Within Frankenstein is a world divided between the egotistical ideas of a mad man and the monster that is created through his insanity: in Lacanian terms, between the Symbolic and the Imaginary Orders. According to Lacan, “the Imaginary [is a] field of images and imagination, and deception” (Wikepedia.org ); Victor’s imagination being reflected solely on the monster that is created by his own guilty hands. To Victor, his creation reflects the idea and ego that cultivate through him, it is the spark that takes the ordinary and turns him into the “alienated.” While Victor imagines himself to be a part of society, he soon comes to realize how his work has instead done the opposite, sheltering him completely. “I shunned my fellow creatures …show more content…
“Oh! No mortal could support the horror of that countenance…I had gazed on him while unfinished; he was ugly then; but when the muscles and joints were rendered capable of motion, it became a thing such as even Dante could not have conceived” (Shelley 61). The beauty that was once imagined in this reincarnation is now washed away with the complete burden of reality—Victor has made a monster. No longer can Victor be satisfied, for the true daunting reality of his actions is now staring literally back at him. It is in this moment that Victor’s fear reveals his new lack of control for the creature—the monster has a mind of its own. Lacan justifies that Victor’s lack of fear for the monster (when unfinished) is natural because Victor neglects to see the separation between them. When under construction, Victor sees the monster as a continuation of himself, somewhat like a mother would when pregnant with child. Never does the mother in pregnancy see her child as a separate entity for the child itself cannot physically be separated from the mother. It is not until she gives birth that the concept is understood, for the child is then able to be physically unattached while still continuing its regular routines—breathing, sleeping, moving, etc. This is what brings Victor’s fear to surface, when Lacan’s mirror stage is shattered and “Victor looks in the ‘mirror’ and sees the image begin to have a life of its own, moving in ways that do not reflect his gestures, and
Victor worked continuously on his experiment, obsessed with finding the correct building material. It would seem that after all this arduous work he put into making this Creature, he would be in awe when it was finally finished. Upon the completion of the Creature, he finds himself in shock, explaining in vivid detail about the Creature’s “yellow skin which scarcely covered the works of muscles and arteries underneath” and its “shriveled complexion,” and “straight black lips” (42). In the human nature, it is known that when a person creates something, no matter how ugly, or how deformed it is, the creator is proud of his creation. Although, immediately after he sees his creation, Victor is unable to stare at the “monster” any longer, and paralyzed with fear and guilt, abandons the creature all alone in the world, like a new born baby. Although it might not seem like this, this particular scene conveys a deep sense
Frankenstein removes himself from friends, family and society in order to absolve himself from responsibility of morals. Through efforts to maintain control and an acute fascination, Frankenstein alienates himself at an early age in the name of science. Victor is not entirely ignorant of the dangers of his self-satisfying obsession as he first regrettably reflects, “I was, to a great degree, self-taught with regard to my favorite studies. My father was not scientific, and I was left to struggle with a child’s blindness, added to a student’s thirst for knowledge” (Shelley 28). Rather than recognizing that his isolation is self-induced, Victor blames his alienation on his father’s ignorance. By controlling his relationships, he gains greater confidence in his own abilities, instead of relying on others’ companionship. Notably, evidence for Victor’s disregard toward “domestic affection” is reintroduced as he remarks, “I must absent myself from all I loved while thus employed. Once commenced, it would quickly be achieved, and I might be restored to my family in peace and happiness” (Shelley 138). With selfishness at the core, Victor controls his chaos by distancing himself temporarily, so that he might reunite with his family at a later date. He is being inundated by the common belief that glorious scientific achievement comes at the cost of moral and ethical sacrifice. Victor justifies his self-alienation by means of the creature; however readers
While attempting to uncover the meaning of life and death, and though he believed his experiments would further the paths of science, Victor fails to see the potential consequences of “bestowing animation upon lifeless matter” (Shelley 37). This, in turn, creates a monster. After his “great” experiment, Victor spends his life in grief. Despite this, he manages to belittle his creation, and act superior to him, claiming that “I [Victor] will not hear you. There can be no community between you [the creature] and me; we are enemies” (Shelley 84). Even later on, when assured by the creature himself that Victor would be left alone if he creates a female counterpart, Victor cannot see past the shreds of pride he has left and refuses, causing the death of his family and loved ones. It’s Victor’s pride and his fear of the creature that clouds his judgement and in the end leads to his
Several fields have studied the relationship between creator and creation. The most significant aspect of this research considers the difference between nature and nurture. Sociologists, psychologists, scientists, and other professionals have tried to pin down the exact distinctions between these two types of upbringings. In literature, the same questions have been asked and studied using fictional characters, most famously in John Milton’s Paradise Lost, in 1667, and Mary Shelley’s Frankenstein, in 1818. The complexity of the characters in these texts creates the theme of nature versus nurture before they diverge and arrive at differing conclusions.
