development of Florence and will forever be remembered as “Lorenzo the Magnificent” for a reason. He was a strong leader and

Cosimo de’Medici filled his libraries with over seventy volumes and made sure to only include text worthy of reading with “the collection reflect[ing] his literary taste and consist[ing] of classical texts as well as a mix of secular and sacred works typical of collections at the time” (Meehann 15). Cosimo’s first library was constructed in 1433 outside of Florence as a gift for Venetian hospitality and good will. He built and furnished the library for the San Giorgio Maggiore monastery in Venice (Meehan 16). Cosimo’s behavior illustrates that not all members of the Medici family used art for gaining power. The parts of Cosimo’s library that did not go to the San Marco collection went to two of his sons, Piero and Giovanni. As the two boys grew up, they collected more books in competition, but unlike their father’s simple manuscript style, they collected miniatures that were created by leading

In the year of 1475 in december 11 was born Giovanni di Lorenzo de' Medici, but was called Pope leo X. Pope was a title very sacred to the community and right after two older Popes died it was Giovanni's turn to rule. Giovanni ruled and his first action as a Pope was to lead the costly war, that succeeded after rescuing his nephew and securing him as duke of Urbino, but which also damage the papal finances. Later on The pope escaped on some cardinal finances of poisoning him Pope Leo was best remembered for granting indulgences of those who donated to reconstruct st. Peters basilica. Pope did not take the reconstruction of the church seriously, so the reformation became a protestant reformation. His papal bull of 1520 simply condemned Luther

With Giovanni’s death in 1429, there were those who tried to capitalize on the opportunity to displace the Medici family from its place in the social and political landscape of the time. One such opportunity was taken with the help of a wealthy rival, the Albizzi family, who put in motion a plot to have Giovanni’s son, Cosimo de Medici, arrested on accusations of treason and banished to Venice. This did not happen without consequences. With Cosimo’s exile he took with him a large source of Florentine capital, the Medici Bank. The Pope intervened and restored the Medici’s to power. Thus began Cosimo’s restoration of Florentine pride and the support of great artists that many admire today.

The Renaissance time period was home to many new ideas in art. This includes new artists bringing forth ideas that had yet to be discovered and made popular. New themes and types of art were also being brought forward during this period.

The House of Medici, or the Medici family, was a very influential and extremely powerful family during the time of the Renaissance in Italy. The Renaissance took place starting in the late 14th century. During this time, the people started to take interest in and have an appreciation for the classical times. The beginning of this powerful family really begins with Giovanni di Bicci deˈ Medici. He was born in the year 1360 in Florence, Italy. Originally from the Tuscan hillside, the Medici family immigrated to Florence during the 12th century. Giovanni di Bicci deˈ Medici was the man who really got the family moving. He founded the Medici Bank and began using money to gain influence. The Medici Bank eventually became the official bank of

Perhaps two of the most noteworthy art collections in the 1500’s were the collections of the Medici, well know patrons of the arts and of many well-known artists; also the Habsburgs of Austria Known then as the Holy Roman emperors who were known for having an eclectic collection ranging from scientific tools and exotic stuffed animals to religious artefacts and Paintings. Then in the seventeenth century in Britain another famous collector comes forth, Charles I who had a taste for art that showed the divine right of kings and had a love for Rubens and Van Dyke’s painting style. I have selected these Rulers due to the fact that they were not only collectors but were also patrons of artworks which shows a complete devotion to art, not in just admiring art from the past which had become noteworthy through the popularity of the artist; but because the encouraged contemporary artists, and as such had a lasting impact on art despite them not being directly behind the works.

Masaccio was not named among the painters ‘who have been illustrious in our age’ in Fazio’s De viris illustribus. Nor was Masaccio included among ‘the best masters who have existed for a good while back’ in the list of artists by whom the Florentine merchant Giovanni Rucellai owned works in c. 1470. This omission, however, presumably reflected the difficulty of acquiring panel paintings by Masaccio, which inevitably have always been rare, rather than an opinion that Masaccio was not one of ‘the best masters’ (Ahl 158).

When the new upper class movement, Renaissance, occurred in Italy around the 14th century, a revival of the classical forms originally developed by the ancient Greeks and Romans, an intensified concern with secular life, and interest in humanism and assertion of the importance of the individual began. Thus, artists such as Mosaccio and Giotto depicted art that unlike the Middle Ages, showed emotions, feelings, and bright colors, thus demonstrating the deep concern for naturalism in the society. Other artists during the Italian Renaissance period such as Giovanni Bellini began to express their art through secular and religious themes and ideas that were exhibited through landscapes and portraits. As new styles of

The focus of this investigation will be “The Medici family supported the artists of the Renaissance era by providing them financial support, throughout mentorship and because of the prevailing philosophy and humanism.” This investigation will focus on the background of the Medici family and how they supported artists of the Renaissances era. This investigation will use a primary source from an artist's work and a secondary source relating to the Medici family uprising.San Lorenzo (church). Medici chapel. Tomb of Lorenzo de' Medici which held Sculptures by Michelangelo and Adrien, De Roover Raymond. The Rise and Decline of the Medici Bank, 1397-1494. Norton Library, 2012.Both sources provide background to the Renaissance time period and how the Medic family treated artists with their power. The two sources are examples of how the Medicis changed the renaissance era through their money and power to pursue artists for their own benefit and for the time periods.