The Merchant of Venice - Trial Scene

Claudio's sister Isabella is dragged out of the convent to plead for him, on the assumption that her superior virtue might move Angelo's heart to pardon her brother. Does it? No. Rather, it pierces right through Angelo's cold Puritanism and sets his heart and other bits on fire. We see through this carefully controlled man into the roaring pit that he has tried so hard to conceal. He falls a victim to the very passion he is prosecuting in Claudio; in doing so, he comes to represent the conflict between good and evil in Vienna as he struggles with the knowledge that he cannot control his own desires.

The merchant of Venice is a drama and romantic play, by William Shakespeare. Regarding the test for the suitors and the final part of the book, the author is inspired by a fourteenth-century Italian novel of Giovanni Fiorentino, called “Il Giannetto”, (Bullough, 1957). The merchant of Venice is believed to have been written between 1596 and 1598. It is contained on the First Folio, in the contents of Comedies, sharing certain aspects with others plays. That one traditionally ends with the positive return to order expected from the genre, it also has some characteristics of a tragedy, in particular with regard to the punishment and the oppression that are suffered to Shylock Jew. The peculiarity is the title of this book, “The Merchant of Venice”, in fact, it refers to the character Antonio, and not Shylock, a moneylender, which has a pivotal role in this play. One possible reason is that by calling “The Merchant of Venice”, Shakespeare wanted to focus the attention of the readers, on the

In ‘The Merchant of Venice’ Shylock is very strong minded and is singled out of the play because he is a mean Jew that charges interest. Shylock is very stubborn and determined to keep to his bond; a pound of flesh of Antonio.

Shakespeare engages a modern audience through the character Shylock. Shylock in The Merchant of Venice is the antagonist of the play and is subject to sequences of misfortune, much to the delight of the Elizabethan audience. However, in a modern context we show slight feelings of sympathy towards him as a result of today’s ideologies. Upon meeting Shylock we see that his religious standing puts him in an isolated position against the Venetian society. A line is recited

One of the strengths of good theater is its ability to mirror the problems and conditions shaping its time. In The Merchant of Venice, William Shakespeare reflects two important aspects of Elizabethan society: the corrupting influence of prosperity and the increasingly vengeful nature of Venetian justice. To address the former issue, Shakespeare downplays the importance of wealth by associating its involvement in romance with superficial and insubstantial advantages. He characterizes prosperity as a deceiving agent, citing its ability to introduce shallowness into a relationship. Shakespeare reasons that genuine romance depends on sacrifice and emotion, not wealth. The problem with justice is equally striking. In the play, justice is

Shylock is a character famously known as being the antagonist of Shakespeare’s play merchant of Venice. In this play, Shakespeare portrayal of Shylock the moneylender is one of anti-Semitic stereotype. Shylock is depicted as a typical bloodthirsty Jew who lives a life void of any depth or meaning. His sole purpose for living seems to be to amass wealth and vengeance as seen from his adamant claim for his “pound of flesh”. Despite Shakespeare’s attempts to humanize Shylock at points in the story, it appears that his primary focus is to steer the audience against Shylock, painting him as being a cruel, bitter and inaffable figure. It is clear that in both Shakespeare’s merchant of Venice and Grace Tiffany’s Turquoise Ring, Shylock exposes

Stereotypes for every different religion, ethnicity, culture, and gender exist among the minds of the human race. These typecasts have ruled this world for as long as there has been diversity among people. In Shakespeare’s comedic tragedy, The Merchant of Venice, one prejudice is very central to the theme. The play is dominantly set in Venice, one of the most liberal cities of the Renaissance era. In this place and time period, anti-Semitism is very much in force. The Jewish people are discriminated against and treated terribly by the Christians living in Venice. Shylock, a wealthy Jew, is mercilessly spurned many times by men like Antonio, a Venetian merchant. In contrast to this blind hatred is the longing and lust associated with

Pay him six thousand, and deface the bond (3.2.298) This section is an instance were the word bond as the agreement between Shylock is confronted by another strong character in this play. Portia playing a strong masculine role for her house hold and new husband Bassanio. She shows her power and authority by wanting to deface the bond and pay more than the original sum, to free Antonio and help out Bassanio. This shows that even though the agreement between Antonio and

Another example of Portia fighting back is when Portia uses trickery to make Shylock stick exactly to the bond causing him to be condemned to Christianity and to give half of his belongings to Antonio and the other half to

The Merchant of Venice by William Shakespeare portrays Shylock as a victim throughout the play, but as he seeks revenge towards the Christians and everyone who has done him wrong, Shylock defends himself with some villainous behaviour. To a modern audience, the discrimination and suffering Shylock experiences, place him as a victim. Throughout the play, Shylock, a Jewish money lender, is perceived as a greedy and miserly man due to his Jewish culture. In Shakespeare's time, exploitation of Jews was common; particularly in Venice as it was an anti-Semitic city. However, Jews thought of themselves as victims of harassment and oppression. Shylock has been discriminated against, but nevertheless seeks revenge on people who have done him wrong which displays another side to Shylock. Therefore, Shylock is viewed as a victim and a villain, but more of a victim because of the abuse he has suffered.