Victor knew that what he was doing was hurting his body physically and mentally, “My labors would soon end, and I believe that exercise and amusement would then drive away incipient disease” (Shelley 42) Victor felt this way when he was in the midst of the creation of his monster. Victor knows that his decisions were hindering his body and his ruining his limited time that Victor has on this Earth. The hindering of someone’s body and wasting of time is going to be a direct result of Victor’s demise. The actual creation of the monster also took a toll on Victor; Victor describes the monster by saying “No moral could support the horror of that countenance. A mummy again endued with animation could not be so hideous as that wretch” (Shelley 44) Another example of Victor’s description of the creation of the monster the night before “I trembled exclusively; I could not endure to think of, and far less to allude to, the occurrences of the preceding night” (Shelley 46) Even the next day, after the monster was created, Victor still was hurt by the creation of the monster which then led to Victor being very sick, only to be nursed back to health by Clerval. All of this could have been avoided by Victor if he would have not of created the monster. But because Victor decided to create the monster, the consequences of these actions were the ultimate demise of Victor with the person responsible for the demise being victor
Mary Shelley’s story of internal turmoil, the cruelty of altering the laws of nature, and the consequences of redefining the laws of nature is a harrowing one, known widely by many audiences, yet it is never the nature of the characters that is discussed, only the outcome. Shelley’s deliberate use of different character foils portrays the deeper connections and themes in her 1818 novel, Frankenstein. The creation and presence of Frankenstein’s monster directly foils the character of Victor Frankenstein himself, illustrating overarching themes of self inflicted isolation and internal conflict, exposing the dangers and consequences of complete and total narcissism, and revealing a truth many still refuse to accept: we, as humans, are capable
Victor thought “for this I had deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart”(page). This quote demonstrates that once Victor had concluded his work of creating the monster, he realized that it may have been a huge mistake. He was not satisfied with his creation instead he was filled with terror. In result of his realization, he left the monster to fend for himself and suffer. Victor shows an evil side of himself by abandoning the monster and leaving him to be universally shunned by society. By Victor doing this one evil act, it causes the monster himself to go off and initiate evil acts of his own.
In Shelley’s Frankenstein, the monster is portrayed as a grotesque abomination. However, as Hopkins states in Contending Forces, the cultural and geographical situations, or lack thereof, in which one matures in play a crucial role in the proper development of one’s mind and brain. The monster is simply a product of circumstance. The lack of social interactions alongside geographical isolation propelled the daemon to be alienated from society, ultimately resulting in a lack of morals and an underdeveloped psyche. By being a culmination of his surroundings and experiences it is revealed that the true monstrous entities are the factors that leave the daemon predisposed to fail in a modern society. Arguably, Victor created a being, while the circumstances that said being was placed in “created” a monster. Shelley purposefully terrorizes the monster with such intensity to provoke and justify the overarching theme in this novel which states that people should not be judged on their physical appearance.
Victor’s blindness to what his end result will produce is immediately revealed when his final work is a hideous creature. Victor, through repulsion, neglects caring for the creature in its blank slate, gradually fuelling the ambition it feels for revenge. With the monster isolated, he begins to learn, “I learned to distinguish between the operations
The enormous difference in the way Victor views the creature before and after its completion shows that he has an altered state of mind while he works on it. As a result of Victor’s secrecy about his creation, he sacrifices his health and happiness to make a creature that disgusts him.
Shelley explains how Victor has a great mental turmoil after he indirectly caused the death of people who were close to him by the actions he took to create the monster. Shelley’s description of Victor’s feelings show the deprivation of hope and fear in his soul and the emphasises the pain in which he was indirectly the cause of. Victor not only caused his own mental illness, but he also caused his own physical illness. Victor makes himself physically sick by his actions during the creation of his monster. Victor’s work unintentionally causes himself to decline in health and become vulnerable to illnesses. “When Victor is working on his experiment, he cannot love: he ignores his family, even his fiance Elizabeth, and takes no pleasure in the beauties of nature. Moreover, he becomes physically… ill, subject to nervous fevers”(Weiner 83). Victor is shown to focus directly on his work, causing him to forget most of the outside world and not be influenced by forces that usually comfort and heal him. His work makes Victor subject to nervous fevers, causing himself to become sick more often and need help from family and friends more often. Although the process of creating the monster was physically taxing on Victor, the end product caused him even more pain. The creation of the creature impaired
Anxiety has been around for many years due to stress levels being too high or events that have happened in the past, but does anyone realize that it is a serious thing and can hurt someone mentally? While researching different academic articles about anxiety and other types of mental illness. I found a few academic journals who describe other people’s lives with anxiety and other mental illnesses. Mary Shelly author of her famous book “Frankenstein” is about Victor Frankenstein who created a monster and got very ill when he saw the beast breathe. Later, he started to neglect the beast and the monster started killing Victor’s loved ones because Victor abandoned the monster. I chose to write about mental illnesses and anxiety because. Victor Frankenstein suffers from a mental illness known as anxiety caused by the monster and events caused by him.
Likewise, Victor Frankenstein allows his emotional senses to give way to a hatred of the Creature without even giving the Creature a chance. After seeing the hideous creation made by his own hands, Victor refrains from taking responsibility of the actions of the Creature, even when his conscious tells him it is his duty to. On the night of the creation, Victor recalls that the creature, who he emotionally describes as a monster, “held up the curtain of the bed … one hand stretched out, seemingly to detain [Victor], but [he] escaped … catching and fearing each sound as if it were to announce the approach of
The monster believed that Victor would accept him, but after he realized that not only did Victor not want to assume his position in the monster’s life, but society also rejected him, it became a transitory thought, and instead became replaced with his bloodthirst towards Victor and his loved ones, which he knew would hurt way worse than just killing him; making him lonely like himself. Both Victor and the monster partook in horrid acts, in which held horrendous actions; the main one being Victor creating the monster in the first place which in result caused the both of them heartbreak, loneliness, and pain. If Victor wouldn’t have created the monster, then his life would not be filled with so much grief and emptiness; Victor is the true monster, although they are both the primal protagonists as much as they are the antagonists because of the display of the emotions they both portray as lamenting humans/monsters, and the power they give to nature in order to destroy one another. Victor used nature to his advantage, although it was wrong; Victor used nature to create and destroy the monster; he used the
These phenomena hide a danger that Victor is aware of after the creation of his monster, who illustrates this risk of connecting nature and science. Victor even warns of trying to be greater than your nature which is a consequence of a growing knowledge. To summarize, he believes in creating new life with the help of inanimate body parts and scientific approaches and creates a monster that reflects the power of nature and