Setting and Plot Did you know that the setting of a text can assist with the accelerating plot? In the texts "Zoo" by Edward Hoch and "The Monsters Are Due On Maple Street" by Rod Serling, the setting of the text drives the plot. In the text "Zoo," the changing of the setting allows the author to write about the way each species view each other. The setting for "The Monsters Are Due On Maple Street" aids the plot by showing how the aliens had set up all the neighbors on Maple Street just by shutting off all the power. The setting allows the author of "Zoo" to write about the way the species viewed each other. As for one example, in the text "Zoo" the setting switch from Earth to Kaan shows how each species had viewed the other. "And the crowds
In both versions there are many differences and few similarities. Rod Serling, changed updates to relate time period to a modern theme. "The Monsters Are Due On Maple Street" 1960 version is black and white and the 2002 version is in color. The 1960 version is less violent how the 2002 version is very violent. The characters change for looking and dressing alike to look nothing alike in the 1960 episode everyone is white fancy as where the 2002 episode has people who don’t care who they look like and they don’t have the same skin color.
The series Twilight Zone is a show that combines science fiction with society. Every episode ends with a shocking, unexpected twist. “The Monsters Are Due On Maple Street” is an episode that informs society about the fear of prejudice and hysteria. In this episode, a loud shadow in the sky passes through Maple Street. The shadow is actually a meteor. Unexpected and strange things start to happen like the electricity and cars turning off. The people who live on Maple become very curious on what the meteor has done to the neighbors living on the street. A young boy named Tommy tells the adults that everything weird happening is because of the aliens from outer space, which he read about in a comic book. First the
Charlie pulls the trigger and shoots the monster. As the group approaches the monster, the find out that it’s Pete Van Horn… and he’s dead. It “The Monsters Are Due on Maple Street”, everything stops working and turns off. The people blame aliens and all turn against one another. The plot is not realistic in “The Monsters Are Due on Maple Street” because the car started by itself, the people blamed the power outage on aliens, and Charlie shoots Pete because he believes he’s a monster.
In “The Monsters Are Due on Maple Street” by Rod Serling the characters were important to advance the plot in many ways, like making it more of a mystery . The text states that most of the people on Maple Street saw something in the sky kind of like a meteor, Steve says “What was that? A meteor?” After reading the text you can concluded that this all put them in a subspecies mood, and then everything stopped working. According to the writer Tommy states “they sent four people a mother and a father with two kids who looked just like humans… but they weren't” When Tommy explained what was going on the all started to panic and was confused at the same time which lead them to point fingers at each other. According to the writer the women states
Mexico prison riot leaves 49 dead. The fight started around midnight and lasted about 30-40 minutes. The fight was between two rival groups and was fought using sharp weapons, bats, and sticks. Also, there was a fire that was started in a storage room. One side of the fight was led by a member of the notorious Zetas drug cartel, Juan Pedro Zaldivar Farias. The other side of the fight was led by Jorge Ivan Hernandez Cantu. All the people that were killed were male prisoners and five that were injured were in critical condition. So far, fourty of the fourty-nine prisoners have been identified. Demanding information, a crowd of the prisoner’s relatives outside the jail blocked roads, threw sticks and rocks, and tried to open the main prison gate,
Both the teleplay script and the filmed episode of "The Monsters are due on Maple Street" tell the same story but differently. Both mediums use the same unique techniques to develop the main idea, and create an eerie mood. In the script of "The Monsters are due on the Maple Street", the author/director uses the stage directions. For example, there is laughter at this, but it’s laughter that comes from a desperate attempt to lighten the atmosphere. People look at one another in the middle of their laughter.
Based on “12 Angry Men” and “The Monsters are Due on Maple Street” it is difficult to stand up to the group because people might resort to violence, face rejection of their ideas, and crumble to social pressure. One of the reasons why it is difficult to stand up to the group, as seen in “12 Angry Men” is that people might turn to violence. For example, in 12 Angry Men-(Rose) we have this text “#3(Roaring) “Shut up!” And he lunges wildly at #8.
What if someone you knew was not who they were? What if they were aliens or terrorists? That’s what happens in the 1960 and the 2003 version of Rod Serling’5s teleplay. In the 1960 version the neighbors are accusing each other of being aliens and taking away each other’s power from their houses and cars. While in the 2003 version they think terrorists are doing this from the recent 9/11. This shows that fear of the unknown can cause people to turn on each other.
Imagine one day, all the electric source devices you have suddenly shut off, what would you do? In Rod Serling’s 1960 teleplay,” The Monsters are due on Maple Street “and 2003 teleplay,” The Monsters on Maple Street “, the characters have a power outage and they’re all confused about what is happening. Throughout the two stories, the characters try to find a solution of why and what is causing all of this. But then the people start to blame others, accusing him/ she is doing this.
“Sheer mayhem breaks out, neighbor battling neighbor, grabbing for rifles, bricks, even the hammer from Pete Van Horn’s body,” (Serling, page 15). This describes the final scene of a provocative short story in The Twilight Zone. The Twilight Zone is a televised show set in the 1960s with short episodes in no specific order. These stories all have the darkest of themes to share about humanity’s true nature. In the short story, “Monsters Are Due on Maple Street” by Rod Serling, the author contributes to the theme that prejudice and scapegoating are weapons of humanity. When the idea of prejudice first kicks in, Maple Street gets a little taste of madness.
The Monsters Are Due On Maple Street. A world of fear and paranoia, who could the monster be, hiding among the people. In The Monsters Are Due On Maple Street, there is no monster, as everyone is a monster. Throughout the whole story, everyone gets controlled by paranoia and fear.
The Zoo is ever child’s dream of seeing strange animals that they have never seen before, but this zoo is like no other. “It was kept with things he could hunt, and it really wasn’t like any animal sanctuary” (Goldman 60). The zoo of Death as the zoo is called is full of
The Monsters Are Due on Maple Street” is a screenplay by Rod Serling that was televised as part of the Twilight Zone television series, a popular series that began in 1959 and is still televised today. After reading and then watching the selection, I prefer the teleplay over the episode.
One sunny morning i can small the corn from my garden and it then it small garden i can not wait and till i get to touch it and to i get to touch it with my friend Alexandria gentry and she cant wait to get a taste to touch she cut wait to have a taste to and she is that we will be watt for a wile but i don't care because i will be good.the next day we came out i can't smell the sweet corn is more then we went over there it was dead and some pulled out we was mad and upset the same time but are next door neighbor and is said that we sund give some water to are corn. I woke up and I saw Alexandria was up there then i heard her say to me how was the sweet corn. she said that it was good
Being in an accident, any accident, is a frightening experience. The situation quickly escalates though when the other driver was under the influence of drugs or alcohol. In most accidents involving a drunk driver, the injured party is not the one who took the wheel after having a few too many cocktails. Our approach to every personal injury case is to recover fully and fairly all that you deserve, and in the case of intoxicated drivers we also seek to send a message that this behavior is unacceptable. This includes holding not only the driver accountable, but looking to all sources of liability when making a claim for compensation for your damages. One of the other parties that we often look to is the bar or other establishment that provided