William Shakespeare’s The Merchant of Venice is a perplexing story of dark humor, race, religion, identity, love, and justice. Generally, most people understand The Merchant of Venice as a comedy about a bitter and outcasted Jewish moneylender named Shylock who seeks revenge against a Christian merchant who has failed to pay his loan back. However, there are many different perspectives on whether The Merchant of Venice is a comedy or a tragedy depending on one’s views on the difference between race and religion. If one views the story as a comedy, it is a dark comedy full of many problems, especially the controversial subject matter of anti-Semitic attitudes of its Christian characters. If one views it as a tragedy, it is a tragedy that concludes with majority of its characters in a “happy ending”—that is if one agrees that Jessica’s decision of love over betraying her father and giving up her Jewish identity is indeed a happy ending.

The Merchant of Venice was created between 1596 and 1598, it was published as a comic, romantic, tragic in 1600. The play has many struggles in it but the main ones are Bassanio's quest to marry Portia and his attempt to free Antonio from Shylock's deal. The idea that Shakespeare's representation of Shylock is unquestionably Anti-Semitic will be impacted in this essay because thought this book Shakespeare portrayed Shylock as Anti-Semitic.

Shakespeare still had to please the crowd with the insults and anti-Semitic feelings the people loved. He did this by adding flaws to the characters that they are now known for. Shakespeare gave Shylock his deep hatred for Antonio and all Christians, shown constantly by Shylock himself as he rants how Antonio constantly wrongs him. Another flaw in Shylock's morals is seen in his "Hath not a Jew eyes" speech. There he believes he has the right for revenge when a Christian wrongs him, saying, "If a Jew wrongs a Christians, what is his humility? Revenge. If a Christian wrongs a Jew, what should his sufferance be by Christian example? Why, revenge." (III, i, 63-66). Antonio too shows flaws, both through Shylock's stories of Antonio's persecution and through the insults he offers Shylock throughout the play. In the courtroom scene, Antonio tells Bassanio he might as well go stand on the beach and tell the waves to stop their endless beat upon the shores than try to get the Jew to change his mind. He also jokes that Shylock is turning into a Christian with his kindness to lend Antonio the 3,000 ducats, saying "The Hebrew will turn Christian: he grows kind." (I, iii, 170). Not only does this add the necessary conflicts for humor that the audience wants, but it provides the backbone for the story, showing the background of the

In the play the ‘Merchant of Venice’ by William Shakespeare the antagonist Shylock is both the victim and the villain. Shylock is a Jewish moneylender and is initially portrayed as anger filled and bloodthirsty but as the play continues we begin to see him as more human and his emotions become more evident. As the antagonist, Shylock is a fearful adversary to Antonio, the protagonist. But as good begins to win over evil, Shylock is crushed and we see evidence of his mortality in his grief. Shylock changes significantly though out the course of the play and he is formed into a too complex character to be labeled just victim or villain.

Disguised as young lawyer Balthazar, who speaks with heightened eloquence to beg Shylock to show mercy. Portia’s speech about the quality of mercy is wasted to Shylock. It's almost as if Shylock got his way, revenge. After all these years it is time for him to complete his deed. His deed to eliminate Antonio. As his moment arrives it is all dismantled by the intelligence of Portia. Portia turns Shylock’s greatest weapon-the law-against him, Portia delivers once last chance of mercy to Shylock. Shylock is warned if even a drop of blood is spilled he will be accused of conspiring a life against another Venetian citizen all of his land and goods will be confiscated by the state. Shylock agrees to take thrice the sum. Shylock drops the case, but Portia deems him guilty for threatening another Venetian citizen. Half his property and land shall go to Antonio and the other half to the state. “I pardon thee thy life before thou ask it.” The Duke of Venice demonstrates mercy even after what the Jew had committed. The court could have acted on revenge against Shylock but they knew mercy was far greater than revenge. Shakespeare urges mercy is preferable than revenge. He tells us that even those who have wronged deserve mercy. Acting towards revenge will not prosper but mercy can be replenishing. Shakespeare shows us one can show mercy and that it is not forced.